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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #944EE0 it is the complementary color #6BB11F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #944EE0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #944EE0: #994EDB, #AA60EE, #BB72FF, #CC84FF and #DD96FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #944EE0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #944EE0: #944EE0, #833CCD, #722ABA, #6118A7 and #500694

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 65 / 0 / 12

HEX #944EE0

RGB 148 78 224

HSL 268.77, 0.7%, 0.59%

LAB 48.42, 56.57, -63.44

 

Complementary color

CMYK 40 / 0 / 82 / 31

HEX #6BB11F

RGB 107 177 31

HSL 88.77, 0.7%, 0.41%

LAB 65.49, -44.1, 61.05

 

CMYK 30 / 64 / 0 / 14

HEX #994EDB

RGB 153 78 219

HSL 271.91, 0.66%, 0.58%

LAB 48.68, 56.44, -60.15

 

CMYK 29 / 60 / 0 / 7

HEX #AA60EE

RGB 170 96 238

HSL 271.27, 0.81%, 0.65%

LAB 55.16, 55.69, -60.33

 

CMYK 27 / 55 / 0 / 0

HEX #BB72FF

RGB 187 114 255

HSL 271.06, 1%, 0.72%

LAB 61.5, 54.38, -59.49

 

CMYK 20 / 48 / 0 / 0

HEX #CC84FF

RGB 204 132 255

HSL 275.12, 1%, 0.76%

LAB 66.95, 49.32, -50.72

 

CMYK 13 / 41 / 0 / 0

HEX #DD96FF

RGB 221 150 255

HSL 280.57, 1%, 0.79%

LAB 72.5, 44.52, -41.88

 

CMYK 34 / 65 / 0 / 12

HEX #944EE0

RGB 148 78 224

HSL 268.77, 0.7%, 0.59%

LAB 48.42, 56.57, -63.44

 

CMYK 36 / 71 / 0 / 20

HEX #833CCD

RGB 131 60 205

HSL 269.38, 0.59%, 0.52%

LAB 41.95, 57.21, -63.15

 

CMYK 39 / 77 / 0 / 27

HEX #722ABA

RGB 114 42 186

HSL 270, 0.63%, 0.45%

LAB 35.55, 57.44, -62.55

 

CMYK 42 / 86 / 0 / 35

HEX #6118A7

RGB 97 24 167

HSL 270.63, 0.75%, 0.37%

LAB 29.37, 56.86, -61.42

 

CMYK 46 / 96 / 0 / 42

HEX #500694

RGB 80 6 148

HSL 271.27, 0.92%, 0.3%

LAB 23.58, 54.87, -59.42

 

CMYK 34 / 65 / 0 / 12

HEX #944EE0

RGB 148 78 224

HSL 268.77, 0.7%, 0.59%

LAB 48.42, 56.57, -63.44

 

CMYK 24 / 65 / 0 / 13

HEX #A94DDF

RGB 169 77 223

HSL 277.81, 0.7%, 0.59%

LAB 50.77, 61.25, -58.95

 

CMYK 13 / 65 / 0 / 13

HEX #C24DDF

RGB 194 77 223

HSL 288.08, 0.7%, 0.59%

LAB 54.14, 66.74, -53.37

 

CMYK 2 / 65 / 0 / 13

HEX #DA4DDF

RGB 218 77 223

HSL 297.95, 0.7%, 0.59%

LAB 57.6, 72.13, -47.65

 

CMYK 0 / 65 / 9 / 13

HEX #DF4DCC

RGB 223 77 204

HSL 307.81, 0.7%, 0.59%

LAB 57.42, 70.28, -37.11

 

CMYK 34 / 65 / 0 / 12

HEX #944EE0

RGB 148 78 224

HSL 268.77, 0.7%, 0.59%

LAB 48.42, 56.57, -63.44

 

CMYK 35 / 65 / 0 / 92

HEX #0D0714

RGB 13 7 20

HSL 267.69, 0.48%, 0.05%

LAB 2.6, 3.87, -5.5

 

CMYK 34 / 65 / 0 / 72

HEX #2F1947

RGB 47 25 71

HSL 268.7, 0.48%, 0.19%

LAB 14.14, 21.83, -24.81

 

CMYK 34 / 66 / 0 / 52

HEX #512A7A

RGB 81 42 122

HSL 269.25, 0.49%, 0.32%

LAB 26.19, 34.82, -38.89

 

CMYK 34 / 65 / 0 / 32

HEX #723CAD

RGB 114 60 173

HSL 268.67, 0.48%, 0.46%

LAB 37.53, 45.91, -51.64

 

CMYK 34 / 65 / 0 / 12

HEX #944EE0

RGB 148 78 224

HSL 268.77, 0.7%, 0.59%

LAB 48.42, 56.57, -63.44

 

CMYK 0 / 65 / 43 / 13

HEX #DF4D7E

RGB 223 77 126

HSL 339.86, 0.7%, 0.59%

LAB 54.56, 60.47, 4.04

 

CMYK 65 / 0 / 61 / 13

HEX #4DDF57

RGB 77 223 87

HSL 124.11, 0.7%, 0.59%

LAB 79.07, -64.97, 54.14

 

CMYK 34 / 65 / 0 / 12

HEX #944EE0

RGB 148 78 224

HSL 268.77, 0.7%, 0.59%

LAB 48.42, 56.57, -63.44

 

CMYK 0 / 35 / 65 / 13

HEX #DF914D

RGB 223 145 77

HSL 27.95, 0.7%, 0.59%

LAB 66.88, 23.28, 47.4

 

CMYK 65 / 0 / 35 / 13

HEX #4DDF91

RGB 77 223 145

HSL 147.95, 0.7%, 0.59%

LAB 79.84, -56.23, 27.13

 

CMYK 34 / 65 / 0 / 12

HEX #944EE0

RGB 148 78 224

HSL 268.77, 0.7%, 0.59%

LAB 48.42, 56.57, -63.44

 

CMYK 0 / 65 / 43 / 13

HEX #DF4D7E

RGB 223 77 126

HSL 339.86, 0.7%, 0.59%

LAB 54.56, 60.47, 4.04

 

CMYK 30 / 0 / 65 / 13

HEX #9BDF4D

RGB 155 223 77

HSL 87.95, 0.7%, 0.59%

LAB 81.99, -43.83, 62.36

 

CMYK 65 / 0 / 22 / 13

HEX #4DDFAE

RGB 77 223 174

HSL 159.86, 0.7%, 0.59%

LAB 80.41, -50.18, 12.78

 

CMYK 34 / 65 / 0 / 12

HEX #944EE0

RGB 148 78 224

HSL 268.77, 0.7%, 0.59%

LAB 48.42, 56.57, -63.44

 

CMYK 0 / 65 / 63 / 13

HEX #DF4D52

RGB 223 77 82

HSL 357.95, 0.7%, 0.59%

LAB 53.61, 57.02, 28.8

 

CMYK 30 / 0 / 65 / 13

HEX #9BDF4D

RGB 155 223 77

HSL 87.95, 0.7%, 0.59%

LAB 81.99, -43.83, 62.36

 

CMYK 65 / 0 / 2 / 13

HEX #4DDFDA

RGB 77 223 218

HSL 177.95, 0.7%, 0.59%

LAB 81.52, -39.19, -8.95

 

Description

Color code: HEX #944EE0 | qconv.com Color code: HEX #944EE0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 78 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 78 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 65 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 65% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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