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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #979441 it is the complementary color #686BBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #979441. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #979441: #9C943C, #ADA64F, #BEB862, #CFCA75 and #E0DC88

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #979441. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #979441: #979441, #86822E, #75701B, #645E08 and #534C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 57 / 41

HEX #979441

RGB 151 148 65

HSL 57.91, 0.4%, 0.42%

LAB 60.02, -10.28, 43.45

 

Complementary color

CMYK 45 / 44 / 0 / 25

HEX #686BBE

RGB 104 107 190

HSL 237.91, 0.4%, 0.58%

LAB 48.48, 20.75, -44.11

 

CMYK 0 / 5 / 62 / 39

HEX #9C943C

RGB 156 148 60

HSL 55, 0.44%, 0.42%

LAB 60.4, -8.47, 46.37

 

CMYK 0 / 4 / 54 / 32

HEX #ADA64F

RGB 173 166 79

HSL 55.53, 0.37%, 0.49%

LAB 67.07, -9.2, 45.29

 

CMYK 0 / 3 / 48 / 25

HEX #BEB862

RGB 190 184 98

HSL 56.09, 0.41%, 0.56%

LAB 73.62, -9.78, 44.11

 

CMYK 0 / 2 / 43 / 19

HEX #CFCA75

RGB 207 202 117

HSL 56.67, 0.48%, 0.64%

LAB 80.06, -10.26, 42.91

 

CMYK 0 / 2 / 39 / 12

HEX #E0DC88

RGB 224 220 136

HSL 57.27, 0.59%, 0.71%

LAB 86.41, -10.66, 41.73

 

CMYK 0 / 2 / 57 / 41

HEX #979441

RGB 151 148 65

HSL 57.91, 0.4%, 0.42%

LAB 60.02, -10.28, 43.45

 

CMYK 0 / 3 / 66 / 47

HEX #86822E

RGB 134 130 46

HSL 57.27, 0.49%, 0.35%

LAB 53.2, -9.52, 44.42

 

CMYK 0 / 4 / 77 / 54

HEX #75701B

RGB 117 112 27

HSL 56.67, 0.63%, 0.28%

LAB 46.24, -8.53, 44.86

 

CMYK 0 / 6 / 92 / 61

HEX #645E08

RGB 100 94 8

HSL 56.09, 0.85%, 0.21%

LAB 39.13, -7.19, 43.99

 

CMYK 0 / 8 / 100 / 67

HEX #534C00

RGB 83 76 0

HSL 54.94, 1%, 0.16%

LAB 31.82, -5.39, 40.18

 

CMYK 0 / 2 / 57 / 41

HEX #979441

RGB 151 148 65

HSL 57.91, 0.4%, 0.42%

LAB 60.02, -10.28, 43.45

 

CMYK 7 / 0 / 57 / 42

HEX #8B9540

RGB 139 149 64

HSL 67.06, 0.4%, 0.42%

LAB 59.3, -16.09, 42.86

 

CMYK 16 / 0 / 57 / 42

HEX #7D9540

RGB 125 149 64

HSL 76.94, 0.4%, 0.42%

LAB 58.25, -22, 41.38

 

CMYK 26 / 0 / 57 / 42

HEX #6F9540

RGB 111 149 64

HSL 86.82, 0.4%, 0.42%

LAB 57.31, -27.66, 40.05

 

CMYK 35 / 0 / 57 / 42

HEX #619540

RGB 97 149 64

HSL 96.71, 0.4%, 0.42%

LAB 56.49, -32.97, 38.89

 

CMYK 0 / 2 / 57 / 41

HEX #979441

RGB 151 148 65

HSL 57.91, 0.4%, 0.42%

LAB 60.02, -10.28, 43.45

 

CMYK 0 / 2 / 57 / 21

HEX #CAC657

RGB 202 198 87

HSL 57.91, 0.52%, 0.57%

LAB 78.25, -12.9, 54.95

 

CMYK 0 / 2 / 57 / 1

HEX #FDF86D

RGB 253 248 109

HSL 57.92, 0.97%, 0.71%

LAB 95.63, -15.39, 65.86

 

CMYK 0 / 2 / 57 / 81

HEX #313015

RGB 49 48 21

HSL 57.86, 0.4%, 0.14%

LAB 19.31, -4.33, 17.33

 

CMYK 0 / 2 / 57 / 61

HEX #64622B

RGB 100 98 43

HSL 57.89, 0.4%, 0.28%

LAB 40.6, -7.48, 31.12

 

CMYK 0 / 2 / 57 / 41

HEX #979441

RGB 151 148 65

HSL 57.91, 0.4%, 0.42%

LAB 60.02, -10.28, 43.45

 

CMYK 57 / 0 / 48 / 42

HEX #40954D

RGB 64 149 77

HSL 129.18, 0.4%, 0.42%

LAB 55.2, -41.56, 30.36

 

CMYK 26 / 57 / 0 / 42

HEX #6F4095

RGB 111 64 149

HSL 273.18, 0.4%, 0.42%

LAB 36.4, 37.03, -39.05

 

CMYK 0 / 2 / 57 / 41

HEX #979441

RGB 151 148 65

HSL 57.91, 0.4%, 0.42%

LAB 60.02, -10.28, 43.45

 

CMYK 57 / 0 / 3 / 42

HEX #409591

RGB 64 149 145

HSL 177.18, 0.4%, 0.42%

LAB 56.71, -26.43, -5.63

 

CMYK 3 / 57 / 0 / 42

HEX #914095

RGB 145 64 149

HSL 297.18, 0.4%, 0.42%

LAB 40.99, 46.39, -31.49

 

CMYK 0 / 2 / 57 / 41

HEX #979441

RGB 151 148 65

HSL 57.91, 0.4%, 0.42%

LAB 60.02, -10.28, 43.45

 

CMYK 57 / 0 / 48 / 42

HEX #40954D

RGB 64 149 77

HSL 129.18, 0.4%, 0.42%

LAB 55.2, -41.56, 30.36

 

CMYK 57 / 54 / 0 / 42

HEX #404495

RGB 64 68 149

HSL 237.18, 0.4%, 0.42%

LAB 32.69, 23.04, -45.26

 

CMYK 0 / 57 / 8 / 42

HEX #954089

RGB 149 64 137

HSL 308.47, 0.4%, 0.42%

LAB 41, 45.35, -24.15

 

CMYK 0 / 2 / 57 / 41

HEX #979441

RGB 151 148 65

HSL 57.91, 0.4%, 0.42%

LAB 60.02, -10.28, 43.45

 

CMYK 57 / 0 / 32 / 42

HEX #409566

RGB 64 149 102

HSL 146.82, 0.4%, 0.42%

LAB 55.63, -36.99, 17.28

 

CMYK 57 / 54 / 0 / 42

HEX #404495

RGB 64 68 149

HSL 237.18, 0.4%, 0.42%

LAB 32.69, 23.04, -45.26

 

CMYK 0 / 57 / 26 / 42

HEX #95406F

RGB 149 64 111

HSL 326.82, 0.4%, 0.42%

LAB 39.92, 41.2, -9.78

 

Description

Color code: HEX #979441 | qconv.com Color code: HEX #979441 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 148 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 148 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 57 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 57% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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