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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 14 / 41 / 0 / 31 it is the complementary color CMYK 31 / 0 / 48 / 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 14 / 41 / 0 / 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 14 / 41 / 0 / 31: CMYK 9 / 39 / 0 / 33, CMYK 9 / 36 / 0 / 25, CMYK 9 / 33 / 0 / 18, CMYK 9 / 31 / 0 / 11 and CMYK 9 / 29 / 0 / 3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 14 / 41 / 0 / 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 14 / 41 / 0 / 31: CMYK 14 / 41 / 0 / 31, CMYK 15 / 45 / 0 / 38, CMYK 15 / 51 / 0 / 46, CMYK 16 / 58 / 0 / 53 and CMYK 17 / 68 / 0 / 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 41 / 0 / 31

HEX #9768B0

RGB 151 104 176

HSL 279.17, 0.31%, 0.55%

LAB 51.4, 32.18, -31.11

 

Complementary color

CMYK 31 / 0 / 48 / 41

HEX #68974F

RGB 104 151 79

HSL 99.17, 0.31%, 0.45%

LAB 57.69, -29.53, 32.83

 

CMYK 9 / 39 / 0 / 33

HEX #9C68AB

RGB 156 104 171

HSL 286.57, 0.29%, 0.54%

LAB 51.73, 32.67, -27.64

 

CMYK 9 / 36 / 0 / 25

HEX #AD7ABE

RGB 173 122 190

HSL 285, 0.34%, 0.61%

LAB 58.53, 31.9, -27.9

 

CMYK 9 / 33 / 0 / 18

HEX #BE8CD1

RGB 190 140 209

HSL 283.48, 0.43%, 0.68%

LAB 65.21, 31.18, -28.15

 

CMYK 9 / 31 / 0 / 11

HEX #CF9EE4

RGB 207 158 228

HSL 282, 0.56%, 0.76%

LAB 71.77, 30.51, -28.4

 

CMYK 9 / 29 / 0 / 3

HEX #E0B0F7

RGB 224 176 247

HSL 280.56, 0.82%, 0.83%

LAB 78.24, 29.89, -28.65

 

CMYK 14 / 41 / 0 / 31

HEX #9768B0

RGB 151 104 176

HSL 279.17, 0.31%, 0.55%

LAB 51.4, 32.18, -31.11

 

CMYK 15 / 45 / 0 / 38

HEX #86569D

RGB 134 86 157

HSL 280.56, 0.29%, 0.48%

LAB 44.46, 33.01, -30.94

 

CMYK 15 / 51 / 0 / 46

HEX #75448A

RGB 117 68 138

HSL 282, 0.34%, 0.4%

LAB 37.39, 33.86, -30.72

 

CMYK 16 / 58 / 0 / 53

HEX #643277

RGB 100 50 119

HSL 283.48, 0.41%, 0.33%

LAB 30.21, 34.68, -30.42

 

CMYK 17 / 68 / 0 / 61

HEX #532064

RGB 83 32 100

HSL 285, 0.52%, 0.26%

LAB 22.97, 35.26, -29.89

 

CMYK 14 / 41 / 0 / 31

HEX #9768B0

RGB 151 104 176

HSL 279.17, 0.31%, 0.55%

LAB 51.4, 32.18, -31.11

 

CMYK 7 / 41 / 0 / 31

HEX #A268AF

RGB 162 104 175

HSL 289.01, 0.31%, 0.55%

LAB 52.59, 35.39, -28.58

 

CMYK 1 / 41 / 0 / 31

HEX #AE68AF

RGB 174 104 175

HSL 299.15, 0.31%, 0.55%

LAB 54.02, 39.16, -26.25

 

CMYK 0 / 41 / 6 / 31

HEX #AF68A5

RGB 175 104 165

HSL 308.45, 0.31%, 0.55%

LAB 53.74, 37.62, -20.87

 

CMYK 0 / 41 / 13 / 31

HEX #AF6899

RGB 175 104 153

HSL 318.59, 0.31%, 0.55%

LAB 53.29, 35.52, -14.54

 

