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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #856B32 it is the complementary color #7A94CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #856B32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #856B32 shade: #8A6B2D, #9B7D40, #AC8F53, #BDA166 and #CEB379

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #856B32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #856B32 shade: #856B32, #74591F, #63470C, #523500 and #412300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #856B32 shade: #856B32, #855532, #853F32 and #853232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #856B32 shade: #856B32, #858232, #728532, #5C8532 and #468532

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #856B32 shade matches the following richer shades: #856B32, #947124, #A37615 and #B27C06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #856B32 shade: #856B32, #766641, #676050, #595B5F and #4A556E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #856B32 shade: #853F32, #855532, #856B32, #858132 and #738532

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #856B32 shade: #493B1C, #675327, #856B32, #A3833E and #BC9A4E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #856B32 shade: #856B32, #3C8532 and #4A3285

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #856B32 shade: #856B32, #32856B and #6B3285

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #856B32 shade: #856B32, #3C8532, #324D85 and #7B3285

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #856B32 shade: #856B32, #328542, #324D85 and #853276

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 62 / 48

HEX #856B32

RGB 133 107 50

HSL 41.2, 0.45%, 0.36%

LAB 46.62, 3.29, 35.23

 

Complementary color

CMYK 40 / 28 / 0 / 20

HEX #7A94CD

RGB 122 148 205

HSL 221.2, 0.45%, 0.64%

LAB 61.42, 5.36, -32.23

 

CMYK 0 / 22 / 67 / 46

HEX #8A6B2D

RGB 138 107 45

HSL 40, 0.51%, 0.36%

LAB 47.12, 5.24, 38.48

 

CMYK 0 / 19 / 59 / 39

HEX #9B7D40

RGB 155 125 64

HSL 40.22, 0.42%, 0.43%

LAB 54.03, 4.08, 37.15

 

CMYK 0 / 17 / 52 / 33

HEX #AC8F53

RGB 172 143 83

HSL 40.45, 0.35%, 0.5%

LAB 60.82, 3.15, 35.78

 

CMYK 0 / 15 / 46 / 26

HEX #BDA166

RGB 189 161 102

HSL 40.69, 0.4%, 0.57%

LAB 67.48, 2.38, 34.45

 

CMYK 0 / 13 / 41 / 19

HEX #CEB379

RGB 206 179 121

HSL 40.94, 0.46%, 0.64%

LAB 74.02, 1.73, 33.18

 

CMYK 0 / 20 / 62 / 48

HEX #856B32

RGB 133 107 50

HSL 41.2, 0.45%, 0.36%

LAB 46.62, 3.29, 35.23

 

CMYK 0 / 23 / 73 / 55

HEX #74591F

RGB 116 89 31

HSL 40.94, 0.58%, 0.29%

LAB 39.51, 4.57, 36.46

 

CMYK 0 / 28 / 88 / 61

HEX #63470C

RGB 99 71 12

HSL 40.69, 0.78%, 0.22%

LAB 32.23, 6.26, 36.96

 

CMYK 0 / 35 / 100 / 68

HEX #523500

RGB 82 53 0

HSL 38.78, 1%, 0.16%

LAB 24.77, 8.5, 34.3

 

CMYK 0 / 46 / 100 / 75

HEX #412300

RGB 65 35 0

HSL 32.31, 1%, 0.13%

LAB 17.11, 11.35, 25.18

 

CMYK 0 / 20 / 62 / 48

HEX #856B32

RGB 133 107 50

HSL 41.2, 0.45%, 0.36%

LAB 46.62, 3.29, 35.23

 

CMYK 0 / 36 / 62 / 48

HEX #855532

RGB 133 85 50

HSL 25.3, 0.45%, 0.36%

LAB 40.76, 16.21, 28.37

 

CMYK 0 / 53 / 62 / 48

HEX #853F32

RGB 133 63 50

HSL 9.4, 0.45%, 0.36%

LAB 35.54, 28.85, 21.95

 

