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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 253 248 109 it is the complementary color RGB 2 7 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 253 248 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 253 248 109: RGB 255 248 104, RGB 255 255 123, RGB 255 255 142, RGB 255 255 161 and RGB 255 255 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 253 248 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 253 248 109: RGB 253 248 109, RGB 236 230 90, RGB 219 212 71, RGB 202 194 52 and RGB 185 176 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 57 / 1

HEX #FDF86D

RGB 253 248 109

HSL 57.92, 0.97%, 0.71%

LAB 95.63, -15.39, 65.86

 

Complementary color

CMYK 99 / 95 / 0 / 43

HEX #020792

RGB 2 7 146

HSL 237.92, 0.97%, 0.29%

LAB 16.7, 49.94, -69.81

 

CMYK 0 / 3 / 59 / 0

HEX #FFF868

RGB 255 248 104

HSL 57.22, 1%, 0.7%

LAB 95.74, -14.93, 68.14

 

CMYK 0 / 0 / 52 / 0

HEX #FFFF7B

RGB 255 255 123

HSL 60, 1%, 0.74%

LAB 97.72, -16.94, 62.16

 

CMYK 0 / 0 / 44 / 0

HEX #FFFF8E

RGB 255 255 142

HSL 60, 1%, 0.78%

LAB 97.93, -15.3, 53.71

 

CMYK 0 / 0 / 37 / 0

HEX #FFFFA1

RGB 255 255 161

HSL 60, 1%, 0.82%

LAB 98.17, -13.39, 44.93

 

CMYK 0 / 0 / 29 / 0

HEX #FFFFB4

RGB 255 255 180

HSL 60, 1%, 0.85%

LAB 98.46, -11.2, 35.94

 

CMYK 0 / 2 / 57 / 1

HEX #FDF86D

RGB 253 248 109

HSL 57.92, 0.97%, 0.71%

LAB 95.63, -15.39, 65.86

 

CMYK 0 / 3 / 62 / 7

HEX #ECE65A

RGB 236 230 90

HSL 57.53, 0.79%, 0.64%

LAB 89.47, -14.7, 66.72

 

CMYK 0 / 3 / 68 / 14

HEX #DBD447

RGB 219 212 71

HSL 57.16, 0.67%, 0.57%

LAB 83.23, -13.88, 67.33

 

CMYK 0 / 4 / 74 / 21

HEX #CAC234

RGB 202 194 52

HSL 56.8, 0.59%, 0.5%

LAB 76.91, -12.91, 67.52

 

CMYK 0 / 5 / 82 / 27

HEX #B9B021

RGB 185 176 33

HSL 56.45, 0.7%, 0.43%

LAB 70.51, -11.76, 66.96

 

CMYK 0 / 2 / 57 / 1

HEX #FDF86D

RGB 253 248 109

HSL 57.92, 0.97%, 0.71%

LAB 95.63, -15.39, 65.86

 

CMYK 6 / 0 / 57 / 1

HEX #ECFC6D

RGB 236 252 109

HSL 66.71, 0.96%, 0.71%

LAB 95.4, -24.02, 65.25

 

CMYK 16 / 0 / 57 / 1

HEX #D4FC6D

RGB 212 252 109

HSL 76.78, 0.96%, 0.71%

LAB 93.76, -33.23, 62.96

 

CMYK 25 / 0 / 57 / 1

HEX #BCFC6D

RGB 188 252 109

HSL 86.85, 0.96%, 0.71%

LAB 92.32, -42.03, 60.93

 

CMYK 35 / 0 / 57 / 1

HEX #A4FC6D

RGB 164 252 109

HSL 96.92, 0.96%, 0.71%

LAB 91.06, -50.24, 59.16

 

CMYK 0 / 2 / 57 / 1

HEX #FDF86D

RGB 253 248 109

HSL 57.92, 0.97%, 0.71%

LAB 95.63, -15.39, 65.86

 

CMYK 0 / 2 / 57 / 81

HEX #313015

RGB 49 48 21

HSL 57.86, 0.4%, 0.14%

LAB 19.31, -4.33, 17.33

 

CMYK 0 / 2 / 57 / 61

HEX #64622B

RGB 100 98 43

HSL 57.89, 0.4%, 0.28%

LAB 40.6, -7.48, 31.12

 

CMYK 0 / 2 / 57 / 41

HEX #979441

RGB 151 148 65

HSL 57.91, 0.4%, 0.42%

LAB 60.02, -10.28, 43.45

 

CMYK 0 / 2 / 57 / 21

HEX #CAC657

RGB 202 198 87

HSL 57.91, 0.52%, 0.57%

LAB 78.25, -12.9, 54.95

 

CMYK 0 / 2 / 57 / 1

HEX #FDF86D

RGB 253 248 109

HSL 57.92, 0.97%, 0.71%

LAB 95.63, -15.39, 65.86

 

CMYK 57 / 0 / 48 / 1

HEX #6DFC82

RGB 109 252 130

HSL 128.81, 0.96%, 0.71%

LAB 89.15, -63.12, 46.79

 

CMYK 25 / 57 / 0 / 1

HEX #BC6DFC

RGB 188 109 252

HSL 273.15, 0.96%, 0.71%

LAB 60.48, 56.49, -59.47

 

CMYK 0 / 2 / 57 / 1

HEX #FDF86D

RGB 253 248 109

HSL 57.92, 0.97%, 0.71%

LAB 95.63, -15.39, 65.86

 

CMYK 57 / 0 / 3 / 1

HEX #6DFCF5

RGB 109 252 245

HSL 177.06, 0.96%, 0.71%

LAB 91.44, -40, -8.3

 

CMYK 3 / 57 / 0 / 1

HEX #F56DFC

RGB 245 109 252

HSL 297.06, 0.96%, 0.71%

LAB 67.56, 70.4, -47.78

 

CMYK 0 / 2 / 57 / 1

HEX #FDF86D

RGB 253 248 109

HSL 57.92, 0.97%, 0.71%

LAB 95.63, -15.39, 65.86

 

CMYK 57 / 0 / 48 / 1

HEX #6DFC82

RGB 109 252 130

HSL 128.81, 0.96%, 0.71%

LAB 89.15, -63.12, 46.79

 

CMYK 57 / 54 / 0 / 1

HEX #6D74FC

RGB 109 116 252

HSL 237.06, 0.96%, 0.71%

LAB 54.83, 35.57, -68.92

 

CMYK 0 / 57 / 8 / 1

HEX #FC6DE7

RGB 252 109 231

HSL 308.81, 0.96%, 0.71%

LAB 67.58, 68.76, -36.11

 

CMYK 0 / 2 / 57 / 1

HEX #FDF86D

RGB 253 248 109

HSL 57.92, 0.97%, 0.71%

LAB 95.63, -15.39, 65.86

 

CMYK 57 / 0 / 31 / 1

HEX #6DFCAD

RGB 109 252 173

HSL 146.85, 0.96%, 0.71%

LAB 89.81, -56.08, 26.48

 

CMYK 57 / 54 / 0 / 1

HEX #6D74FC

RGB 109 116 252

HSL 237.06, 0.96%, 0.71%

LAB 54.83, 35.57, -68.92

 

CMYK 0 / 57 / 25 / 1

HEX #FC6DBC

RGB 252 109 188

HSL 326.85, 0.96%, 0.71%

LAB 65.95, 62.63, -14.53

 

Description

Color code: RGB 253 248 109 | qconv.com Color code: RGB 253 248 109 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 253 red, 248 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
253 248 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 57 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 57% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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