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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A8A299 it is the complementary color #575D66. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A8A299. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A8A299 shade: #ADA294, #BEB4A7, #CFC6BA, #E0D8CD and #F1EAE0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A8A299. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A8A299 shade: #A8A299, #979086, #867E73, #756C60 and #645A4D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A8A299 shade: #A8A299, #A89E99, #A89A99 and #A89999

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A8A299 shade: #A8A299, #A8A699, #A6A899, #A2A899 and #9EA899

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A8A299 shade matches the following richer shades: #A8A299, #B7A58A, #C7A87B, #D6AB6B and #E5AE5C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A8A299 shade: #A8A299, #999FA8, #8A9CB8, #7A99C7 and #6B96D6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A8A299 shade: #A89A99, #A89E99, #A8A299, #A8A699 and #A6A899

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A8A299 shade: #81796E, #958E83, #A8A299, #BBB6AF and #CECBC6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A8A299 shade: #A8A299, #9CA899 and #9C99A8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A8A299 shade: #A8A299, #99A8A2 and #A299A8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A8A299 shade: #A8A299, #9CA899, #999FA8 and #A599A8

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A8A299 shade: #A8A299, #99A89B, #999FA8 and #A899A7

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 9 / 34

HEX #A8A299

RGB 168 162 153

HSL 36, 0.08%, 0.63%

LAB 66.87, 0.55, 5.44

 

Complementary color

CMYK 15 / 9 / 0 / 60

HEX #575D66

RGB 87 93 102

HSL 216, 0.08%, 0.37%

LAB 39.27, -0.27, -5.94

 

CMYK 0 / 6 / 14 / 32

HEX #ADA294

RGB 173 162 148

HSL 33.6, 0.13%, 0.63%

LAB 67.17, 1.57, 8.71

 

CMYK 0 / 5 / 12 / 25

HEX #BEB4A7

RGB 190 180 167

HSL 33.91, 0.15%, 0.7%

LAB 73.79, 1.31, 7.89

 

CMYK 0 / 4 / 10 / 19

HEX #CFC6BA

RGB 207 198 186

HSL 34.29, 0.18%, 0.77%

LAB 80.29, 1.07, 7.12

 

CMYK 0 / 4 / 8 / 12

HEX #E0D8CD

RGB 224 216 205

HSL 34.74, 0.23%, 0.84%

LAB 86.69, 0.86, 6.38

 

CMYK 0 / 3 / 7 / 5

HEX #F1EAE0

RGB 241 234 224

HSL 35.29, 0.38%, 0.91%

LAB 92.98, 0.66, 5.68

 

CMYK 0 / 4 / 9 / 34

HEX #A8A299

RGB 168 162 153

HSL 36, 0.08%, 0.63%

LAB 66.87, 0.55, 5.44

 

CMYK 0 / 5 / 11 / 41

HEX #979086

RGB 151 144 134

HSL 35.29, 0.08%, 0.56%

LAB 60.11, 0.78, 6.23

 

CMYK 0 / 6 / 14 / 47

HEX #867E73

RGB 134 126 115

HSL 34.74, 0.08%, 0.49%

LAB 53.2, 1.03, 7.07

 

CMYK 0 / 8 / 18 / 54

HEX #756C60

RGB 117 108 96

HSL 34.29, 0.1%, 0.42%

LAB 46.11, 1.33, 7.98

 

CMYK 0 / 10 / 23 / 61

HEX #645A4D

RGB 100 90 77

HSL 33.91, 0.13%, 0.35%

LAB 38.82, 1.69, 8.99

 

CMYK 0 / 4 / 9 / 34

HEX #A8A299

RGB 168 162 153

HSL 36, 0.08%, 0.63%

LAB 66.87, 0.55, 5.44

 

CMYK 0 / 6 / 9 / 34

HEX #A89E99

RGB 168 158 153

HSL 20, 0.08%, 0.63%

LAB 65.81, 2.74, 3.91

 

