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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #99A89B it is the complementary color #665764. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #99A89B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #99A89B: #9EA896, #AFBAA9, #C0CCBC, #D1DECF and #E2F0E2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #99A89B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #99A89B: #99A89B, #889688, #778475, #667262 and #55604F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 8 / 34

HEX #99A89B

RGB 153 168 155

HSL 128, 0.08%, 0.63%

LAB 67.39, -7.8, 4.91

 

Complementary color

CMYK 0 / 15 / 2 / 60

HEX #665764

RGB 102 87 100

HSL 308, 0.08%, 0.37%

LAB 38.83, 8.7, -5.21

 

CMYK 6 / 0 / 11 / 34

HEX #9EA896

RGB 158 168 150

HSL 93.33, 0.09%, 0.62%

LAB 67.63, -6.92, 8.09

 

CMYK 6 / 0 / 9 / 27

HEX #AFBAA9

RGB 175 186 169

HSL 98.82, 0.11%, 0.7%

LAB 74.25, -6.97, 7.3

 

CMYK 6 / 0 / 8 / 20

HEX #C0CCBC

RGB 192 204 188

HSL 105, 0.14%, 0.77%

LAB 80.75, -7.03, 6.56

 

CMYK 6 / 0 / 7 / 13

HEX #D1DECF

RGB 209 222 207

HSL 112, 0.19%, 0.84%

LAB 87.15, -7.08, 5.85

 

CMYK 6 / 0 / 6 / 6

HEX #E2F0E2

RGB 226 240 226

HSL 120, 0.32%, 0.91%

LAB 93.44, -7.14, 5.16

 

CMYK 9 / 0 / 8 / 34

HEX #99A89B

RGB 153 168 155

HSL 128, 0.08%, 0.63%

LAB 67.39, -7.8, 4.91

 

CMYK 9 / 0 / 9 / 41

HEX #889688

RGB 136 150 136

HSL 120, 0.06%, 0.56%

LAB 60.63, -7.79, 5.67

 

CMYK 10 / 0 / 11 / 48

HEX #778475

RGB 119 132 117

HSL 112, 0.06%, 0.49%

LAB 53.72, -7.79, 6.48

 

CMYK 11 / 0 / 14 / 55

HEX #667262

RGB 102 114 98

HSL 105, 0.08%, 0.42%

LAB 46.63, -7.8, 7.35

 

CMYK 11 / 0 / 18 / 62

HEX #55604F

RGB 85 96 79

HSL 98.82, 0.1%, 0.34%

LAB 39.35, -7.83, 8.3

 

CMYK 9 / 0 / 8 / 34

HEX #99A89B

RGB 153 168 155

HSL 128, 0.08%, 0.63%

LAB 67.39, -7.8, 4.91

 

CMYK 9 / 0 / 7 / 34

HEX #99A89D

RGB 153 168 157

HSL 136, 0.08%, 0.63%

LAB 67.44, -7.42, 3.88

 

CMYK 9 / 0 / 5 / 34

HEX #99A8A0

RGB 153 168 160

HSL 148, 0.08%, 0.63%

LAB 67.51, -6.84, 2.32

 

CMYK 9 / 0 / 4 / 34

HEX #99A8A2

RGB 153 168 162

HSL 156, 0.08%, 0.63%

LAB 67.57, -6.44, 1.29

 

CMYK 9 / 0 / 2 / 34

HEX #99A8A5

RGB 153 168 165

HSL 168, 0.08%, 0.63%

LAB 67.65, -5.85, -0.26

 

CMYK 9 / 0 / 8 / 34

HEX #99A89B

RGB 153 168 155

HSL 128, 0.08%, 0.63%

LAB 67.39, -7.8, 4.91

 

CMYK 9 / 0 / 8 / 14

HEX #C7DBCA

RGB 199 219 202

HSL 129, 0.22%, 0.82%

LAB 85.54, -9.84, 6.08

 

CMYK 7 / 0 / 7 / 94

HEX #0E0F0E

RGB 14 15 14

HSL 120, 0.03%, 0.06%

LAB 4.22, -0.51, 0.36

 

CMYK 9 / 0 / 8 / 74

HEX #3C423D

RGB 60 66 61

HSL 130, 0.05%, 0.25%

LAB 27.28, -3.63, 2.19

 

CMYK 9 / 0 / 8 / 54

HEX #6B756C

RGB 107 117 108

HSL 126, 0.04%, 0.44%

LAB 48.17, -5.62, 3.68

 

CMYK 9 / 0 / 8 / 34

HEX #99A89B

RGB 153 168 155

HSL 128, 0.08%, 0.63%

LAB 67.39, -7.8, 4.91

 

CMYK 9 / 3 / 0 / 34

HEX #99A3A8

RGB 153 163 168

HSL 200, 0.08%, 0.63%

LAB 66.36, -2.52, -3.81

 

CMYK 0 / 9 / 7 / 34

HEX #A8999D

RGB 168 153 157

HSL 344, 0.08%, 0.63%

LAB 64.6, 6.23, -0.1

 

CMYK 9 / 0 / 8 / 34

HEX #99A89B

RGB 153 168 155

HSL 128, 0.08%, 0.63%

LAB 67.39, -7.8, 4.91

 

CMYK 8 / 9 / 0 / 34

HEX #9B99A8

RGB 155 153 168

HSL 248, 0.08%, 0.63%

LAB 63.82, 3.71, -7.56

 

CMYK 0 / 8 / 9 / 34

HEX #A89B99

RGB 168 155 153

HSL 8, 0.08%, 0.63%

LAB 65.02, 4.4, 2.76

 

CMYK 9 / 0 / 8 / 34

HEX #99A89B

RGB 153 168 155

HSL 128, 0.08%, 0.63%

LAB 67.39, -7.8, 4.91

 

CMYK 9 / 3 / 0 / 34

HEX #99A3A8

RGB 153 163 168

HSL 200, 0.08%, 0.63%

LAB 66.36, -2.52, -3.81

 

CMYK 0 / 9 / 1 / 34

HEX #A899A6

RGB 168 153 166

HSL 308, 0.08%, 0.63%

LAB 64.85, 7.9, -4.79

 

CMYK 0 / 6 / 9 / 34

HEX #A89E99

RGB 168 158 153

HSL 20, 0.08%, 0.63%

LAB 65.81, 2.74, 3.91

 

CMYK 9 / 0 / 8 / 34

HEX #99A89B

RGB 153 168 155

HSL 128, 0.08%, 0.63%

LAB 67.39, -7.8, 4.91

 

CMYK 9 / 6 / 0 / 34

HEX #999EA8

RGB 153 158 168

HSL 220, 0.08%, 0.63%

LAB 65, 0.23, -5.82

 

CMYK 0 / 9 / 1 / 34

HEX #A899A6

RGB 168 153 166

HSL 308, 0.08%, 0.63%

LAB 64.85, 7.9, -4.79

 

CMYK 0 / 4 / 9 / 34

HEX #A8A299

RGB 168 162 153

HSL 36, 0.08%, 0.63%

LAB 66.87, 0.55, 5.44

 

Description

Color code: HEX #99A89B | qconv.com Color code: HEX #99A89B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 153 red, 168 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
153 168 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 8 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 8% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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