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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #499DBC it is the complementary color #B66243. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #499DBC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #499DBC shade: #4E9DB7, #5FAFCA, #70C1DD, #81D3F0 and #92E5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #499DBC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #499DBC shade: #499DBC, #388BA9, #277996, #166783 and #055570

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #499DBC shade: #499DBC, #497EBC, #495FBC, #5249BC and #7149BC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #499DBC shade: #499DBC, #497EBC, #495FBC and #4949BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #499DBC shade matches the following richer shades: #499DBC, #34A6D0, #20AFE4 and #0CB9F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #499DBC shade: #499DBC, #5D93A7, #718A93, #85817F and #99776B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #499DBC shade: #49BC9D, #49BCBC, #499DBC, #497EBC and #4960BC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #499DBC shade: #306C82, #3B85A0, #499DBC, #67ADC7 and #85BDD2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #499DBC shade: #499DBC, #7E49BC and #BCAC49

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #499DBC shade: #499DBC, #BC499D and #9DBC49

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #499DBC shade: #499DBC, #7E49BC, #BC6749 and #86BC49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #499DBC shade: #499DBC, #A149BC, #BC6749 and #63BC49

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 16 / 0 / 26

HEX #499DBC

RGB 73 157 188

HSL 196.17, 0.46%, 0.51%

LAB 60.92, -16.06, -23.65

 

Complementary color

CMYK 0 / 46 / 63 / 29

HEX #B66243

RGB 182 98 67

HSL 16.17, 0.46%, 0.49%

LAB 50.79, 31.08, 32.47

 

CMYK 57 / 14 / 0 / 28

HEX #4E9DB7

RGB 78 157 183

HSL 194.86, 0.42%, 0.51%

LAB 60.92, -16.62, -20.83

 

CMYK 53 / 13 / 0 / 21

HEX #5FAFCA

RGB 95 175 202

HSL 195.14, 0.5%, 0.58%

LAB 67.54, -17.01, -21.25

 

CMYK 49 / 13 / 0 / 13

HEX #70C1DD

RGB 112 193 221

HSL 195.41, 0.62%, 0.65%

LAB 74.06, -17.29, -21.66

 

CMYK 46 / 12 / 0 / 6

HEX #81D3F0

RGB 129 211 240

HSL 195.68, 0.79%, 0.72%

LAB 80.49, -17.51, -22.04

 

CMYK 43 / 10 / 0 / 0

HEX #92E5FF

RGB 146 229 255

HSL 194.31, 1%, 0.79%

LAB 86.69, -18.7, -20.51

 

CMYK 61 / 16 / 0 / 26

HEX #499DBC

RGB 73 157 188

HSL 196.17, 0.46%, 0.51%

LAB 60.92, -16.06, -23.65

 

CMYK 67 / 18 / 0 / 34

HEX #388BA9

RGB 56 139 169

HSL 195.93, 0.5%, 0.44%

LAB 54.21, -15.35, -23.22

 

CMYK 74 / 19 / 0 / 41

HEX #277996

RGB 39 121 150

HSL 195.68, 0.59%, 0.37%

LAB 47.38, -14.38, -22.74

 

CMYK 83 / 21 / 0 / 49

HEX #166783

RGB 22 103 131

HSL 195.41, 0.71%, 0.3%

LAB 40.43, -13, -22.18

 

CMYK 96 / 24 / 0 / 56

HEX #055570

RGB 5 85 112

HSL 195.14, 0.91%, 0.23%

LAB 33.35, -11.05, -21.52

 

CMYK 61 / 16 / 0 / 26

HEX #499DBC

RGB 73 157 188

HSL 196.17, 0.46%, 0.51%

LAB 60.92, -16.06, -23.65

 

CMYK 61 / 33 / 0 / 26

HEX #497EBC

RGB 73 126 188

HSL 212.35, 0.46%, 0.51%

LAB 51.8, 1.56, -37.83

 

CMYK 61 / 49 / 0 / 26

HEX #495FBC

RGB 73 95 188

HSL 228.52, 0.46%, 0.51%

LAB 43.11, 20.81, -51.65

 

