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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 139 129 111 it is the complementary color RGB 116 126 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 139 129 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 139 129 111: RGB 144 129 106, RGB 161 147 125, RGB 178 165 144, RGB 195 183 163 and RGB 212 201 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 139 129 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 139 129 111: RGB 139 129 111, RGB 122 111 92, RGB 105 93 73, RGB 88 75 54 and RGB 71 57 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 20 / 45

HEX #8B816F

RGB 139 129 111

HSL 38.57, 0.11%, 0.49%

LAB 54.38, 0.65, 11.13

 

Complementary color

CMYK 19 / 13 / 0 / 44

HEX #747E90

RGB 116 126 144

HSL 218.57, 0.11%, 0.51%

LAB 52.56, 0.36, -10.96

 

CMYK 0 / 10 / 26 / 44

HEX #90816A

RGB 144 129 106

HSL 36.32, 0.15%, 0.49%

LAB 54.73, 1.9, 14.56

 

CMYK 0 / 9 / 22 / 37

HEX #A1937D

RGB 161 147 125

HSL 36.67, 0.16%, 0.56%

LAB 61.59, 1.52, 13.54

 

CMYK 0 / 7 / 19 / 30

HEX #B2A590

RGB 178 165 144

HSL 37.06, 0.18%, 0.63%

LAB 68.31, 1.2, 12.59

 

CMYK 0 / 6 / 16 / 24

HEX #C3B7A3

RGB 195 183 163

HSL 37.5, 0.21%, 0.7%

LAB 74.9, 0.91, 11.7

 

CMYK 0 / 5 / 14 / 17

HEX #D4C9B6

RGB 212 201 182

HSL 38, 0.26%, 0.77%

LAB 81.37, 0.65, 10.86

 

CMYK 0 / 7 / 20 / 45

HEX #8B816F

RGB 139 129 111

HSL 38.57, 0.11%, 0.49%

LAB 54.38, 0.65, 11.13

 

CMYK 0 / 9 / 25 / 52

HEX #7A6F5C

RGB 122 111 92

HSL 38, 0.14%, 0.42%

LAB 47.34, 0.99, 12.15

 

CMYK 0 / 11 / 30 / 59

HEX #695D49

RGB 105 93 73

HSL 37.5, 0.18%, 0.35%

LAB 40.1, 1.42, 13.28

 

CMYK 0 / 15 / 39 / 65

HEX #584B36

RGB 88 75 54

HSL 37.06, 0.24%, 0.28%

LAB 32.64, 1.96, 14.55

 

CMYK 0 / 20 / 51 / 72

HEX #473923

RGB 71 57 35

HSL 36.67, 0.34%, 0.21%

LAB 24.91, 2.71, 16.01

 

CMYK 0 / 7 / 20 / 45

HEX #8B816F

RGB 139 129 111

HSL 38.57, 0.11%, 0.49%

LAB 54.38, 0.65, 11.13

 

CMYK 0 / 4 / 20 / 46

HEX #8A856F

RGB 138 133 111

HSL 48.89, 0.11%, 0.49%

LAB 55.41, -2.02, 12.55

 

CMYK 0 / 1 / 20 / 46

HEX #8A896F

RGB 138 137 111

HSL 57.78, 0.11%, 0.49%

LAB 56.53, -4.25, 14.11

 

CMYK 2 / 0 / 20 / 46

HEX #878A6F

RGB 135 138 111

HSL 66.67, 0.11%, 0.49%

LAB 56.56, -6, 14.12

 

CMYK 6 / 0 / 20 / 46

HEX #828A6F

RGB 130 138 111

HSL 77.78, 0.11%, 0.49%

LAB 56.16, -7.97, 13.5

 

CMYK 0 / 7 / 20 / 45

HEX #8B816F

RGB 139 129 111

HSL 38.57, 0.11%, 0.49%

LAB 54.38, 0.65, 11.13

 

CMYK 0 / 7 / 20 / 25

HEX #BEB098

RGB 190 176 152

HSL 37.89, 0.23%, 0.67%

LAB 72.41, 1.07, 14.11

 

CMYK 0 / 7 / 20 / 5

HEX #F1E0C0

RGB 241 224 192

HSL 39.18, 0.64%, 0.85%

LAB 89.77, 0.81, 17.78

 

CMYK 0 / 8 / 19 / 85

HEX #25221E

RGB 37 34 30

HSL 34.29, 0.1%, 0.13%

LAB 13.42, 0.52, 3.2

 

CMYK 0 / 7 / 20 / 65

HEX #585246

RGB 88 82 70

HSL 40, 0.11%, 0.31%

LAB 35.11, 0.17, 7.93

 

CMYK 0 / 7 / 20 / 45

HEX #8B816F

RGB 139 129 111

HSL 38.57, 0.11%, 0.49%

LAB 54.38, 0.65, 11.13

 

CMYK 17 / 0 / 20 / 46

HEX #738A6F

RGB 115 138 111

HSL 111.11, 0.11%, 0.49%

LAB 55.04, -13.71, 11.77

 

CMYK 15 / 20 / 0 / 46

HEX #756F8A

RGB 117 111 138

HSL 253.33, 0.11%, 0.49%

LAB 48.24, 8.13, -13.94

 

CMYK 0 / 7 / 20 / 45

HEX #8B816F

RGB 139 129 111

HSL 38.57, 0.11%, 0.49%

LAB 54.38, 0.65, 11.13

 

CMYK 20 / 0 / 7 / 46

HEX #6F8A80

RGB 111 138 128

HSL 157.78, 0.11%, 0.49%

LAB 55.19, -11.76, 2.18

 

CMYK 7 / 20 / 0 / 46

HEX #806F8A

RGB 128 111 138

HSL 277.78, 0.11%, 0.49%

LAB 49.24, 12.02, -12.33

 

CMYK 0 / 7 / 20 / 45

HEX #8B816F

RGB 139 129 111

HSL 38.57, 0.11%, 0.49%

LAB 54.38, 0.65, 11.13

 

CMYK 17 / 0 / 20 / 46

HEX #738A6F

RGB 115 138 111

HSL 111.11, 0.11%, 0.49%

LAB 55.04, -13.71, 11.77

 

CMYK 20 / 12 / 0 / 46

HEX #6F798A

RGB 111 121 138

HSL 217.78, 0.11%, 0.49%

LAB 50.56, 0.14, -10.5

 

CMYK 3 / 20 / 0 / 46

HEX #866F8A

RGB 134 111 138

HSL 291.11, 0.11%, 0.49%

LAB 49.82, 14.18, -11.4

 

CMYK 0 / 7 / 20 / 45

HEX #8B816F

RGB 139 129 111

HSL 38.57, 0.11%, 0.49%

LAB 54.38, 0.65, 11.13

 

CMYK 20 / 0 / 17 / 46

HEX #6F8A72

RGB 111 138 114

HSL 126.67, 0.11%, 0.49%

LAB 54.84, -14.62, 9.73

 

CMYK 20 / 12 / 0 / 46

HEX #6F798A

RGB 111 121 138

HSL 217.78, 0.11%, 0.49%

LAB 50.56, 0.14, -10.5

 

CMYK 0 / 20 / 2 / 46

HEX #8A6F87

RGB 138 111 135

HSL 306.67, 0.11%, 0.49%

LAB 50.12, 15.03, -9.14

 

Description

Color code: RGB 139 129 111 | qconv.com Color code: RGB 139 129 111 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 129 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 129 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 20 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 20% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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