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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9767B0 it is the complementary color #68984F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9767B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9767B0: #9C67AB, #AD79BE, #BE8BD1, #CF9DE4 and #E0AFF7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9767B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9767B0: #9767B0, #86559D, #75438A, #643177 and #531F64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 41 / 0 / 31

HEX #9767B0

RGB 151 103 176

HSL 279.45, 0.32%, 0.55%

LAB 51.17, 32.75, -31.47

 

Complementary color

CMYK 32 / 0 / 48 / 40

HEX #68984F

RGB 104 152 79

HSL 99.45, 0.32%, 0.45%

LAB 58, -30.01, 33.21

 

CMYK 9 / 40 / 0 / 33

HEX #9C67AB

RGB 156 103 171

HSL 286.76, 0.29%, 0.54%

LAB 51.51, 33.23, -27.99

 

CMYK 9 / 36 / 0 / 25

HEX #AD79BE

RGB 173 121 190

HSL 285.22, 0.35%, 0.61%

LAB 58.3, 32.46, -28.26

 

CMYK 9 / 33 / 0 / 18

HEX #BE8BD1

RGB 190 139 209

HSL 283.71, 0.43%, 0.68%

LAB 64.98, 31.74, -28.51

 

CMYK 9 / 31 / 0 / 11

HEX #CF9DE4

RGB 207 157 228

HSL 282.25, 0.57%, 0.75%

LAB 71.54, 31.06, -28.75

 

CMYK 9 / 29 / 0 / 3

HEX #E0AFF7

RGB 224 175 247

HSL 280.83, 0.82%, 0.83%

LAB 78.01, 30.43, -29

 

CMYK 14 / 41 / 0 / 31

HEX #9767B0

RGB 151 103 176

HSL 279.45, 0.32%, 0.55%

LAB 51.17, 32.75, -31.47

 

CMYK 15 / 46 / 0 / 38

HEX #86559D

RGB 134 85 157

HSL 280.83, 0.3%, 0.47%

LAB 44.23, 33.58, -31.29

 

CMYK 15 / 51 / 0 / 46

HEX #75438A

RGB 117 67 138

HSL 282.25, 0.35%, 0.4%

LAB 37.17, 34.43, -31.07

 

CMYK 16 / 59 / 0 / 53

HEX #643177

RGB 100 49 119

HSL 283.71, 0.42%, 0.33%

LAB 30, 35.23, -30.74

 

CMYK 17 / 69 / 0 / 61

HEX #531F64

RGB 83 31 100

HSL 285.22, 0.53%, 0.26%

LAB 22.79, 35.77, -30.18

 

CMYK 14 / 41 / 0 / 31

HEX #9767B0

RGB 151 103 176

HSL 279.45, 0.32%, 0.55%

LAB 51.17, 32.75, -31.47

 

CMYK 7 / 41 / 0 / 31

HEX #A367B0

RGB 163 103 176

HSL 289.32, 0.32%, 0.55%

LAB 52.53, 36.46, -29.24

 

CMYK 1 / 41 / 0 / 31

HEX #AF67B0

RGB 175 103 176

HSL 299.18, 0.32%, 0.55%

LAB 53.97, 40.2, -26.9

 

CMYK 0 / 41 / 6 / 31

HEX #B067A5

RGB 176 103 165

HSL 309.04, 0.32%, 0.55%

LAB 53.65, 38.49, -20.99

 

CMYK 0 / 41 / 13 / 31

HEX #B06799

RGB 176 103 153

HSL 318.9, 0.32%, 0.55%

LAB 53.2, 36.4, -14.67

 

CMYK 14 / 41 / 0 / 31

HEX #9767B0

RGB 151 103 176

HSL 279.45, 0.32%, 0.55%

LAB 51.17, 32.75, -31.47

 

CMYK 14 / 41 / 0 / 11

HEX #C385E3

RGB 195 133 227

HSL 279.57, 0.63%, 0.71%

LAB 64.9, 40.29, -38.59

 

CMYK 13 / 43 / 0 / 91

HEX #140D17

RGB 20 13 23

HSL 282, 0.28%, 0.07%

LAB 4.5, 4.64, -4.77

 

CMYK 15 / 42 / 0 / 71

HEX #3F2B4A

RGB 63 43 74

HSL 278.71, 0.26%, 0.23%

LAB 21.13, 16.03, -15.7

 

CMYK 14 / 42 / 0 / 51

HEX #6B497D

RGB 107 73 125

HSL 279.23, 0.26%, 0.39%

LAB 36.69, 24.74, -23.92

 

CMYK 14 / 41 / 0 / 31

HEX #9767B0

RGB 151 103 176

HSL 279.45, 0.32%, 0.55%

LAB 51.17, 32.75, -31.47

 

CMYK 0 / 41 / 35 / 31

HEX #B06772

RGB 176 103 114

HSL 350.96, 0.32%, 0.55%

LAB 52, 30.6, 6.57

 

CMYK 41 / 0 / 31 / 31

HEX #67B079

RGB 103 176 121

HSL 134.79, 0.32%, 0.55%

LAB 65.99, -34.91, 21.21

 

CMYK 14 / 41 / 0 / 31

HEX #9767B0

RGB 151 103 176

HSL 279.45, 0.32%, 0.55%

LAB 51.17, 32.75, -31.47

 

CMYK 0 / 14 / 41 / 31

HEX #B09767

RGB 176 151 103

HSL 39.45, 0.32%, 0.55%

LAB 63.63, 2.51, 28.71

 

CMYK 41 / 0 / 14 / 31

HEX #67B097

RGB 103 176 151

HSL 159.45, 0.32%, 0.55%

LAB 66.65, -28.76, 5.69

 

CMYK 14 / 41 / 0 / 31

HEX #9767B0

RGB 151 103 176

HSL 279.45, 0.32%, 0.55%

LAB 51.17, 32.75, -31.47

 

CMYK 0 / 41 / 35 / 31

HEX #B06772

RGB 176 103 114

HSL 350.96, 0.32%, 0.55%

LAB 52, 30.6, 6.57

 

CMYK 27 / 0 / 41 / 31

HEX #81B067

RGB 129 176 103

HSL 98.63, 0.32%, 0.55%

LAB 67.05, -29.18, 32.43

 

CMYK 41 / 0 / 6 / 31

HEX #67B0A5

RGB 103 176 165

HSL 170.96, 0.32%, 0.55%

LAB 67.01, -25.48, -1.53

 

CMYK 14 / 41 / 0 / 31

HEX #9767B0

RGB 151 103 176

HSL 279.45, 0.32%, 0.55%

LAB 51.17, 32.75, -31.47

 

CMYK 0 / 35 / 41 / 31

HEX #B07267

RGB 176 114 103

HSL 9.04, 0.32%, 0.55%

LAB 54.28, 23.15, 16.23

 

CMYK 27 / 0 / 41 / 31

HEX #81B067

RGB 129 176 103

HSL 98.63, 0.32%, 0.55%

LAB 67.05, -29.18, 32.43

 

CMYK 41 / 6 / 0 / 31

HEX #67A5B0

RGB 103 165 176

HSL 189.04, 0.32%, 0.55%

LAB 64.1, -17.05, -11.98

 

Description

Color code: HEX #9767B0 | qconv.com Color code: HEX #9767B0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 103 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 103 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 41 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 41% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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