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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #967D45 it is the complementary color #6982BA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #967D45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #967D45 shade: #9B7D40, #AC8F53, #BDA166, #CEB379 and #DFC58C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #967D45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #967D45 shade: #967D45, #856B32, #74591F, #63470C and #523500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #967D45 shade: #967D45, #966745, #965145 and #964545

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #967D45 shade: #967D45, #969345, #849645, #6E9645 and #589645

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #967D45 shade matches the following richer shades: #967D45, #A88433, #BA8B22 and #CB9210

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #967D45 shade: #967D45, #847657, #737069, #61697A and #4F628C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #967D45 shade: #965145, #966745, #967D45, #969245 and #859645

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #967D45 shade: #5E4E2B, #7A6638, #967D45, #B09454 and #BDA670

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #967D45 shade: #967D45, #4F9645 and #5C4596

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #967D45 shade: #967D45, #45967D and #7D4596

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #967D45 shade: #967D45, #4F9645, #455F96 and #8D4596

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #967D45 shade: #967D45, #459654, #455F96 and #964587

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 17 / 54 / 41

HEX #967D45

RGB 150 125 69

HSL 41.48, 0.37%, 0.43%

LAB 53.58, 2.29, 33.86

 

Complementary color

CMYK 44 / 30 / 0 / 27

HEX #6982BA

RGB 105 130 186

HSL 221.48, 0.37%, 0.57%

LAB 54.57, 5.91, -32.22

 

CMYK 0 / 19 / 59 / 39

HEX #9B7D40

RGB 155 125 64

HSL 40.22, 0.42%, 0.43%

LAB 54.03, 4.08, 37.15

 

CMYK 0 / 17 / 52 / 33

HEX #AC8F53

RGB 172 143 83

HSL 40.45, 0.35%, 0.5%

LAB 60.82, 3.15, 35.78

 

CMYK 0 / 15 / 46 / 26

HEX #BDA166

RGB 189 161 102

HSL 40.69, 0.4%, 0.57%

LAB 67.48, 2.38, 34.45

 

CMYK 0 / 13 / 41 / 19

HEX #CEB379

RGB 206 179 121

HSL 40.94, 0.46%, 0.64%

LAB 74.02, 1.73, 33.18

 

CMYK 0 / 12 / 37 / 13

HEX #DFC58C

RGB 223 197 140

HSL 41.2, 0.56%, 0.71%

LAB 80.47, 1.18, 31.97

 

CMYK 0 / 17 / 54 / 41

HEX #967D45

RGB 150 125 69

HSL 41.48, 0.37%, 0.43%

LAB 53.58, 2.29, 33.86

 

CMYK 0 / 20 / 62 / 48

HEX #856B32

RGB 133 107 50

HSL 41.2, 0.45%, 0.36%

LAB 46.62, 3.29, 35.23

 

CMYK 0 / 23 / 73 / 55

HEX #74591F

RGB 116 89 31

HSL 40.94, 0.58%, 0.29%

LAB 39.51, 4.57, 36.46

 

CMYK 0 / 28 / 88 / 61

HEX #63470C

RGB 99 71 12

HSL 40.69, 0.78%, 0.22%

LAB 32.23, 6.26, 36.96

 

CMYK 0 / 35 / 100 / 68

HEX #523500

RGB 82 53 0

HSL 38.78, 1%, 0.16%

LAB 24.77, 8.5, 34.3

 

CMYK 0 / 17 / 54 / 41

HEX #967D45

RGB 150 125 69

HSL 41.48, 0.37%, 0.43%

LAB 53.58, 2.29, 33.86

 

CMYK 0 / 31 / 54 / 41

HEX #966745

RGB 150 103 69

HSL 25.19, 0.37%, 0.43%

LAB 47.77, 14.91, 26.67

 

CMYK 0 / 46 / 54 / 41

HEX #965145

RGB 150 81 69

HSL 8.89, 0.37%, 0.43%

LAB 42.46, 27.48, 19.82

 

