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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9C5082 it is the complementary color #63AF7D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9C5082. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9C5082 shade: #A1507D, #B26290, #C374A3, #D486B6 and #E598C9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9C5082. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9C5082 shade: #9C5082, #8B3E6F, #7A2C5C, #691A49 and #580836

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9C5082 shade: #9B5081, #9B506D, #9B5059 and #9B5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9C5082 shade: #9B5081, #9B5095, #8C509B, #78509B and #64509B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9C5082 shade matches the following richer shades: #9B5081, #AE3D87, #C12A8D, #D41793 and #E70499

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9C5082 shade: #9B5081, #88637B, #757675, #62896F and #4F9C69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9C5082 shade: #8C509B, #9B5096, #9B5082, #9B506E and #9B505A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9C5082 shade: #643454, #80426A, #9B5081, #AF6496 and #BD80A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9C5082 shade: #9C5082, #9B7850 and #509B96

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9C5082 shade: #9C5082, #829B50 and #50829B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9C5082 shade: #9C5082, #9B7850, #509B69 and #50739B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9C5082 shade: #9C5082, #9B8E50, #509B69 and #505C9B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 17 / 39

HEX #9C5082

RGB 156 80 130

HSL 320.53, 0.32%, 0.46%

LAB 44.83, 38.2, -13.92

 

Complementary color

CMYK 43 / 0 / 29 / 31

HEX #63AF7D

RGB 99 175 125

HSL 140.53, 0.32%, 0.54%

LAB 65.59, -34.86, 18.46

 

CMYK 0 / 50 / 22 / 37

HEX #A1507D

RGB 161 80 125

HSL 326.67, 0.34%, 0.47%

LAB 45.35, 39.1, -10.02

 

CMYK 0 / 45 / 19 / 30

HEX #B26290

RGB 178 98 144

HSL 325.5, 0.34%, 0.54%

LAB 52.08, 38.31, -11.04

 

CMYK 0 / 41 / 16 / 24

HEX #C374A3

RGB 195 116 163

HSL 324.3, 0.4%, 0.61%

LAB 58.73, 37.5, -11.9

 

CMYK 0 / 37 / 14 / 17

HEX #D486B6

RGB 212 134 182

HSL 323.08, 0.48%, 0.68%

LAB 65.3, 36.72, -12.65

 

CMYK 0 / 34 / 12 / 10

HEX #E598C9

RGB 229 152 201

HSL 321.82, 0.6%, 0.75%

LAB 71.78, 35.97, -13.32

 

CMYK 0 / 49 / 17 / 39

HEX #9C5082

RGB 156 80 130

HSL 320.53, 0.32%, 0.46%

LAB 44.83, 38.2, -13.92

 

CMYK 0 / 55 / 20 / 45

HEX #8B3E6F

RGB 139 62 111

HSL 321.82, 0.38%, 0.39%

LAB 37.99, 38.92, -12.85

 

CMYK 0 / 64 / 25 / 52

HEX #7A2C5C

RGB 122 44 92

HSL 323.08, 0.47%, 0.33%

LAB 31.14, 39.42, -11.44

 

CMYK 0 / 75 / 30 / 59

HEX #691A49

RGB 105 26 73

HSL 324.3, 0.6%, 0.26%

LAB 24.4, 39.36, -9.42

 

CMYK 0 / 91 / 39 / 65

HEX #580836

RGB 88 8 54

HSL 325.5, 0.83%, 0.19%

LAB 17.99, 38.03, -6.32

 

CMYK 0 / 48 / 17 / 39

HEX #9B5081

RGB 155 80 129

HSL 320.8, 0.32%, 0.46%

LAB 44.65, 37.7, -13.6

 

CMYK 0 / 48 / 30 / 39

HEX #9B506D

RGB 155 80 109

HSL 336.8, 0.32%, 0.46%

LAB 43.96, 34.66, -2.43

 

CMYK 0 / 48 / 43 / 39

HEX #9B5059

RGB 155 80 89

HSL 352.8, 0.32%, 0.46%

LAB 43.4, 32.1, 9.03

 

