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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #78509B it is the complementary color #87AF64. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #78509B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #78509B shade: #7D5096, #8E62A9, #9F74BC, #B086CF and #C198E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #78509B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #78509B shade: #78509B, #673E88, #562C75, #451A62 and #34084F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #78509B shade: #78509B, #8C509B, #9B5095, #9B5081 and #9B506D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #78509B shade: #78509B, #64509B and #50509B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #78509B shade matches the following richer shades: #78509B, #793DAE, #7A2AC1, #7C17D4 and #7D04E7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #78509B shade: #78509B, #776388, #757675, #748962 and #739C4F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #78509B shade: #50509B, #64509B, #78509B, #8C509B and #9B5096

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #78509B shade: #4E3464, #634280, #78509B, #8C64AF and #A180BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #78509B shade: #78509B, #9B5064 and #509B5A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #78509B shade: #78509B, #9B7850 and #509B78

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #78509B shade: #78509B, #9B5064, #739B50 and #509B87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #78509B shade: #78509B, #9B5250, #739B50 and #50989B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 48 / 0 / 39

HEX #78509B

RGB 120 80 155

HSL 272, 0.32%, 0.46%

LAB 41.37, 31.81, -34.71

 

Complementary color

CMYK 23 / 0 / 43 / 31

HEX #87AF64

RGB 135 175 100

HSL 92, 0.32%, 0.54%

LAB 67.07, -26.89, 34.1

 

CMYK 17 / 47 / 0 / 41

HEX #7D5096

RGB 125 80 150

HSL 278.57, 0.3%, 0.45%

LAB 41.69, 32.12, -31.17

 

CMYK 16 / 42 / 0 / 34

HEX #8E62A9

RGB 142 98 169

HSL 277.18, 0.29%, 0.52%

LAB 48.7, 31.27, -31.32

 

CMYK 15 / 38 / 0 / 26

HEX #9F74BC

RGB 159 116 188

HSL 275.83, 0.35%, 0.6%

LAB 55.58, 30.47, -31.46

 

CMYK 15 / 35 / 0 / 19

HEX #B086CF

RGB 176 134 207

HSL 274.52, 0.43%, 0.67%

LAB 62.33, 29.73, -31.6

 

CMYK 15 / 33 / 0 / 11

HEX #C198E2

RGB 193 152 226

HSL 273.24, 0.56%, 0.74%

LAB 68.96, 29.05, -31.75

 

CMYK 23 / 48 / 0 / 39

HEX #78509B

RGB 120 80 155

HSL 272, 0.32%, 0.46%

LAB 41.37, 31.81, -34.71

 

CMYK 24 / 54 / 0 / 47

HEX #673E88

RGB 103 62 136

HSL 273.24, 0.37%, 0.39%

LAB 34.2, 32.76, -34.65

 

CMYK 26 / 62 / 0 / 54

HEX #562C75

RGB 86 44 117

HSL 274.52, 0.45%, 0.32%

LAB 26.92, 33.67, -34.51

 

CMYK 30 / 73 / 0 / 62

HEX #451A62

RGB 69 26 98

HSL 275.83, 0.58%, 0.24%

LAB 19.58, 34.33, -34.13

 

CMYK 34 / 90 / 0 / 69

HEX #34084F

RGB 52 8 79

HSL 277.18, 0.82%, 0.17%

LAB 12.4, 34.06, -33.11

 

CMYK 23 / 48 / 0 / 39

HEX #78509B

RGB 120 80 155

HSL 272, 0.32%, 0.46%

LAB 41.37, 31.81, -34.71

 

CMYK 10 / 48 / 0 / 39

HEX #8C509B

RGB 140 80 155

HSL 288, 0.32%, 0.46%

LAB 43.77, 37.77, -30.77

 

CMYK 0 / 48 / 4 / 39

HEX #9B5095

RGB 155 80 149

HSL 304.8, 0.32%, 0.46%

LAB 45.46, 41.18, -24.39

 

CMYK 0 / 48 / 17 / 39

HEX #9B5081

RGB 155 80 129

HSL 320.8, 0.32%, 0.46%

LAB 44.65, 37.7, -13.6

 

CMYK 0 / 48 / 30 / 39

HEX #9B506D

RGB 155 80 109

HSL 336.8, 0.32%, 0.46%

LAB 43.96, 34.66, -2.43

 

CMYK 23 / 48 / 0 / 39

HEX #78509B

RGB 120 80 155

HSL 272, 0.32%, 0.46%

LAB 41.37, 31.81, -34.71

 

CMYK 35 / 48 / 0 / 39

HEX #64509B

RGB 100 80 155

HSL 256, 0.32%, 0.46%

LAB 39.26, 26.11, -38.18

 

CMYK 48 / 48 / 0 / 39

HEX #50509B

RGB 80 80 155

HSL 240, 0.32%, 0.46%

LAB 37.5, 20.89, -41.1

 

CMYK 23 / 48 / 0 / 39

HEX #78509B

RGB 120 80 155

HSL 272, 0.32%, 0.46%

LAB 41.37, 31.81, -34.71

 

CMYK 30 / 65 / 0 / 32

HEX #793DAE

RGB 121 61 174

HSL 271.86, 0.48%, 0.46%

LAB 38.65, 47.21, -50.38

 

CMYK 37 / 78 / 0 / 24

HEX #7A2AC1

RGB 122 42 193

HSL 271.79, 0.64%, 0.46%

LAB 37.2, 60.37, -63.95

 

CMYK 42 / 89 / 0 / 17

HEX #7C17D4

RGB 124 23 212

HSL 272.06, 0.8%, 0.46%

LAB 37.21, 70.51, -74.98

 

