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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #61697A it is the complementary color #9E9685. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #61697A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #61697A shade: #666975, #777B88, #888D9B, #999FAE and #AAB1C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #61697A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #61697A shade: #61697A, #505767, #3F4554, #2E3341 and #1D212E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #61697A shade: #62697A, #62637A, #67627A, #6D627A and #74627A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #61697A shade: #62697A, #62637A and #62627A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #61697A shade matches the following richer shades: #62697A, #50638B, #3E5D9D, #2C56AF and #1B50C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #61697A shade: #62697A, #737068, #857656, #977C44 and #A98333

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #61697A shade: #62767A, #62707A, #626A7A, #62637A and #66627A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #61697A shade: #3D424C, #4F5563, #62697A, #757D90 and #8B93A2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #61697A shade: #61697A, #76627A and #737A62

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #61697A shade: #61697A, #7A626A and #6A7A62

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #61697A shade: #61697A, #76627A, #7A7262 and #657A62

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #61697A shade: #61697A, #7A6276, #7A7262 and #627A66

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 14 / 0 / 52

HEX #61697A

RGB 97 105 122

HSL 220.8, 0.11%, 0.43%

LAB 44.3, 0.91, -10.49

 

Complementary color

CMYK 0 / 5 / 16 / 38

HEX #9E9685

RGB 158 150 133

HSL 40.8, 0.11%, 0.57%

LAB 62.32, -0.04, 10.02

 

CMYK 13 / 10 / 0 / 54

HEX #666975

RGB 102 105 117

HSL 228, 0.07%, 0.43%

LAB 44.54, 1.5, -7.09

 

CMYK 13 / 10 / 0 / 47

HEX #777B88

RGB 119 123 136

HSL 225.88, 0.07%, 0.5%

LAB 51.68, 1.3, -7.57

 

CMYK 12 / 9 / 0 / 39

HEX #888D9B

RGB 136 141 155

HSL 224.21, 0.09%, 0.57%

LAB 58.65, 1.11, -8.04

 

CMYK 12 / 9 / 0 / 32

HEX #999FAE

RGB 153 159 174

HSL 222.86, 0.11%, 0.64%

LAB 65.46, 0.94, -8.51

 

CMYK 12 / 8 / 0 / 24

HEX #AAB1C1

RGB 170 177 193

HSL 221.74, 0.16%, 0.71%

LAB 72.12, 0.78, -8.98

 

CMYK 20 / 14 / 0 / 52

HEX #61697A

RGB 97 105 122

HSL 220.8, 0.11%, 0.43%

LAB 44.3, 0.91, -10.49

 

CMYK 22 / 16 / 0 / 60

HEX #505767

RGB 80 87 103

HSL 221.74, 0.13%, 0.36%

LAB 36.93, 1.12, -10.12

 

CMYK 25 / 18 / 0 / 67

HEX #3F4554

RGB 63 69 84

HSL 222.86, 0.14%, 0.29%

LAB 29.29, 1.37, -9.77

 

CMYK 29 / 22 / 0 / 75

HEX #2E3341

RGB 46 51 65

HSL 224.21, 0.17%, 0.22%

LAB 21.32, 1.67, -9.46

 

CMYK 37 / 28 / 0 / 82

HEX #1D212E

RGB 29 33 46

HSL 225.88, 0.23%, 0.15%

LAB 12.9, 2.06, -9.22

 

CMYK 20 / 14 / 0 / 52

HEX #62697A

RGB 98 105 122

HSL 222.5, 0.11%, 0.43%

LAB 44.38, 1.26, -10.37

 

CMYK 20 / 19 / 0 / 52

HEX #62637A

RGB 98 99 122

HSL 237.5, 0.11%, 0.43%

LAB 42.65, 4.89, -12.99

 

CMYK 16 / 20 / 0 / 52

HEX #67627A

RGB 103 98 122

HSL 252.5, 0.11%, 0.43%

LAB 42.8, 7.26, -12.72

 