CMYK 0 / 48 / 48 / 39

HEX #9B5050

RGB 155 80 80

HSL 0, 0.32%, 0.46%

LAB 43.19, 31.12, 14.25

 

CMYK 0 / 48 / 17 / 39

HEX #9B5081

RGB 155 80 129

HSL 320.8, 0.32%, 0.46%

LAB 44.65, 37.7, -13.6

 

CMYK 0 / 48 / 4 / 39

HEX #9B5095

RGB 155 80 149

HSL 304.8, 0.32%, 0.46%

LAB 45.46, 41.18, -24.39

 

CMYK 10 / 48 / 0 / 39

HEX #8C509B

RGB 140 80 155

HSL 288, 0.32%, 0.46%

LAB 43.77, 37.77, -30.77

 

CMYK 23 / 48 / 0 / 39

HEX #78509B

RGB 120 80 155

HSL 272, 0.32%, 0.46%

LAB 41.37, 31.81, -34.71

 

CMYK 35 / 48 / 0 / 39

HEX #64509B

RGB 100 80 155

HSL 256, 0.32%, 0.46%

LAB 39.26, 26.11, -38.18

 

CMYK 0 / 48 / 17 / 39

HEX #9B5081

RGB 155 80 129

HSL 320.8, 0.32%, 0.46%

LAB 44.65, 37.7, -13.6

 

CMYK 0 / 65 / 22 / 32

HEX #AE3D87

RGB 174 61 135

HSL 320.71, 0.48%, 0.46%

LAB 44.36, 53.66, -17.42

 

CMYK 0 / 78 / 27 / 24

HEX #C12A8D

RGB 193 42 141

HSL 320.66, 0.64%, 0.46%

LAB 45.52, 66.04, -18.99

 

CMYK 0 / 89 / 31 / 17

HEX #D41793

RGB 212 23 147

HSL 320.63, 0.8%, 0.46%

LAB 47.9, 75.01, -18.66

 

CMYK 0 / 98 / 34 / 9

HEX #E70499

RGB 231 4 153

HSL 320.62, 0.97%, 0.46%

LAB 51.12, 81.42, -17.01

 

CMYK 0 / 48 / 17 / 39

HEX #9B5081

RGB 155 80 129

HSL 320.8, 0.32%, 0.46%

LAB 44.65, 37.7, -13.6

 

CMYK 0 / 27 / 10 / 47

HEX #88637B

RGB 136 99 123

HSL 321.08, 0.16%, 0.46%

LAB 46.43, 19.05, -7.53

 

CMYK 1 / 0 / 1 / 54

HEX #757675

RGB 117 118 117

HSL 120, 0%, 0.46%

LAB 49.52, -0.58, 0.41

 

CMYK 28 / 0 / 19 / 46

HEX #62896F

RGB 98 137 111

HSL 140, 0.17%, 0.46%

LAB 53.64, -19.27, 9.64

 

CMYK 49 / 0 / 33 / 39

HEX #4F9C69

RGB 79 156 105

HSL 140.26, 0.33%, 0.46%

LAB 58.47, -35.67, 19.57

 

CMYK 10 / 48 / 0 / 39

HEX #8C509B

RGB 140 80 155

HSL 288, 0.32%, 0.46%

LAB 43.77, 37.77, -30.77

 

CMYK 0 / 48 / 3 / 39

HEX #9B5096

RGB 155 80 150

HSL 304, 0.32%, 0.46%

LAB 45.51, 41.37, -24.92

 

CMYK 0 / 48 / 16 / 39

HEX #9B5082

RGB 155 80 130

HSL 320, 0.32%, 0.46%

LAB 44.68, 37.87, -14.15

 

CMYK 0 / 48 / 29 / 39

HEX #9B506E

RGB 155 80 110

HSL 336, 0.32%, 0.46%

LAB 43.99, 34.8, -3

 

