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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C9382 it is the complementary color #636C7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C9382. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9C9382: #A1937D, #B2A590, #C3B7A3, #D4C9B6 and #E5DBC9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C9382. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9C9382: #9C9382, #8B816F, #7A6F5C, #695D49 and #584B36

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 17 / 39

HEX #9C9382

RGB 156 147 130

HSL 39.23, 0.12%, 0.56%

LAB 61.26, 0.35, 10.19

 

Complementary color

CMYK 21 / 14 / 0 / 51

HEX #636C7D

RGB 99 108 125

HSL 219.23, 0.12%, 0.44%

LAB 45.44, 0.54, -10.57

 

CMYK 0 / 9 / 22 / 37

HEX #A1937D

RGB 161 147 125

HSL 36.67, 0.16%, 0.56%

LAB 61.59, 1.52, 13.54

 

CMYK 0 / 7 / 19 / 30

HEX #B2A590

RGB 178 165 144

HSL 37.06, 0.18%, 0.63%

LAB 68.31, 1.2, 12.59

 

CMYK 0 / 6 / 16 / 24

HEX #C3B7A3

RGB 195 183 163

HSL 37.5, 0.21%, 0.7%

LAB 74.9, 0.91, 11.7

 

CMYK 0 / 5 / 14 / 17

HEX #D4C9B6

RGB 212 201 182

HSL 38, 0.26%, 0.77%

LAB 81.37, 0.65, 10.86

 

CMYK 0 / 4 / 12 / 10

HEX #E5DBC9

RGB 229 219 201

HSL 38.57, 0.35%, 0.84%

LAB 87.75, 0.42, 10.06

 

CMYK 0 / 6 / 17 / 39

HEX #9C9382

RGB 156 147 130

HSL 39.23, 0.12%, 0.56%

LAB 61.26, 0.35, 10.19

 

CMYK 0 / 7 / 20 / 45

HEX #8B816F

RGB 139 129 111

HSL 38.57, 0.11%, 0.49%

LAB 54.38, 0.65, 11.13

 

CMYK 0 / 9 / 25 / 52

HEX #7A6F5C

RGB 122 111 92

HSL 38, 0.14%, 0.42%

LAB 47.34, 0.99, 12.15

 

CMYK 0 / 11 / 30 / 59

HEX #695D49

RGB 105 93 73

HSL 37.5, 0.18%, 0.35%

LAB 40.1, 1.42, 13.28

 

CMYK 0 / 15 / 39 / 65

HEX #584B36

RGB 88 75 54

HSL 37.06, 0.24%, 0.28%

LAB 32.64, 1.96, 14.55

 

CMYK 0 / 6 / 17 / 39

HEX #9C9382

RGB 156 147 130

HSL 39.23, 0.12%, 0.56%

LAB 61.26, 0.35, 10.19

 

CMYK 0 / 3 / 17 / 39

HEX #9C9781

RGB 156 151 129

HSL 48.89, 0.12%, 0.56%

LAB 62.33, -2.02, 12.26

 

CMYK 0 / 1 / 17 / 39

HEX #9C9B81

RGB 156 155 129

HSL 57.78, 0.12%, 0.56%

LAB 63.42, -4.21, 13.79

 

CMYK 3 / 0 / 17 / 39

HEX #989C81

RGB 152 156 129

HSL 68.89, 0.12%, 0.56%

LAB 63.37, -6.3, 13.68

 

CMYK 6 / 0 / 17 / 39

HEX #939C81

RGB 147 156 129

HSL 80, 0.12%, 0.56%

LAB 62.98, -8.21, 13.07

 

CMYK 0 / 6 / 17 / 39

HEX #9C9382

RGB 156 147 130

HSL 39.23, 0.12%, 0.56%

LAB 61.26, 0.35, 10.19

 

CMYK 0 / 6 / 16 / 19

HEX #CFC3AD

RGB 207 195 173

HSL 38.82, 0.26%, 0.75%

LAB 79.22, 0.56, 12.57

 

CMYK 0 / 0 / 0 / 99

HEX #030303

RGB 3 3 3

HSL 0, 0%, 0.01%

LAB 0.82, 0, -0

 

CMYK 0 / 6 / 17 / 79

HEX #36332D

RGB 54 51 45

HSL 40, 0.09%, 0.19%

LAB 21.36, 0.05, 4.28

 

CMYK 0 / 6 / 16 / 59

HEX #696358

RGB 105 99 88

HSL 38.82, 0.09%, 0.38%

LAB 42.2, 0.3, 7.1

 

CMYK 0 / 6 / 17 / 39

HEX #9C9382

RGB 156 147 130

HSL 39.23, 0.12%, 0.56%

LAB 61.26, 0.35, 10.19

 

CMYK 15 / 0 / 17 / 39

HEX #859C81

RGB 133 156 129

HSL 111.11, 0.12%, 0.56%

LAB 61.95, -13.43, 11.48

 

CMYK 13 / 17 / 0 / 39

HEX #88819C

RGB 136 129 156

HSL 255.56, 0.12%, 0.56%

LAB 55.42, 8.22, -13.47

 

CMYK 0 / 6 / 17 / 39

HEX #9C9382

RGB 156 147 130

HSL 39.23, 0.12%, 0.56%

LAB 61.26, 0.35, 10.19

 

CMYK 17 / 0 / 6 / 39

HEX #819C92

RGB 129 156 146

HSL 157.78, 0.12%, 0.56%

LAB 62.1, -11.52, 2.09

 

CMYK 6 / 17 / 0 / 39

HEX #92819C

RGB 146 129 156

HSL 277.78, 0.12%, 0.56%

LAB 56.3, 11.71, -12.05

 

CMYK 0 / 6 / 17 / 39

HEX #9C9382

RGB 156 147 130

HSL 39.23, 0.12%, 0.56%

LAB 61.26, 0.35, 10.19

 

CMYK 15 / 0 / 17 / 39

HEX #859C81

RGB 133 156 129

HSL 111.11, 0.12%, 0.56%

LAB 61.95, -13.43, 11.48

 

CMYK 17 / 12 / 0 / 39

HEX #818A9C

RGB 129 138 156

HSL 220, 0.12%, 0.56%

LAB 57.31, 0.65, -10.67

 

CMYK 3 / 17 / 0 / 39

HEX #98819C

RGB 152 129 156

HSL 291.11, 0.12%, 0.56%

LAB 56.86, 13.83, -11.16

 

CMYK 0 / 6 / 17 / 39

HEX #9C9382

RGB 156 147 130

HSL 39.23, 0.12%, 0.56%

LAB 61.26, 0.35, 10.19

 

CMYK 17 / 0 / 15 / 39

HEX #819C85

RGB 129 156 133

HSL 128.89, 0.12%, 0.56%

LAB 61.77, -14.12, 8.94

 

CMYK 17 / 12 / 0 / 39

HEX #818A9C

RGB 129 138 156

HSL 220, 0.12%, 0.56%

LAB 57.31, 0.65, -10.67

 

CMYK 0 / 17 / 3 / 39

HEX #9C8198

RGB 156 129 152

HSL 308.89, 0.12%, 0.56%

LAB 57.11, 14.48, -8.43

 

Description

Color code: HEX #9C9382 | qconv.com Color code: HEX #9C9382 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 147 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 147 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 17 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 17% 39% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

29% - 건국대학교병원
Link: http://www.kuh.ac.kr

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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