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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 52 243 147 it is the complementary color RGB 203 12 108. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 52 243 147. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 52 243 147: RGB 57 243 142, RGB 74 255 161, RGB 91 255 180, RGB 108 255 199 and RGB 125 255 218

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 52 243 147. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 52 243 147: RGB 52 243 147, RGB 35 225 128, RGB 18 207 109, RGB 1 189 90 and RGB 0 171 71

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 79 / 0 / 40 / 5

HEX #34F393

RGB 52 243 147

HSL 149.84, 0.89%, 0.58%

LAB 85.47, -66.69, 33.55

 

Complementary color

CMYK 0 / 94 / 47 / 20

HEX #CB0C6C

RGB 203 12 108

HSL 329.84, 0.89%, 0.42%

LAB 44.29, 70.68, -0.36

 

CMYK 77 / 0 / 42 / 5

HEX #39F38E

RGB 57 243 142

HSL 147.42, 0.89%, 0.59%

LAB 85.47, -67.02, 36.04

 

CMYK 71 / 0 / 37 / 0

HEX #4AFFA1

RGB 74 255 161

HSL 148.84, 1%, 0.65%

LAB 89.65, -65.64, 32.16

 

CMYK 64 / 0 / 29 / 0

HEX #5BFFB4

RGB 91 255 180

HSL 152.56, 1%, 0.68%

LAB 90.34, -59.33, 23.58

 

CMYK 58 / 0 / 22 / 0

HEX #6CFFC7

RGB 108 255 199

HSL 157.14, 1%, 0.71%

LAB 91.16, -52.29, 15.07

 

CMYK 51 / 0 / 15 / 0

HEX #7DFFDA

RGB 125 255 218

HSL 162.92, 1%, 0.75%

LAB 92.11, -44.64, 6.71

 

CMYK 79 / 0 / 40 / 5

HEX #34F393

RGB 52 243 147

HSL 149.84, 0.89%, 0.58%

LAB 85.47, -66.69, 33.55

 

CMYK 84 / 0 / 43 / 12

HEX #23E180

RGB 35 225 128

HSL 149.37, 0.76%, 0.51%

LAB 79.48, -65.49, 35.17

 

CMYK 91 / 0 / 47 / 19

HEX #12CF6D

RGB 18 207 109

HSL 148.89, 0.84%, 0.44%

LAB 73.45, -63.84, 36.9

 

CMYK 99 / 0 / 52 / 26

HEX #01BD5A

RGB 1 189 90

HSL 148.4, 0.99%, 0.37%

LAB 67.38, -61.73, 38.7

 

CMYK 100 / 0 / 58 / 33

HEX #00AB47

RGB 0 171 71

HSL 144.91, 1%, 0.34%

LAB 61.29, -58.81, 40.56

 

CMYK 79 / 0 / 40 / 5

HEX #34F393

RGB 52 243 147

HSL 149.84, 0.89%, 0.58%

LAB 85.47, -66.69, 33.55

 

CMYK 79 / 0 / 28 / 5

HEX #34F3B0

RGB 52 243 176

HSL 158.95, 0.89%, 0.58%

LAB 85.99, -60.89, 19.5

 

CMYK 79 / 0 / 14 / 5

HEX #34F3D0

RGB 52 243 208

HSL 169.01, 0.89%, 0.58%

LAB 86.69, -53.38, 3.87

 

CMYK 79 / 0 / 1 / 5

HEX #34F3F0

RGB 52 243 240

HSL 179.06, 0.89%, 0.58%

LAB 87.54, -44.86, -11.62

 

CMYK 79 / 12 / 0 / 5

HEX #34D6F3

RGB 52 214 243

HSL 189.11, 0.89%, 0.58%

LAB 79.21, -30.64, -25.79

 

CMYK 79 / 0 / 40 / 5

HEX #34F393

RGB 52 243 147

HSL 149.84, 0.89%, 0.58%

LAB 85.47, -66.69, 33.55

 

CMYK 79 / 0 / 38 / 85

HEX #082718

RGB 8 39 24

HSL 150.97, 0.66%, 0.09%

LAB 13.04, -15.95, 6.64

 

CMYK 79 / 0 / 40 / 65

HEX #135A36

RGB 19 90 54

HSL 149.58, 0.65%, 0.21%

LAB 33.39, -30.79, 14.8

 

CMYK 79 / 0 / 40 / 45

HEX #1E8D55

RGB 30 141 85

HSL 149.73, 0.65%, 0.34%

LAB 51.82, -43.59, 21.48

 

CMYK 79 / 0 / 40 / 25

HEX #29C074

RGB 41 192 116

HSL 149.8, 0.65%, 0.46%

LAB 69.06, -55.45, 27.68

 

CMYK 79 / 0 / 40 / 5

HEX #34F393

RGB 52 243 147

HSL 149.84, 0.89%, 0.58%

LAB 85.47, -66.69, 33.55

 

CMYK 79 / 54 / 0 / 5

HEX #3470F3

RGB 52 112 243

HSL 221.15, 0.89%, 0.58%

LAB 50.44, 26.94, -71.17

 

CMYK 0 / 72 / 79 / 5

HEX #F34434

RGB 243 68 52

HSL 5.03, 0.89%, 0.58%

LAB 55.52, 65.32, 48.57

 

CMYK 79 / 0 / 40 / 5

HEX #34F393

RGB 52 243 147

HSL 149.84, 0.89%, 0.58%

LAB 85.47, -66.69, 33.55

 

CMYK 41 / 79 / 0 / 5

HEX #9034F3

RGB 144 52 243

HSL 268.9, 0.89%, 0.58%

LAB 45.44, 71.43, -79.05

 

CMYK 0 / 41 / 79 / 5

HEX #F39034

RGB 243 144 52

HSL 28.9, 0.89%, 0.58%

LAB 68.93, 30.86, 61.57

 

CMYK 79 / 0 / 40 / 5

HEX #34F393

RGB 52 243 147

HSL 149.84, 0.89%, 0.58%

LAB 85.47, -66.69, 33.55

 

CMYK 79 / 54 / 0 / 5

HEX #3470F3

RGB 52 112 243

HSL 221.15, 0.89%, 0.58%

LAB 50.44, 26.94, -71.17

 

CMYK 0 / 79 / 38 / 5

HEX #F33497

RGB 243 52 151

HSL 328.9, 0.89%, 0.58%

LAB 55.83, 76.51, -8.5

 

CMYK 0 / 25 / 79 / 5

HEX #F3B634

RGB 243 182 52

HSL 40.84, 0.89%, 0.58%

LAB 77.73, 10.89, 69.69

 

CMYK 79 / 0 / 40 / 5

HEX #34F393

RGB 52 243 147

HSL 149.84, 0.89%, 0.58%

LAB 85.47, -66.69, 33.55

 

CMYK 79 / 77 / 0 / 5

HEX #3437F3

RGB 52 55 243

HSL 239.06, 0.89%, 0.58%

LAB 37.72, 60.58, -92.04

 

CMYK 0 / 79 / 38 / 5

HEX #F33497

RGB 243 52 151

HSL 328.9, 0.89%, 0.58%

LAB 55.83, 76.51, -8.5

 

CMYK 0 / 1 / 79 / 5

HEX #F3F034

RGB 243 240 52

HSL 59.06, 0.89%, 0.58%

LAB 92.41, -18.46, 82.75

 

Description

Color code: RGB 52 243 147 | qconv.com Color code: RGB 52 243 147 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 52 red, 243 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
52 243 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 79 cyan, none magenta, 40 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
79% 0% 40% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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