CMYK 56 / 61 / 0 / 26

HEX #5249BC

RGB 82 73 188

HSL 244.7, 0.46%, 0.51%

LAB 38.18, 36.3, -59.59

 

CMYK 40 / 61 / 0 / 26

HEX #7149BC

RGB 113 73 188

HSL 260.87, 0.46%, 0.51%

LAB 41.07, 42.58, -54.78

 

CMYK 61 / 16 / 0 / 26

HEX #499DBC

RGB 73 157 188

HSL 196.17, 0.46%, 0.51%

LAB 60.92, -16.06, -23.65

 

CMYK 61 / 33 / 0 / 26

HEX #497EBC

RGB 73 126 188

HSL 212.35, 0.46%, 0.51%

LAB 51.8, 1.56, -37.83

 

CMYK 61 / 49 / 0 / 26

HEX #495FBC

RGB 73 95 188

HSL 228.52, 0.46%, 0.51%

LAB 43.11, 20.81, -51.65

 

CMYK 61 / 61 / 0 / 26

HEX #4949BC

RGB 73 73 188

HSL 240, 0.46%, 0.51%

LAB 37.5, 34.74, -60.73

 

CMYK 61 / 16 / 0 / 26

HEX #499DBC

RGB 73 157 188

HSL 196.17, 0.46%, 0.51%

LAB 60.92, -16.06, -23.65

 

CMYK 75 / 20 / 0 / 18

HEX #34A6D0

RGB 52 166 208

HSL 196.15, 0.62%, 0.51%

LAB 63.8, -17.58, -30.44

 

CMYK 86 / 23 / 0 / 11

HEX #20AFE4

RGB 32 175 228

HSL 196.22, 0.78%, 0.51%

LAB 66.95, -17.39, -36.6

 

CMYK 95 / 25 / 0 / 3

HEX #0CB9F8

RGB 12 185 248

HSL 196.02, 0.94%, 0.51%

LAB 70.56, -16.64, -41.87

 

CMYK 61 / 16 / 0 / 26

HEX #499DBC

RGB 73 157 188

HSL 196.17, 0.46%, 0.51%

LAB 60.92, -16.06, -23.65

 

CMYK 44 / 12 / 0 / 35

HEX #5D93A7

RGB 93 147 167

HSL 196.22, 0.3%, 0.51%

LAB 58.02, -12.43, -16.11

 

CMYK 23 / 6 / 0 / 42

HEX #718A93

RGB 113 138 147

HSL 195.88, 0.14%, 0.51%

LAB 55.88, -6.77, -7.75

 

CMYK 0 / 3 / 5 / 48

HEX #85817F

RGB 133 129 127

HSL 20, 0.02%, 0.51%

LAB 54.26, 1.12, 1.61

 

CMYK 0 / 22 / 30 / 40

HEX #99776B

RGB 153 119 107

HSL 15.65, 0.18%, 0.51%

LAB 52.98, 11.46, 11.68

 

CMYK 61 / 0 / 16 / 26

HEX #49BC9D

RGB 73 188 157

HSL 163.83, 0.46%, 0.51%

LAB 69.34, -39.9, 6.11

 

CMYK 61 / 0 / 0 / 26

HEX #49BCBC

RGB 73 188 188

HSL 180, 0.46%, 0.51%

LAB 70.19, -31.78, -9.64

 

CMYK 61 / 16 / 0 / 26

HEX #499DBC

RGB 73 157 188

HSL 196.17, 0.46%, 0.51%

LAB 60.92, -16.06, -23.65

 

CMYK 61 / 33 / 0 / 26

HEX #497EBC

RGB 73 126 188

HSL 212.35, 0.46%, 0.51%

LAB 51.8, 1.56, -37.83

 

CMYK 61 / 49 / 0 / 26

HEX #4960BC

RGB 73 96 188

HSL 228, 0.46%, 0.51%

LAB 43.38, 20.18, -51.22

 