CMYK 0 / 62 / 62 / 48

HEX #853232

RGB 133 50 50

HSL 0, 0.45%, 0.36%

LAB 32.91, 35.66, 18.61

 

CMYK 0 / 20 / 62 / 48

HEX #856B32

RGB 133 107 50

HSL 41.2, 0.45%, 0.36%

LAB 46.62, 3.29, 35.23

 

CMYK 0 / 2 / 62 / 48

HEX #858232

RGB 133 130 50

HSL 57.83, 0.45%, 0.36%

LAB 53.15, -9.7, 42.5

 

CMYK 14 / 0 / 62 / 48

HEX #728532

RGB 114 133 50

HSL 73.73, 0.45%, 0.36%

LAB 52.49, -19.7, 41.34

 

CMYK 31 / 0 / 62 / 48

HEX #5C8532

RGB 92 133 50

HSL 89.64, 0.45%, 0.36%

LAB 51.01, -28.77, 39.29

 

CMYK 47 / 0 / 62 / 48

HEX #468532

RGB 70 133 50

HSL 105.54, 0.45%, 0.36%

LAB 49.87, -36.69, 37.69

 

CMYK 0 / 20 / 62 / 48

HEX #856B32

RGB 133 107 50

HSL 41.2, 0.45%, 0.36%

LAB 46.62, 3.29, 35.23

 

CMYK 0 / 24 / 76 / 42

HEX #947124

RGB 148 113 36

HSL 41.25, 0.61%, 0.36%

LAB 49.78, 5.91, 45.74

 

CMYK 0 / 28 / 87 / 36

HEX #A37615

RGB 163 118 21

HSL 40.99, 0.77%, 0.36%

LAB 52.73, 9.44, 54.43

 

CMYK 0 / 30 / 97 / 30

HEX #B27C06

RGB 178 124 6

HSL 41.16, 0.93%, 0.36%

LAB 55.98, 12.64, 60.91

 

CMYK 0 / 20 / 62 / 48

HEX #856B32

RGB 133 107 50

HSL 41.2, 0.45%, 0.36%

LAB 46.62, 3.29, 35.23

 

CMYK 0 / 14 / 45 / 54

HEX #766641

RGB 118 102 65

HSL 41.89, 0.29%, 0.36%

LAB 43.85, 0.8, 23.23

 

CMYK 0 / 7 / 22 / 60

HEX #676050

RGB 103 96 80

HSL 41.74, 0.13%, 0.36%

LAB 40.94, -0.13, 10.16

 

CMYK 6 / 4 / 0 / 63

HEX #595B5F

RGB 89 91 95

HSL 220, 0.03%, 0.36%

LAB 38.61, 0.09, -2.58

 

CMYK 33 / 23 / 0 / 57

HEX #4A556E

RGB 74 85 110

HSL 221.67, 0.2%, 0.36%

LAB 36.14, 2.22, -15.73

 

CMYK 0 / 53 / 62 / 48

HEX #853F32

RGB 133 63 50

HSL 9.4, 0.45%, 0.36%

LAB 35.54, 28.85, 21.95

 

CMYK 0 / 36 / 62 / 48

HEX #855532

RGB 133 85 50

HSL 25.3, 0.45%, 0.36%

LAB 40.76, 16.21, 28.37

 

CMYK 0 / 20 / 62 / 48

HEX #856B32

RGB 133 107 50

HSL 41.2, 0.45%, 0.36%

LAB 46.62, 3.29, 35.23

 

CMYK 0 / 3 / 62 / 48

HEX #858132

RGB 133 129 50

HSL 57.11, 0.45%, 0.36%

LAB 52.86, -9.15, 42.19

 

CMYK 14 / 0 / 62 / 48

HEX #738532

RGB 115 133 50

HSL 73.01, 0.45%, 0.36%

LAB 52.56, -19.27, 41.44

 