CMYK 11 / 20 / 0 / 52

HEX #6D627A

RGB 109 98 122

HSL 267.5, 0.11%, 0.43%

LAB 43.35, 9.42, -11.84

 

CMYK 5 / 20 / 0 / 52

HEX #74627A

RGB 116 98 122

HSL 285, 0.11%, 0.43%

LAB 44.02, 11.98, -10.75

 

CMYK 20 / 14 / 0 / 52

HEX #62697A

RGB 98 105 122

HSL 222.5, 0.11%, 0.43%

LAB 44.38, 1.26, -10.37

 

CMYK 20 / 19 / 0 / 52

HEX #62637A

RGB 98 99 122

HSL 237.5, 0.11%, 0.43%

LAB 42.65, 4.89, -12.99

 

CMYK 20 / 20 / 0 / 52

HEX #62627A

RGB 98 98 122

HSL 240, 0.11%, 0.43%

LAB 42.36, 5.5, -13.42

 

CMYK 20 / 14 / 0 / 52

HEX #62697A

RGB 98 105 122

HSL 222.5, 0.11%, 0.43%

LAB 44.38, 1.26, -10.37

 

CMYK 42 / 29 / 0 / 45

HEX #50638B

RGB 80 99 139

HSL 220.68, 0.27%, 0.43%

LAB 41.99, 3.84, -24.39

 

CMYK 61 / 41 / 0 / 38

HEX #3E5D9D

RGB 62 93 157

HSL 220.42, 0.43%, 0.43%

LAB 40.06, 9.1, -38.29

 

CMYK 75 / 51 / 0 / 31

HEX #2C56AF

RGB 44 86 175

HSL 220.76, 0.6%, 0.43%

LAB 38.35, 17.29, -51.77

 

CMYK 86 / 59 / 0 / 24

HEX #1B50C1

RGB 27 80 193

HSL 220.84, 0.75%, 0.43%

LAB 37.52, 26.58, -63.72

 

CMYK 20 / 14 / 0 / 52

HEX #62697A

RGB 98 105 122

HSL 222.5, 0.11%, 0.43%

LAB 44.38, 1.26, -10.37

 

CMYK 0 / 3 / 10 / 55

HEX #737068

RGB 115 112 104

HSL 43.64, 0.05%, 0.43%

LAB 47.28, -0.39, 4.85

 

CMYK 0 / 11 / 35 / 48

HEX #857656

RGB 133 118 86

HSL 40.85, 0.21%, 0.43%

LAB 50.23, 0.74, 19.77

 

CMYK 0 / 18 / 55 / 41

HEX #977C44

RGB 151 124 68

HSL 40.48, 0.38%, 0.43%

LAB 53.4, 3.21, 34.19

 

CMYK 0 / 22 / 70 / 34

HEX #A98333

RGB 169 131 51

HSL 40.68, 0.54%, 0.43%

LAB 56.98, 6.1, 47.2

 

CMYK 20 / 3 / 0 / 52

HEX #62767A

RGB 98 118 122

HSL 190, 0.11%, 0.43%

LAB 48.21, -6.39, -4.65

 

CMYK 20 / 8 / 0 / 52

HEX #62707A

RGB 98 112 122

HSL 205, 0.11%, 0.43%

LAB 46.43, -2.9, -7.3

 

CMYK 20 / 13 / 0 / 52

HEX #626A7A

RGB 98 106 122

HSL 220, 0.11%, 0.43%

LAB 44.67, 0.66, -9.93

 

CMYK 20 / 19 / 0 / 52

HEX #62637A

RGB 98 99 122

HSL 237.5, 0.11%, 0.43%

LAB 42.65, 4.89, -12.99

 

CMYK 16 / 20 / 0 / 52

HEX #66627A

RGB 102 98 122

HSL 250, 0.11%, 0.43%

LAB 42.71, 6.91, -12.86

 

