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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9636F3 it is the complementary color #69C90C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9636F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9636F3: #9B36EE, #AC48FF, #BD5AFF, #CE6CFF and #DF7EFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9636F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9636F3: #9636F3, #8524E0, #7412CD, #6300BA and #5200A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 78 / 0 / 5

HEX #9636F3

RGB 150 54 243

HSL 270.48, 0.89%, 0.58%

LAB 46.44, 71.59, -77.38

 

Complementary color

CMYK 48 / 0 / 94 / 21

HEX #69C90C

RGB 105 201 12

HSL 90.48, 0.89%, 0.42%

LAB 72.76, -54.81, 70.75

 

CMYK 35 / 77 / 0 / 7

HEX #9B36EE

RGB 155 54 238

HSL 272.93, 0.84%, 0.57%

LAB 46.68, 71.26, -74.14

 

CMYK 33 / 72 / 0 / 0

HEX #AC48FF

RGB 172 72 255

HSL 272.79, 1%, 0.64%

LAB 52.54, 70.91, -74.02

 

CMYK 26 / 65 / 0 / 0

HEX #BD5AFF

RGB 189 90 255

HSL 276, 1%, 0.68%

LAB 57.42, 66.47, -66.03

 

CMYK 19 / 58 / 0 / 0

HEX #CE6CFF

RGB 206 108 255

HSL 280, 1%, 0.71%

LAB 62.56, 61.91, -57.66

 

CMYK 13 / 51 / 0 / 0

HEX #DF7EFF

RGB 223 126 255

HSL 285.12, 1%, 0.75%

LAB 67.89, 57.41, -49.08

 

CMYK 38 / 78 / 0 / 5

HEX #9636F3

RGB 150 54 243

HSL 270.48, 0.89%, 0.58%

LAB 46.44, 71.59, -77.38

 

CMYK 41 / 84 / 0 / 12

HEX #8524E0

RGB 133 36 224

HSL 270.96, 0.75%, 0.51%

LAB 40.62, 70.9, -76.22

 

CMYK 43 / 91 / 0 / 20

HEX #7412CD

RGB 116 18 205

HSL 271.44, 0.84%, 0.44%

LAB 35.11, 69.14, -74.41

 

CMYK 47 / 100 / 0 / 27

HEX #6300BA

RGB 99 0 186

HSL 271.94, 1%, 0.36%

LAB 29.91, 66.24, -71.91

 

CMYK 51 / 100 / 0 / 35

HEX #5200A7

RGB 82 0 167

HSL 269.46, 1%, 0.33%

LAB 25.51, 60.63, -67.85

 

CMYK 38 / 78 / 0 / 5

HEX #9636F3

RGB 150 54 243

HSL 270.48, 0.89%, 0.58%

LAB 46.44, 71.59, -77.38

 

CMYK 26 / 79 / 0 / 5

HEX #B334F3

RGB 179 52 243

HSL 279.9, 0.89%, 0.58%

LAB 50.11, 76.79, -71.23

 

CMYK 13 / 79 / 0 / 5

HEX #D334F3

RGB 211 52 243

HSL 289.95, 0.89%, 0.58%

LAB 54.84, 82.23, -63.35

 

CMYK 0 / 79 / 0 / 5

HEX #F334F3

RGB 243 52 243

HSL 300, 0.89%, 0.58%

LAB 59.87, 88.02, -55.01

 

CMYK 0 / 79 / 13 / 5

HEX #F334D3

RGB 243 52 211

HSL 310.05, 0.89%, 0.58%

LAB 58.24, 83.49, -39.58

 

CMYK 38 / 78 / 0 / 5

HEX #9636F3

RGB 150 54 243

HSL 270.48, 0.89%, 0.58%

LAB 46.44, 71.59, -77.38

 

CMYK 38 / 77 / 0 / 85

HEX #180927

RGB 24 9 39

HSL 270, 0.63%, 0.09%

LAB 4.84, 13.56, -16.65

 

CMYK 38 / 78 / 0 / 65

HEX #38145A

RGB 56 20 90

HSL 270.86, 0.64%, 0.22%

LAB 15.9, 32.37, -34.87

 

CMYK 38 / 78 / 0 / 45

HEX #571F8D

RGB 87 31 141

HSL 270.55, 0.64%, 0.34%

LAB 26.53, 46.48, -50.21

 

CMYK 38 / 78 / 0 / 25

HEX #772BC0

RGB 119 43 192

HSL 270.6, 0.63%, 0.46%

LAB 36.85, 59.27, -63.95

 

CMYK 38 / 78 / 0 / 5

HEX #9636F3

RGB 150 54 243

HSL 270.48, 0.89%, 0.58%

LAB 46.44, 71.59, -77.38

 

CMYK 0 / 79 / 55 / 5

HEX #F3346D

RGB 243 52 109

HSL 342.09, 0.89%, 0.58%

LAB 54.67, 73.01, 14.85

 

CMYK 79 / 0 / 71 / 5

HEX #34F347

RGB 52 243 71

HSL 125.97, 0.89%, 0.58%

LAB 84.63, -76.73, 66.36

 

CMYK 38 / 78 / 0 / 5

HEX #9636F3

RGB 150 54 243

HSL 270.48, 0.89%, 0.58%

LAB 46.44, 71.59, -77.38

 

CMYK 0 / 40 / 79 / 5

HEX #F39334

RGB 243 147 52

HSL 29.84, 0.89%, 0.58%

LAB 69.59, 29.29, 62.19

 

CMYK 79 / 0 / 40 / 5

HEX #34F393

RGB 52 243 147

HSL 149.84, 0.89%, 0.58%

LAB 85.47, -66.69, 33.55

 

CMYK 38 / 78 / 0 / 5

HEX #9636F3

RGB 150 54 243

HSL 270.48, 0.89%, 0.58%

LAB 46.44, 71.59, -77.38

 

CMYK 0 / 79 / 55 / 5

HEX #F3346D

RGB 243 52 109

HSL 342.09, 0.89%, 0.58%

LAB 54.67, 73.01, 14.85

 

CMYK 40 / 0 / 79 / 5

HEX #93F334

RGB 147 243 52

HSL 90.16, 0.89%, 0.58%

LAB 87.27, -56.28, 75.89

 

CMYK 79 / 0 / 23 / 5

HEX #34F3BA

RGB 52 243 186

HSL 162.09, 0.89%, 0.58%

LAB 86.19, -58.66, 14.61

 

CMYK 38 / 78 / 0 / 5

HEX #9636F3

RGB 150 54 243

HSL 270.48, 0.89%, 0.58%

LAB 46.44, 71.59, -77.38

 

CMYK 0 / 79 / 79 / 5

HEX #F33434

RGB 243 52 52

HSL 0, 0.89%, 0.58%

LAB 53.77, 70.21, 46.8

 

CMYK 40 / 0 / 79 / 5

HEX #93F334

RGB 147 243 52

HSL 90.16, 0.89%, 0.58%

LAB 87.27, -56.28, 75.89

 

CMYK 79 / 0 / 0 / 5

HEX #34F3F3

RGB 52 243 243

HSL 180, 0.89%, 0.58%

LAB 87.63, -44.02, -13.06

 

Description

Color code: HEX #9636F3 | qconv.com Color code: HEX #9636F3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 150 red, 54 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
150 54 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, 78 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 78% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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