CMYK 0 / 54 / 54 / 41

HEX #964545

RGB 150 69 69

HSL 0, 0.37%, 0.43%

LAB 39.87, 34.01, 16.37

 

CMYK 0 / 17 / 54 / 41

HEX #967D45

RGB 150 125 69

HSL 41.48, 0.37%, 0.43%

LAB 53.58, 2.29, 33.86

 

CMYK 0 / 2 / 54 / 41

HEX #969345

RGB 150 147 69

HSL 57.78, 0.37%, 0.43%

LAB 59.69, -9.85, 41.11

 

CMYK 12 / 0 / 54 / 41

HEX #849645

RGB 132 150 69

HSL 73.33, 0.37%, 0.43%

LAB 59.11, -19.12, 40.06

 

CMYK 27 / 0 / 54 / 41

HEX #6E9645

RGB 110 150 69

HSL 89.63, 0.37%, 0.43%

LAB 57.61, -28, 37.93

 

CMYK 41 / 0 / 54 / 41

HEX #589645

RGB 88 150 69

HSL 105.93, 0.37%, 0.43%

LAB 56.4, -35.98, 36.19

 

CMYK 0 / 17 / 54 / 41

HEX #967D45

RGB 150 125 69

HSL 41.48, 0.37%, 0.43%

LAB 53.58, 2.29, 33.86

 

CMYK 0 / 21 / 70 / 34

HEX #A88433

RGB 168 132 51

HSL 41.54, 0.53%, 0.43%

LAB 57.14, 5.09, 47.33

 

CMYK 0 / 25 / 82 / 27

HEX #BA8B22

RGB 186 139 34

HSL 41.45, 0.69%, 0.43%

LAB 60.8, 8.53, 58.28

 

CMYK 0 / 28 / 92 / 20

HEX #CB9210

RGB 203 146 16

HSL 41.71, 0.85%, 0.43%

LAB 64.4, 11.85, 66.66

 

CMYK 0 / 17 / 54 / 41

HEX #967D45

RGB 150 125 69

HSL 41.48, 0.37%, 0.43%

LAB 53.58, 2.29, 33.86

 

CMYK 0 / 11 / 34 / 48

HEX #847657

RGB 132 118 87

HSL 41.33, 0.21%, 0.43%

LAB 50.16, 0.45, 19.08

 

CMYK 0 / 3 / 9 / 55

HEX #737069

RGB 115 112 105

HSL 42, 0.05%, 0.43%

LAB 47.3, -0.2, 4.29

 

CMYK 20 / 14 / 0 / 52

HEX #61697A

RGB 97 105 122

HSL 220.8, 0.11%, 0.43%

LAB 44.3, 0.91, -10.49

 

CMYK 44 / 30 / 0 / 45

HEX #4F628C

RGB 79 98 140

HSL 221.31, 0.28%, 0.43%

LAB 41.68, 4.48, -25.48

 

CMYK 0 / 46 / 54 / 41

HEX #965145

RGB 150 81 69

HSL 8.89, 0.37%, 0.43%

LAB 42.46, 27.48, 19.82

 

CMYK 0 / 31 / 54 / 41

HEX #966745

RGB 150 103 69

HSL 25.19, 0.37%, 0.43%

LAB 47.77, 14.91, 26.67

 

CMYK 0 / 17 / 54 / 41

HEX #967D45

RGB 150 125 69

HSL 41.48, 0.37%, 0.43%

LAB 53.58, 2.29, 33.86

 

CMYK 0 / 3 / 54 / 41

HEX #969245

RGB 150 146 69

HSL 57.04, 0.37%, 0.43%

LAB 59.41, -9.31, 40.78

 

CMYK 11 / 0 / 54 / 41

HEX #859645

RGB 133 150 69

HSL 72.59, 0.37%, 0.43%

LAB 59.19, -18.7, 40.17

 