CMYK 0 / 48 / 42 / 39

HEX #9B505A

RGB 155 80 90

HSL 352, 0.32%, 0.46%

LAB 43.42, 32.22, 8.45

 

CMYK 0 / 48 / 16 / 61

HEX #643454

RGB 100 52 84

HSL 320, 0.32%, 0.3%

LAB 28.92, 26.28, -9.94

 

CMYK 0 / 48 / 17 / 50

HEX #80426A

RGB 128 66 106

HSL 321.29, 0.32%, 0.38%

LAB 36.98, 32.21, -11.41

 

CMYK 0 / 48 / 17 / 39

HEX #9B5081

RGB 155 80 129

HSL 320.8, 0.32%, 0.46%

LAB 44.65, 37.7, -13.6

 

CMYK 0 / 43 / 14 / 31

HEX #AF6496

RGB 175 100 150

HSL 320, 0.32%, 0.54%

LAB 52.32, 37.18, -14.25

 

CMYK 0 / 32 / 11 / 26

HEX #BD80A8

RGB 189 128 168

HSL 320.66, 0.32%, 0.62%

LAB 60.86, 29.73, -11.65

 

CMYK 0 / 49 / 17 / 39

HEX #9C5082

RGB 156 80 130

HSL 320.53, 0.32%, 0.46%

LAB 44.83, 38.2, -13.92

 

CMYK 0 / 23 / 48 / 39

HEX #9B7850

RGB 155 120 80

HSL 32, 0.32%, 0.46%

LAB 52.93, 8.4, 27.14

 

CMYK 48 / 0 / 3 / 39

HEX #509B96

RGB 80 155 150

HSL 176, 0.32%, 0.46%

LAB 59.3, -24.53, -4.59

 

CMYK 0 / 49 / 17 / 39

HEX #9C5082

RGB 156 80 130

HSL 320.53, 0.32%, 0.46%

LAB 44.83, 38.2, -13.92

 

CMYK 16 / 0 / 48 / 39

HEX #829B50

RGB 130 155 80

HSL 80, 0.32%, 0.46%

LAB 60.58, -21.34, 36.24

 

CMYK 48 / 16 / 0 / 39

HEX #50829B

RGB 80 130 155

HSL 200, 0.32%, 0.46%

LAB 51.88, -9.73, -18.61

 

CMYK 0 / 49 / 17 / 39

HEX #9C5082

RGB 156 80 130

HSL 320.53, 0.32%, 0.46%

LAB 44.83, 38.2, -13.92

 

CMYK 0 / 23 / 48 / 39

HEX #9B7850

RGB 155 120 80

HSL 32, 0.32%, 0.46%

LAB 52.93, 8.4, 27.14

 

CMYK 48 / 0 / 32 / 39

HEX #509B69

RGB 80 155 105

HSL 140, 0.32%, 0.46%

LAB 58.2, -34.93, 19.21

 

CMYK 48 / 26 / 0 / 39

HEX #50739B

RGB 80 115 155

HSL 212, 0.32%, 0.46%

LAB 47.41, -1, -25.5

 

CMYK 0 / 49 / 17 / 39

HEX #9C5082

RGB 156 80 130

HSL 320.53, 0.32%, 0.46%

LAB 44.83, 38.2, -13.92

 

CMYK 0 / 8 / 48 / 39

HEX #9B8E50

RGB 155 142 80

HSL 49.6, 0.32%, 0.46%

LAB 58.88, -3.93, 34.61

 

CMYK 48 / 0 / 32 / 39

HEX #509B69

RGB 80 155 105

HSL 140, 0.32%, 0.46%

LAB 58.2, -34.93, 19.21

 

CMYK 48 / 41 / 0 / 39

HEX #505C9B

RGB 80 92 155

HSL 230.4, 0.32%, 0.46%

LAB 40.78, 13.23, -35.89

 

Description

Color code: HEX #9C5082 | qconv.com Color code: HEX #9C5082 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 156 red, 80 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
156 80 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 17 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 17% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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