CMYK 14 / 41 / 0 / 31

HEX #9768B0

RGB 151 104 176

HSL 279.17, 0.31%, 0.55%

LAB 51.4, 32.18, -31.11

 

CMYK 14 / 41 / 0 / 11

HEX #C386E3

RGB 195 134 227

HSL 279.35, 0.62%, 0.71%

LAB 65.12, 39.74, -38.25

 

CMYK 13 / 39 / 0 / 91

HEX #140E17

RGB 20 14 23

HSL 280, 0.24%, 0.07%

LAB 4.74, 4.16, -4.42

 

CMYK 15 / 41 / 0 / 71

HEX #3F2C4A

RGB 63 44 74

HSL 278, 0.25%, 0.23%

LAB 21.4, 15.36, -15.27

 

CMYK 14 / 41 / 0 / 51

HEX #6B4A7D

RGB 107 74 125

HSL 278.82, 0.26%, 0.39%

LAB 36.94, 24.14, -23.53

 

CMYK 14 / 41 / 0 / 31

HEX #9768B0

RGB 151 104 176

HSL 279.17, 0.31%, 0.55%

LAB 51.4, 32.18, -31.11

 

CMYK 0 / 41 / 34 / 31

HEX #AF6873

RGB 175 104 115

HSL 350.7, 0.31%, 0.55%

LAB 52.12, 29.8, 6.14

 

CMYK 41 / 0 / 30 / 31

HEX #68AF7A

RGB 104 175 122

HSL 135.21, 0.31%, 0.55%

LAB 65.76, -33.96, 20.35

 

CMYK 14 / 41 / 0 / 31

HEX #9768B0

RGB 151 104 176

HSL 279.17, 0.31%, 0.55%

LAB 51.4, 32.18, -31.11

 

CMYK 0 / 14 / 41 / 31

HEX #AF9668

RGB 175 150 104

HSL 38.87, 0.31%, 0.55%

LAB 63.28, 2.75, 27.7

 

CMYK 41 / 0 / 14 / 31

HEX #68AF96

RGB 104 175 150

HSL 158.87, 0.31%, 0.55%

LAB 66.37, -28.22, 5.85

 

CMYK 14 / 41 / 0 / 31

HEX #9768B0

RGB 151 104 176

HSL 279.17, 0.31%, 0.55%

LAB 51.4, 32.18, -31.11

 

CMYK 0 / 41 / 34 / 31

HEX #AF6873

RGB 175 104 115

HSL 350.7, 0.31%, 0.55%

LAB 52.12, 29.8, 6.14

 

CMYK 26 / 0 / 41 / 31

HEX #81AF68

RGB 129 175 104

HSL 98.87, 0.31%, 0.55%

LAB 66.77, -28.56, 31.55

 

CMYK 41 / 0 / 6 / 31

HEX #68AFA5

RGB 104 175 165

HSL 171.55, 0.31%, 0.55%

LAB 66.76, -24.72, -1.89

 

CMYK 14 / 41 / 0 / 31

HEX #9768B0

RGB 151 104 176

HSL 279.17, 0.31%, 0.55%

LAB 51.4, 32.18, -31.11

 

CMYK 0 / 34 / 41 / 31

HEX #AF7368

RGB 175 115 104

HSL 9.3, 0.31%, 0.55%

LAB 54.42, 22.31, 15.81

 

CMYK 26 / 0 / 41 / 31

HEX #81AF68

RGB 129 175 104

HSL 98.87, 0.31%, 0.55%

LAB 66.77, -28.56, 31.55

 

CMYK 41 / 6 / 0 / 31

HEX #68A5AF

RGB 104 165 175

HSL 188.45, 0.31%, 0.55%

LAB 64.12, -17.06, -11.39

 

Description

Color code: CMYK 14 / 41 / 0 / 31 | qconv.com Color code: CMYK 14 / 41 / 0 / 31 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 151 red, 104 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
151 104 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 41 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 41% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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