CMYK 0 / 8 / 9 / 34

HEX #A89A99

RGB 168 154 153

HSL 4, 0.08%, 0.63%

LAB 64.75, 4.95, 2.37

 

CMYK 0 / 9 / 9 / 34

HEX #A89999

RGB 168 153 153

HSL 0, 0.08%, 0.63%

LAB 64.49, 5.51, 1.99

 

CMYK 0 / 4 / 9 / 34

HEX #A8A299

RGB 168 162 153

HSL 36, 0.08%, 0.63%

LAB 66.87, 0.55, 5.44

 

CMYK 0 / 1 / 9 / 34

HEX #A8A699

RGB 168 166 153

HSL 52, 0.08%, 0.63%

LAB 67.94, -1.63, 6.98

 

CMYK 1 / 0 / 9 / 34

HEX #A6A899

RGB 166 168 153

HSL 68, 0.08%, 0.63%

LAB 68.32, -3.46, 7.5

 

CMYK 4 / 0 / 9 / 34

HEX #A2A899

RGB 162 168 153

HSL 84, 0.08%, 0.63%

LAB 68.01, -4.92, 7.01

 

CMYK 6 / 0 / 9 / 34

HEX #9EA899

RGB 158 168 153

HSL 100, 0.08%, 0.63%

LAB 67.71, -6.38, 6.53

 

CMYK 0 / 4 / 9 / 34

HEX #A8A299

RGB 168 162 153

HSL 36, 0.08%, 0.63%

LAB 66.87, 0.55, 5.44

 

CMYK 0 / 10 / 25 / 28

HEX #B7A58A

RGB 183 165 138

HSL 36, 0.24%, 0.63%

LAB 68.62, 2.23, 16.39

 

CMYK 0 / 16 / 38 / 22

HEX #C7A87B

RGB 199 168 123

HSL 35.53, 0.4%, 0.63%

LAB 70.58, 5.01, 27.47

 

CMYK 0 / 20 / 50 / 16

HEX #D6AB6B

RGB 214 171 107

HSL 35.89, 0.57%, 0.63%

LAB 72.55, 7.87, 38.74

 

CMYK 0 / 24 / 60 / 10

HEX #E5AE5C

RGB 229 174 92

HSL 35.91, 0.72%, 0.63%

LAB 74.64, 11.28, 49.15

 

CMYK 0 / 4 / 9 / 34

HEX #A8A299

RGB 168 162 153

HSL 36, 0.08%, 0.63%

LAB 66.87, 0.55, 5.44

 

CMYK 9 / 5 / 0 / 34

HEX #999FA8

RGB 153 159 168

HSL 216, 0.08%, 0.63%

LAB 65.28, -0.32, -5.42

 

CMYK 25 / 15 / 0 / 28

HEX #8A9CB8

RGB 138 156 184

HSL 216.52, 0.24%, 0.63%

LAB 63.87, -0.01, -16.61

 

CMYK 39 / 23 / 0 / 22

HEX #7A99C7

RGB 122 153 199

HSL 215.84, 0.41%, 0.63%

LAB 62.54, 0.84, -27.13

 

CMYK 50 / 30 / 0 / 16

HEX #6B96D6

RGB 107 150 214

HSL 215.89, 0.57%, 0.63%

LAB 61.48, 3.08, -37.24

 

CMYK 0 / 8 / 9 / 34

HEX #A89A99

RGB 168 154 153

HSL 4, 0.08%, 0.63%

LAB 64.75, 4.95, 2.37

 

CMYK 0 / 6 / 9 / 34

HEX #A89E99

RGB 168 158 153

HSL 20, 0.08%, 0.63%

LAB 65.81, 2.74, 3.91

 

CMYK 0 / 4 / 9 / 34

HEX #A8A299

RGB 168 162 153

HSL 36, 0.08%, 0.63%

LAB 66.87, 0.55, 5.44

 

CMYK 0 / 1 / 9 / 34

HEX #A8A699

RGB 168 166 153

HSL 52, 0.08%, 0.63%

LAB 67.94, -1.63, 6.98

 