CMYK 63 / 17 / 0 / 49

HEX #306C82

RGB 48 108 130

HSL 196.1, 0.46%, 0.35%

LAB 42.71, -12.31, -17.99

 

CMYK 63 / 17 / 0 / 37

HEX #3B85A0

RGB 59 133 160

HSL 196.04, 0.46%, 0.43%

LAB 52.11, -14.45, -21.24

 

CMYK 61 / 16 / 0 / 26

HEX #499DBC

RGB 73 157 188

HSL 196.17, 0.46%, 0.51%

LAB 60.92, -16.06, -23.65

 

CMYK 48 / 13 / 0 / 22

HEX #67ADC7

RGB 103 173 199

HSL 196.25, 0.46%, 0.59%

LAB 67.2, -15.01, -20.09

 

CMYK 37 / 10 / 0 / 18

HEX #85BDD2

RGB 133 189 210

HSL 196.36, 0.46%, 0.67%

LAB 73.57, -12.93, -16.34

 

CMYK 61 / 16 / 0 / 26

HEX #499DBC

RGB 73 157 188

HSL 196.17, 0.46%, 0.51%

LAB 60.92, -16.06, -23.65

 

CMYK 33 / 61 / 0 / 26

HEX #7E49BC

RGB 126 73 188

HSL 267.65, 0.46%, 0.51%

LAB 42.51, 45.52, -52.38

 

CMYK 0 / 9 / 61 / 26

HEX #BCAC49

RGB 188 172 73

HSL 51.65, 0.46%, 0.51%

LAB 69.95, -6.4, 51.71

 

CMYK 61 / 16 / 0 / 26

HEX #499DBC

RGB 73 157 188

HSL 196.17, 0.46%, 0.51%

LAB 60.92, -16.06, -23.65

 

CMYK 0 / 61 / 16 / 26

HEX #BC499D

RGB 188 73 157

HSL 316.17, 0.46%, 0.51%

LAB 49.36, 55.67, -22.74

 

CMYK 16 / 0 / 61 / 26

HEX #9DBC49

RGB 157 188 73

HSL 76.17, 0.46%, 0.51%

LAB 71.97, -27.44, 53.25

 

CMYK 61 / 16 / 0 / 26

HEX #499DBC

RGB 73 157 188

HSL 196.17, 0.46%, 0.51%

LAB 60.92, -16.06, -23.65

 

CMYK 33 / 61 / 0 / 26

HEX #7E49BC

RGB 126 73 188

HSL 267.65, 0.46%, 0.51%

LAB 42.51, 45.52, -52.38

 

CMYK 0 / 45 / 61 / 26

HEX #BC6749

RGB 188 103 73

HSL 15.65, 0.46%, 0.51%

LAB 52.81, 31.24, 31.78

 

CMYK 29 / 0 / 61 / 26

HEX #86BC49

RGB 134 188 73

HSL 88.17, 0.46%, 0.51%

LAB 70.54, -36.33, 51.26

 

CMYK 61 / 16 / 0 / 26

HEX #499DBC

RGB 73 157 188

HSL 196.17, 0.46%, 0.51%

LAB 60.92, -16.06, -23.65

 

CMYK 14 / 61 / 0 / 26

HEX #A149BC

RGB 161 73 188

HSL 285.91, 0.46%, 0.51%

LAB 46.94, 53.94, -45.04

 

CMYK 0 / 45 / 61 / 26

HEX #BC6749

RGB 188 103 73

HSL 15.65, 0.46%, 0.51%

LAB 52.81, 31.24, 31.78

 

CMYK 47 / 0 / 61 / 26

HEX #63BC49

RGB 99 188 73

HSL 106.43, 0.46%, 0.51%

LAB 68.82, -48.14, 48.87

 

Description

Color code: HEX #499DBC | qconv.com Color code: HEX #499DBC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 73 red, 157 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
73 157 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 16 magenta, none yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 16% 0% 26% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

32% - Amal Al Dahouk أمل ا...
Link: http://about.me

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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