CMYK 46 / 98 / 0 / 9

HEX #7D04E7

RGB 125 4 231

HSL 271.98, 0.97%, 0.46%

LAB 38.23, 77.5, -84.2

 

CMYK 23 / 48 / 0 / 39

HEX #78509B

RGB 120 80 155

HSL 272, 0.32%, 0.46%

LAB 41.37, 31.81, -34.71

 

CMYK 13 / 27 / 0 / 47

HEX #776388

RGB 119 99 136

HSL 272.43, 0.16%, 0.46%

LAB 45.11, 15.58, -17.5

 

CMYK 1 / 0 / 1 / 54

HEX #757675

RGB 117 118 117

HSL 120, 0%, 0.46%

LAB 49.52, -0.58, 0.41

 

CMYK 15 / 0 / 28 / 46

HEX #748962

RGB 116 137 98

HSL 92.31, 0.17%, 0.46%

LAB 54.54, -15.05, 18.49

 

CMYK 26 / 0 / 49 / 39

HEX #739C4F

RGB 115 156 79

HSL 91.95, 0.33%, 0.46%

LAB 59.88, -27.84, 35.67

 

CMYK 48 / 48 / 0 / 39

HEX #50509B

RGB 80 80 155

HSL 240, 0.32%, 0.46%

LAB 37.5, 20.89, -41.1

 

CMYK 35 / 48 / 0 / 39

HEX #64509B

RGB 100 80 155

HSL 256, 0.32%, 0.46%

LAB 39.26, 26.11, -38.18

 

CMYK 23 / 48 / 0 / 39

HEX #78509B

RGB 120 80 155

HSL 272, 0.32%, 0.46%

LAB 41.37, 31.81, -34.71

 

CMYK 10 / 48 / 0 / 39

HEX #8C509B

RGB 140 80 155

HSL 288, 0.32%, 0.46%

LAB 43.77, 37.77, -30.77

 

CMYK 0 / 48 / 3 / 39

HEX #9B5096

RGB 155 80 150

HSL 304, 0.32%, 0.46%

LAB 45.51, 41.37, -24.92

 

CMYK 22 / 48 / 0 / 61

HEX #4E3464

RGB 78 52 100

HSL 272.5, 0.32%, 0.3%

LAB 26.72, 22.09, -23.98

 

CMYK 23 / 48 / 0 / 50

HEX #634280

RGB 99 66 128

HSL 271.94, 0.32%, 0.38%

LAB 34.21, 27.18, -29.73

 

CMYK 23 / 48 / 0 / 39

HEX #78509B

RGB 120 80 155

HSL 272, 0.32%, 0.46%

LAB 41.37, 31.81, -34.71

 

CMYK 20 / 43 / 0 / 31

HEX #8C64AF

RGB 140 100 175

HSL 272, 0.32%, 0.54%

LAB 49.23, 30.89, -34

 

CMYK 15 / 32 / 0 / 26

HEX #A180BD

RGB 161 128 189

HSL 272.46, 0.32%, 0.62%

LAB 58.69, 24.47, -27.19

 

CMYK 23 / 48 / 0 / 39

HEX #78509B

RGB 120 80 155

HSL 272, 0.32%, 0.46%

LAB 41.37, 31.81, -34.71

 

CMYK 0 / 48 / 35 / 39

HEX #9B5064

RGB 155 80 100

HSL 344, 0.32%, 0.46%

LAB 43.69, 33.44, 2.69

 

CMYK 48 / 0 / 42 / 39

HEX #509B5A

RGB 80 155 90

HSL 128, 0.32%, 0.46%

LAB 57.93, -37.64, 27.05

 

CMYK 23 / 48 / 0 / 39

HEX #78509B

RGB 120 80 155

HSL 272, 0.32%, 0.46%

LAB 41.37, 31.81, -34.71

 

CMYK 0 / 23 / 48 / 39

HEX #9B7850

RGB 155 120 80

HSL 32, 0.32%, 0.46%

LAB 52.93, 8.4, 27.14

 

CMYK 48 / 0 / 23 / 39

HEX #509B78

RGB 80 155 120

HSL 152, 0.32%, 0.46%

LAB 58.51, -31.83, 11.26

 

CMYK 23 / 48 / 0 / 39

HEX #78509B

RGB 120 80 155

HSL 272, 0.32%, 0.46%

LAB 41.37, 31.81, -34.71

 

CMYK 0 / 48 / 35 / 39

HEX #9B5064

RGB 155 80 100

HSL 344, 0.32%, 0.46%

LAB 43.69, 33.44, 2.69

 

CMYK 26 / 0 / 48 / 39

HEX #739B50

RGB 115 155 80

HSL 92, 0.32%, 0.46%

LAB 59.59, -27.23, 34.8

 

CMYK 48 / 0 / 13 / 39

HEX #509B87

RGB 80 155 135

HSL 164, 0.32%, 0.46%

LAB 58.88, -28.35, 3.31

 

CMYK 23 / 48 / 0 / 39

HEX #78509B

RGB 120 80 155

HSL 272, 0.32%, 0.46%

LAB 41.37, 31.81, -34.71

 

CMYK 0 / 47 / 48 / 39

HEX #9B5250

RGB 155 82 80

HSL 1.6, 0.32%, 0.46%

LAB 43.63, 30.02, 14.84

 

CMYK 26 / 0 / 48 / 39

HEX #739B50

RGB 115 155 80

HSL 92, 0.32%, 0.46%

LAB 59.59, -27.23, 34.8

 

CMYK 48 / 2 / 0 / 39

HEX #50989B

RGB 80 152 155

HSL 182.4, 0.32%, 0.46%

LAB 58.54, -21.65, -8.56

 

Description

Color code: HEX #78509B | qconv.com Color code: HEX #78509B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 120 red, 80 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
120 80 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 48 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 48% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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