CMYK 0 / 19 / 62 / 71

HEX #493B1C

RGB 73 59 28

HSL 41.33, 0.45%, 0.2%

LAB 25.65, 1.65, 21.3

 

CMYK 0 / 19 / 62 / 60

HEX #675327

RGB 103 83 39

HSL 41.25, 0.45%, 0.28%

LAB 36.4, 2.49, 28.48

 

CMYK 0 / 20 / 62 / 48

HEX #856B32

RGB 133 107 50

HSL 41.2, 0.45%, 0.36%

LAB 46.62, 3.29, 35.23

 

CMYK 0 / 20 / 62 / 36

HEX #A3833E

RGB 163 131 62

HSL 40.99, 0.45%, 0.44%

LAB 56.45, 4.13, 41.18

 

CMYK 0 / 18 / 59 / 26

HEX #BC9A4E

RGB 188 154 78

HSL 41.45, 0.45%, 0.52%

LAB 65.24, 3.6, 44.01

 

CMYK 0 / 20 / 62 / 48

HEX #856B32

RGB 133 107 50

HSL 41.2, 0.45%, 0.36%

LAB 46.62, 3.29, 35.23

 

CMYK 55 / 0 / 62 / 48

HEX #3C8532

RGB 60 133 50

HSL 112.77, 0.45%, 0.36%

LAB 49.45, -39.76, 37.11

 

CMYK 44 / 62 / 0 / 48

HEX #4A3285

RGB 74 50 133

HSL 257.35, 0.45%, 0.36%

LAB 27.93, 31.57, -43.04

 

CMYK 0 / 20 / 62 / 48

HEX #856B32

RGB 133 107 50

HSL 41.2, 0.45%, 0.36%

LAB 46.62, 3.29, 35.23

 

CMYK 62 / 0 / 20 / 48

HEX #32856B

RGB 50 133 107

HSL 161.2, 0.45%, 0.36%

LAB 50.11, -31.68, 6.65

 

CMYK 20 / 62 / 0 / 48

HEX #6B3285

RGB 107 50 133

HSL 281.2, 0.45%, 0.36%

LAB 32.03, 39.81, -36.22

 

CMYK 0 / 20 / 62 / 48

HEX #856B32

RGB 133 107 50

HSL 41.2, 0.45%, 0.36%

LAB 46.62, 3.29, 35.23

 

CMYK 55 / 0 / 62 / 48

HEX #3C8532

RGB 60 133 50

HSL 112.77, 0.45%, 0.36%

LAB 49.45, -39.76, 37.11

 

CMYK 62 / 42 / 0 / 48

HEX #324D85

RGB 50 77 133

HSL 220.48, 0.45%, 0.36%

LAB 33.31, 8.43, -34.51

 

CMYK 8 / 62 / 0 / 48

HEX #7B3285

RGB 123 50 133

HSL 292.77, 0.45%, 0.36%

LAB 34.37, 44.05, -32.37

 

CMYK 0 / 20 / 62 / 48

HEX #856B32

RGB 133 107 50

HSL 41.2, 0.45%, 0.36%

LAB 46.62, 3.29, 35.23

 

CMYK 62 / 0 / 50 / 48

HEX #328542

RGB 50 133 66

HSL 131.57, 0.45%, 0.36%

LAB 49.31, -40.18, 28.71

 

CMYK 62 / 42 / 0 / 48

HEX #324D85

RGB 50 77 133

HSL 220.48, 0.45%, 0.36%

LAB 33.31, 8.43, -34.51

 

CMYK 0 / 62 / 11 / 48

HEX #853276

RGB 133 50 118

HSL 310.84, 0.45%, 0.36%

LAB 35.15, 44.09, -21.68

 

Description

Color code: HEX #856B32 | qconv.com Color code: HEX #856B32 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 107 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 107 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 62 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 62% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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