CMYK 20 / 13 / 0 / 70

HEX #3D424C

RGB 61 66 76

HSL 220, 0.11%, 0.27%

LAB 27.87, 0.43, -6.74

 

CMYK 20 / 14 / 0 / 61

HEX #4F5563

RGB 79 85 99

HSL 222, 0.11%, 0.35%

LAB 36.1, 0.98, -8.89

 

CMYK 20 / 14 / 0 / 52

HEX #62697A

RGB 98 105 122

HSL 222.5, 0.11%, 0.43%

LAB 44.38, 1.26, -10.37

 

CMYK 19 / 13 / 0 / 44

HEX #757D90

RGB 117 125 144

HSL 222.22, 0.11%, 0.51%

LAB 52.36, 1.28, -11.26

 

CMYK 14 / 9 / 0 / 36

HEX #8B93A2

RGB 139 147 162

HSL 219.13, 0.11%, 0.59%

LAB 60.75, 0.29, -8.87

 

CMYK 20 / 14 / 0 / 52

HEX #61697A

RGB 97 105 122

HSL 220.8, 0.11%, 0.43%

LAB 44.3, 0.91, -10.49

 

CMYK 3 / 20 / 0 / 52

HEX #76627A

RGB 118 98 122

HSL 290, 0.11%, 0.43%

LAB 44.22, 12.72, -10.43

 

CMYK 6 / 0 / 20 / 52

HEX #737A62

RGB 115 122 98

HSL 77.5, 0.11%, 0.43%

LAB 50.03, -7.2, 12.28

 

CMYK 20 / 14 / 0 / 52

HEX #61697A

RGB 97 105 122

HSL 220.8, 0.11%, 0.43%

LAB 44.3, 0.91, -10.49

 

CMYK 0 / 20 / 13 / 52

HEX #7A626A

RGB 122 98 106

HSL 340, 0.11%, 0.43%

LAB 44.11, 11.08, -0.86

 

CMYK 13 / 0 / 20 / 52

HEX #6A7A62

RGB 106 122 98

HSL 100, 0.11%, 0.43%

LAB 49.33, -10.76, 11.2

 

CMYK 20 / 14 / 0 / 52

HEX #61697A

RGB 97 105 122

HSL 220.8, 0.11%, 0.43%

LAB 44.3, 0.91, -10.49

 

CMYK 3 / 20 / 0 / 52

HEX #76627A

RGB 118 98 122

HSL 290, 0.11%, 0.43%

LAB 44.22, 12.72, -10.43

 

CMYK 0 / 7 / 20 / 52

HEX #7A7262

RGB 122 114 98

HSL 40, 0.11%, 0.43%

LAB 48.33, 0.22, 9.99

 

CMYK 17 / 0 / 20 / 52

HEX #657A62

RGB 101 122 98

HSL 112.5, 0.11%, 0.43%

LAB 48.97, -12.68, 10.64

 

CMYK 20 / 14 / 0 / 52

HEX #61697A

RGB 97 105 122

HSL 220.8, 0.11%, 0.43%

LAB 44.3, 0.91, -10.49

 

CMYK 0 / 20 / 3 / 52

HEX #7A6276

RGB 122 98 118

HSL 310, 0.11%, 0.43%

LAB 44.49, 13.39, -7.57

 

CMYK 0 / 7 / 20 / 52

HEX #7A7262

RGB 122 114 98

HSL 40, 0.11%, 0.43%

LAB 48.33, 0.22, 9.99

 

CMYK 20 / 0 / 16 / 52

HEX #627A66

RGB 98 122 102

HSL 130, 0.11%, 0.43%

LAB 48.85, -13.02, 8.1

 

Description

Color code: HEX #61697A | qconv.com Color code: HEX #61697A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 105 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 105 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 14 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 14% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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