CMYK 0 / 17 / 54 / 63

HEX #5E4E2B

RGB 94 78 43

HSL 41.18, 0.37%, 0.27%

LAB 33.99, 1.59, 23.08

 

CMYK 0 / 16 / 54 / 52

HEX #7A6638

RGB 122 102 56

HSL 41.82, 0.37%, 0.35%

LAB 44.13, 1.65, 28.77

 

CMYK 0 / 17 / 54 / 41

HEX #967D45

RGB 150 125 69

HSL 41.48, 0.37%, 0.43%

LAB 53.58, 2.29, 33.86

 

CMYK 0 / 16 / 52 / 31

HEX #B09454

RGB 176 148 84

HSL 41.74, 0.37%, 0.51%

LAB 62.55, 2.21, 37.47

 

CMYK 0 / 12 / 41 / 26

HEX #BDA670

RGB 189 166 112

HSL 42.08, 0.37%, 0.59%

LAB 68.94, 0.75, 31.03

 

CMYK 0 / 17 / 54 / 41

HEX #967D45

RGB 150 125 69

HSL 41.48, 0.37%, 0.43%

LAB 53.58, 2.29, 33.86

 

CMYK 47 / 0 / 54 / 41

HEX #4F9645

RGB 79 150 69

HSL 112.59, 0.37%, 0.43%

LAB 55.99, -38.88, 35.6

 

CMYK 39 / 54 / 0 / 41

HEX #5C4596

RGB 92 69 150

HSL 257.04, 0.37%, 0.43%

LAB 35.47, 29.32, -41.27

 

CMYK 0 / 17 / 54 / 41

HEX #967D45

RGB 150 125 69

HSL 41.48, 0.37%, 0.43%

LAB 53.58, 2.29, 33.86

 

CMYK 54 / 0 / 17 / 41

HEX #45967D

RGB 69 150 125

HSL 161.48, 0.37%, 0.43%

LAB 56.64, -31.06, 5.72

 

CMYK 17 / 54 / 0 / 41

HEX #7D4596

RGB 125 69 150

HSL 281.48, 0.37%, 0.43%

LAB 39.27, 38.35, -34.98

 

CMYK 0 / 17 / 54 / 41

HEX #967D45

RGB 150 125 69

HSL 41.48, 0.37%, 0.43%

LAB 53.58, 2.29, 33.86

 

CMYK 47 / 0 / 54 / 41

HEX #4F9645

RGB 79 150 69

HSL 112.59, 0.37%, 0.43%

LAB 55.99, -38.88, 35.6

 

CMYK 54 / 37 / 0 / 41

HEX #455F96

RGB 69 95 150

HSL 220.74, 0.37%, 0.43%

LAB 40.66, 6.98, -33.13

 

CMYK 6 / 54 / 0 / 41

HEX #8D4596

RGB 141 69 150

HSL 293.33, 0.37%, 0.43%

LAB 41.41, 42.93, -31.47

 

CMYK 0 / 17 / 54 / 41

HEX #967D45

RGB 150 125 69

HSL 41.48, 0.37%, 0.43%

LAB 53.58, 2.29, 33.86

 

CMYK 54 / 0 / 44 / 41

HEX #459654

RGB 69 150 84

HSL 131.11, 0.37%, 0.43%

LAB 55.8, -39.54, 27.44

 

CMYK 54 / 37 / 0 / 41

HEX #455F96

RGB 69 95 150

HSL 220.74, 0.37%, 0.43%

LAB 40.66, 6.98, -33.13

 

CMYK 0 / 54 / 10 / 41

HEX #964587

RGB 150 69 135

HSL 311.11, 0.37%, 0.43%

LAB 41.98, 42.83, -21.39

 

Description

Color code: HEX #967D45 | qconv.com Color code: HEX #967D45 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 125 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 125 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 17 magenta, 54 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 17% 54% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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