CMYK 1 / 0 / 9 / 34

HEX #A6A899

RGB 166 168 153

HSL 68, 0.08%, 0.63%

LAB 68.32, -3.46, 7.5

 

CMYK 0 / 6 / 15 / 49

HEX #81796E

RGB 129 121 110

HSL 34.74, 0.08%, 0.47%

LAB 51.23, 1.05, 7.12

 

CMYK 0 / 5 / 12 / 42

HEX #958E83

RGB 149 142 131

HSL 36.67, 0.08%, 0.55%

LAB 59.32, 0.61, 6.78

 

CMYK 0 / 4 / 9 / 34

HEX #A8A299

RGB 168 162 153

HSL 36, 0.08%, 0.63%

LAB 66.87, 0.55, 5.44

 

CMYK 0 / 3 / 6 / 27

HEX #BBB6AF

RGB 187 182 175

HSL 35, 0.08%, 0.71%

LAB 74.26, 0.51, 4.18

 

CMYK 0 / 1 / 4 / 19

HEX #CECBC6

RGB 206 203 198

HSL 37.5, 0.08%, 0.79%

LAB 81.79, 0.15, 2.85

 

CMYK 0 / 4 / 9 / 34

HEX #A8A299

RGB 168 162 153

HSL 36, 0.08%, 0.63%

LAB 66.87, 0.55, 5.44

 

CMYK 7 / 0 / 9 / 34

HEX #9CA899

RGB 156 168 153

HSL 108, 0.08%, 0.63%

LAB 67.56, -7.1, 6.3

 

CMYK 7 / 9 / 0 / 34

HEX #9C99A8

RGB 156 153 168

HSL 252, 0.08%, 0.63%

LAB 63.9, 4.06, -7.43

 

CMYK 0 / 4 / 9 / 34

HEX #A8A299

RGB 168 162 153

HSL 36, 0.08%, 0.63%

LAB 66.87, 0.55, 5.44

 

CMYK 9 / 0 / 4 / 34

HEX #99A8A2

RGB 153 168 162

HSL 156, 0.08%, 0.63%

LAB 67.57, -6.44, 1.29

 

CMYK 4 / 9 / 0 / 34

HEX #A299A8

RGB 162 153 168

HSL 276, 0.08%, 0.63%

LAB 64.4, 6.16, -6.64

 

CMYK 0 / 4 / 9 / 34

HEX #A8A299

RGB 168 162 153

HSL 36, 0.08%, 0.63%

LAB 66.87, 0.55, 5.44

 

CMYK 7 / 0 / 9 / 34

HEX #9CA899

RGB 156 168 153

HSL 108, 0.08%, 0.63%

LAB 67.56, -7.1, 6.3

 

CMYK 9 / 5 / 0 / 34

HEX #999FA8

RGB 153 159 168

HSL 216, 0.08%, 0.63%

LAB 65.28, -0.32, -5.42

 

CMYK 2 / 9 / 0 / 34

HEX #A599A8

RGB 165 153 168

HSL 288, 0.08%, 0.63%

LAB 64.65, 7.22, -6.24

 

CMYK 0 / 4 / 9 / 34

HEX #A8A299

RGB 168 162 153

HSL 36, 0.08%, 0.63%

LAB 66.87, 0.55, 5.44

 

CMYK 9 / 0 / 8 / 34

HEX #99A89B

RGB 153 168 155

HSL 128, 0.08%, 0.63%

LAB 67.39, -7.8, 4.91

 

CMYK 9 / 5 / 0 / 34

HEX #999FA8

RGB 153 159 168

HSL 216, 0.08%, 0.63%

LAB 65.28, -0.32, -5.42

 

CMYK 0 / 9 / 1 / 34

HEX #A899A7

RGB 168 153 167

HSL 304, 0.08%, 0.63%

LAB 64.88, 8.09, -5.3

 

Description

Color code: HEX #A8A299 | qconv.com Color code: HEX #A8A299 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 168 red, 162 green and 153 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
168 162 153 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 9 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 9% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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