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Color name
HEX #9B505A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9B505A it is the complementary color #64AFA5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9B505A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9B505A shade: #A05055, #B16268, #C2747B, #D3868E and #E498A1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9B505A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9B505A shade: #9B505A, #8A3E47, #792C34, #681A21 and #57080E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9B505A shade: #9B505A and #9B5050

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9B505A shade: #9B505A, #9B506E, #9B5082, #9B5097 and #8B509B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9B505A shade matches the following richer shades: #9B505A, #AE3D4C, #C12A3E, #D41730 and #E70422

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9B505A shade: #9B505A, #886368, #757676, #628984 and #4F9C91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9B505A shade: #9B5082, #9B506E, #9B505A, #9B5A50 and #9B6E50

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9B505A shade: #64343A, #80424A, #9B505A, #AF646E and #BD8088

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9B505A shade: #9B505A, #969B50 and #50789B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9B505A shade: #9B505A, #5A9B50 and #505A9B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9B505A shade: #9B505A, #969B50, #509B91 and #55509B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9B505A shade: #9B505A, #7F9B50, #509B91 and #6B509B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 42 / 39

HEX #9B505A

RGB 155 80 90

HSL 352, 0.32%, 0.46%

LAB 43.42, 32.22, 8.45

 

Complementary color

CMYK 43 / 0 / 6 / 31

HEX #64AFA5

RGB 100 175 165

HSL 172, 0.32%, 0.54%

LAB 66.59, -25.77, -2.18

 

CMYK 0 / 50 / 47 / 37

HEX #A05055

RGB 160 80 85

HSL 356.25, 0.33%, 0.47%

LAB 44.04, 33.58, 12.48

 

CMYK 0 / 45 / 41 / 31

HEX #B16268

RGB 177 98 104

HSL 355.44, 0.34%, 0.54%

LAB 50.78, 32.49, 10.8

 

CMYK 0 / 40 / 37 / 24

HEX #C2747B

RGB 194 116 123

HSL 354.62, 0.39%, 0.61%

LAB 57.45, 31.47, 9.37

 

CMYK 0 / 36 / 33 / 17

HEX #D3868E

RGB 211 134 142

HSL 353.77, 0.47%, 0.68%

LAB 64.04, 30.54, 8.14

 

CMYK 0 / 33 / 29 / 11

HEX #E498A1

RGB 228 152 161

HSL 352.89, 0.58%, 0.75%

LAB 70.54, 29.68, 7.03

 

CMYK 0 / 48 / 42 / 39

HEX #9B505A

RGB 155 80 90

HSL 352, 0.32%, 0.46%

LAB 43.42, 32.22, 8.45

 

CMYK 0 / 55 / 49 / 46

HEX #8A3E47

RGB 138 62 71

HSL 352.89, 0.38%, 0.39%

LAB 36.56, 33.29, 10.3

 

CMYK 0 / 64 / 57 / 53

HEX #792C34

RGB 121 44 52

HSL 353.77, 0.47%, 0.32%

LAB 29.7, 34.29, 12.68

 

CMYK 0 / 75 / 68 / 59

HEX #681A21

RGB 104 26 33

HSL 354.62, 0.6%, 0.25%

LAB 22.97, 34.94, 15.91

 

CMYK 0 / 91 / 84 / 66

HEX #57080E

RGB 87 8 14

HSL 355.44, 0.83%, 0.19%

LAB 16.66, 34.54, 19.71

 

CMYK 0 / 48 / 42 / 39

HEX #9B505A

RGB 155 80 90

HSL 352, 0.32%, 0.46%

LAB 43.42, 32.22, 8.45

 

CMYK 0 / 48 / 48 / 39

HEX #9B5050

RGB 155 80 80

HSL 0, 0.32%, 0.46%

LAB 43.19, 31.12, 14.25

 

CMYK 0 / 48 / 42 / 39

HEX #9B505A

RGB 155 80 90

HSL 352, 0.32%, 0.46%

LAB 43.42, 32.22, 8.45

 

CMYK 0 / 48 / 29 / 39

HEX #9B506E

RGB 155 80 110

HSL 336, 0.32%, 0.46%

LAB 43.99, 34.8, -3

 

CMYK 0 / 48 / 16 / 39

HEX #9B5082

RGB 155 80 130

HSL 320, 0.32%, 0.46%

LAB 44.68, 37.87, -14.15

 

CMYK 0 / 48 / 3 / 39

HEX #9B5097

RGB 155 80 151

HSL 303.2, 0.32%, 0.46%

LAB 45.55, 41.55, -25.45

 

CMYK 10 / 48 / 0 / 39

HEX #8B509B

RGB 139 80 155

HSL 287.2, 0.32%, 0.46%

LAB 43.64, 37.47, -30.98

 

CMYK 0 / 48 / 42 / 39

HEX #9B505A

RGB 155 80 90

HSL 352, 0.32%, 0.46%

LAB 43.42, 32.22, 8.45

 

CMYK 0 / 65 / 56 / 32

HEX #AE3D4C

RGB 174 61 76

HSL 352.04, 0.48%, 0.46%

LAB 42.55, 47.14, 16.34

 

CMYK 0 / 78 / 68 / 24

HEX #C12A3E

RGB 193 42 62

HSL 352.05, 0.64%, 0.46%

LAB 43.27, 59.18, 26.58

 

CMYK 0 / 89 / 77 / 17

HEX #D41730

RGB 212 23 48

HSL 352.06, 0.8%, 0.46%

LAB 45.39, 68.04, 38.37

 

CMYK 0 / 98 / 85 / 9

HEX #E70422

RGB 231 4 34

HSL 352.07, 0.97%, 0.46%

LAB 48.5, 74.42, 50.29

 

CMYK 0 / 48 / 42 / 39

HEX #9B505A

RGB 155 80 90

HSL 352, 0.32%, 0.46%

LAB 43.42, 32.22, 8.45

 

CMYK 0 / 27 / 24 / 47

HEX #886368

RGB 136 99 104

HSL 351.89, 0.16%, 0.46%

LAB 45.85, 15.75, 3.07

 

CMYK 1 / 0 / 0 / 54

HEX #757676

RGB 117 118 118

HSL 180, 0%, 0.46%

LAB 49.55, -0.38, -0.14

 

CMYK 28 / 0 / 4 / 46

HEX #628984

RGB 98 137 132

HSL 172.31, 0.17%, 0.46%

LAB 54.19, -14.63, -1.69

 

CMYK 49 / 0 / 7 / 39

HEX #4F9C91

RGB 79 156 145

HSL 171.43, 0.33%, 0.46%

LAB 59.42, -26.58, -1.58

 

CMYK 0 / 48 / 16 / 39

HEX #9B5082

RGB 155 80 130

HSL 320, 0.32%, 0.46%

LAB 44.68, 37.87, -14.15

 

CMYK 0 / 48 / 29 / 39

HEX #9B506E

RGB 155 80 110

HSL 336, 0.32%, 0.46%

LAB 43.99, 34.8, -3

 

CMYK 0 / 48 / 42 / 39

HEX #9B505A

RGB 155 80 90

HSL 352, 0.32%, 0.46%

LAB 43.42, 32.22, 8.45

 

CMYK 0 / 42 / 48 / 39

HEX #9B5A50

RGB 155 90 80

HSL 8, 0.32%, 0.46%

LAB 45.44, 25.56, 17.3

 

CMYK 0 / 29 / 48 / 39

HEX #9B6E50

RGB 155 110 80

HSL 24, 0.32%, 0.46%

LAB 50.33, 14.13, 23.79

 

CMYK 0 / 48 / 42 / 61

HEX #64343A

RGB 100 52 58

HSL 352.5, 0.32%, 0.3%

LAB 28.04, 22.21, 5.88

 

CMYK 0 / 48 / 42 / 50

HEX #80424A

RGB 128 66 74

HSL 352.26, 0.32%, 0.38%

LAB 35.95, 27.53, 7.31

 

CMYK 0 / 48 / 42 / 39

HEX #9B505A

RGB 155 80 90

HSL 352, 0.32%, 0.46%

LAB 43.42, 32.22, 8.45

 

CMYK 0 / 43 / 37 / 31

HEX #AF646E

RGB 175 100 110

HSL 352, 0.32%, 0.54%

LAB 51.1, 31.36, 7.64

 

CMYK 0 / 32 / 28 / 26

HEX #BD8088

RGB 189 128 136

HSL 352.13, 0.32%, 0.62%

LAB 59.92, 24.71, 5.31

 

CMYK 0 / 48 / 42 / 39

HEX #9B505A

RGB 155 80 90

HSL 352, 0.32%, 0.46%

LAB 43.42, 32.22, 8.45

 

CMYK 3 / 0 / 48 / 39

HEX #969B50

RGB 150 155 80

HSL 64, 0.32%, 0.46%

LAB 62.09, -13.07, 38.43

 

CMYK 48 / 23 / 0 / 39

HEX #50789B

RGB 80 120 155

HSL 208, 0.32%, 0.46%

LAB 48.89, -3.96, -23.2

 

CMYK 0 / 48 / 42 / 39

HEX #9B505A

RGB 155 80 90

HSL 352, 0.32%, 0.46%

LAB 43.42, 32.22, 8.45

 

CMYK 42 / 0 / 48 / 39

HEX #5A9B50

RGB 90 155 80

HSL 112, 0.32%, 0.46%

LAB 58.22, -36.1, 32.81

 

CMYK 48 / 42 / 0 / 39

HEX #505A9B

RGB 80 90 155

HSL 232, 0.32%, 0.46%

LAB 40.22, 14.5, -36.77

 

CMYK 0 / 48 / 42 / 39

HEX #9B505A

RGB 155 80 90

HSL 352, 0.32%, 0.46%

LAB 43.42, 32.22, 8.45

 

CMYK 3 / 0 / 48 / 39

HEX #969B50

RGB 150 155 80

HSL 64, 0.32%, 0.46%

LAB 62.09, -13.07, 38.43

 

CMYK 48 / 0 / 6 / 39

HEX #509B91

RGB 80 155 145

HSL 172, 0.32%, 0.46%

LAB 59.15, -25.84, -1.96

 

CMYK 45 / 48 / 0 / 39

HEX #55509B

RGB 85 80 155

HSL 244, 0.32%, 0.46%

LAB 37.91, 22.13, -40.43

 

CMYK 0 / 48 / 42 / 39

HEX #9B505A

RGB 155 80 90

HSL 352, 0.32%, 0.46%

LAB 43.42, 32.22, 8.45

 

CMYK 18 / 0 / 48 / 39

HEX #7F9B50

RGB 127 155 80

HSL 82.4, 0.32%, 0.46%

LAB 60.37, -22.54, 35.94

 

CMYK 48 / 0 / 6 / 39

HEX #509B91

RGB 80 155 145

HSL 172, 0.32%, 0.46%

LAB 59.15, -25.84, -1.96

 

CMYK 31 / 48 / 0 / 39

HEX #6B509B

RGB 107 80 155

HSL 261.6, 0.32%, 0.46%

LAB 39.96, 28.06, -37.03

 

Description

Color code: HEX #9B505A | qconv.com Color code: HEX #9B505A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 155 red, 80 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
155 80 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 42 yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 42% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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