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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DA4DDF it is the complementary color #25B220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DA4DDF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DA4DDF shade: #DF4DDA, #F05FED, #FF71FF, #FF83FF and #FF95FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DA4DDF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DA4DDF shade: #DA4DDF, #C93BCC, #B829B9, #A717A6 and #960593

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DA4DDF shade: #DB4DE0, #E04DBD, #E04D96, #E04D6E and #E04D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DA4DDF shade: #DB4DE0, #B34DE0, #8C4DE0, #644DE0 and #4D4DE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DA4DDF shade matches the following richer shades: #DB4DE0 and #EA3CF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DA4DDF shade: #DB4DE0, #CB5ECF, #BB6FBE, #AB80AD and #9C919C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DA4DDF shade: #8A4DE0, #B14DE0, #D84DE0, #E04DC0 and #E04D99

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DA4DDF shade: #B421BA, #D32AD9, #DB4DE0, #E270E6 and #E993EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DA4DDF shade: #DA4DDF, #E0634D and #4DE09E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DA4DDF shade: #DA4DDF, #E0D84D and #4DE0D8

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DA4DDF shade: #DA4DDF, #E0634D, #55E04D and #4DCAE0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DA4DDF shade: #DA4DDF, #E08F4D, #55E04D and #4D9EE0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 65 / 0 / 13

HEX #DA4DDF

RGB 218 77 223

HSL 297.95, 0.7%, 0.59%

LAB 57.6, 72.13, -47.65

 

Complementary color

CMYK 79 / 0 / 82 / 30

HEX #25B220

RGB 37 178 32

HSL 117.95, 0.7%, 0.41%

LAB 63.62, -61.79, 58.26

 

CMYK 0 / 65 / 2 / 13

HEX #DF4DDA

RGB 223 77 218

HSL 302.05, 0.7%, 0.59%

LAB 58.09, 72.46, -44

 

CMYK 0 / 60 / 1 / 6

HEX #F05FED

RGB 240 95 237

HSL 301.24, 0.83%, 0.66%

LAB 64.02, 72.54, -45.13

 

CMYK 0 / 56 / 0 / 0

HEX #FF71FF

RGB 255 113 255

HSL 300, 1%, 0.72%

LAB 69.68, 71.66, -46.01

 

CMYK 0 / 49 / 0 / 0

HEX #FF83FF

RGB 255 131 255

HSL 300, 1%, 0.76%

LAB 72.7, 63.55, -41.27

 

CMYK 0 / 42 / 0 / 0

HEX #FF95FF

RGB 255 149 255

HSL 300, 1%, 0.79%

LAB 76.05, 54.83, -36.06

 

CMYK 2 / 65 / 0 / 13

HEX #DA4DDF

RGB 218 77 223

HSL 297.95, 0.7%, 0.59%

LAB 57.6, 72.13, -47.65

 

CMYK 1 / 71 / 0 / 20

HEX #C93BCC

RGB 201 59 204

HSL 298.76, 0.59%, 0.52%

LAB 51.73, 71.66, -46.32

 

CMYK 1 / 78 / 0 / 27

HEX #B829B9

RGB 184 41 185

HSL 299.58, 0.64%, 0.44%

LAB 46.01, 70.53, -44.55

 

CMYK 0 / 86 / 1 / 35

HEX #A717A6

RGB 167 23 166

HSL 300.42, 0.76%, 0.37%

LAB 40.54, 68.42, -42.19

 

CMYK 0 / 97 / 2 / 41

HEX #960593

RGB 150 5 147

HSL 301.24, 0.94%, 0.3%

LAB 35.4, 65.05, -39.08

 

CMYK 2 / 66 / 0 / 12

HEX #DB4DE0

RGB 219 77 224

HSL 297.96, 0.7%, 0.59%

LAB 57.8, 72.53, -47.89

 

CMYK 0 / 66 / 16 / 12

HEX #E04DBD

RGB 224 77 189

HSL 314.29, 0.7%, 0.59%

LAB 56.91, 68.32, -29.3

 

CMYK 0 / 66 / 33 / 12

HEX #E04D96

RGB 224 77 150

HSL 330.2, 0.7%, 0.59%

LAB 55.44, 63.3, -8.84

 

CMYK 0 / 66 / 51 / 12

HEX #E04D6E

RGB 224 77 110

HSL 346.53, 0.7%, 0.59%

LAB 54.32, 59.34, 13.25

 

CMYK 0 / 66 / 66 / 12

HEX #E04D4D

RGB 224 77 77

HSL 0, 0.7%, 0.59%

LAB 53.7, 57.05, 31.85

 

CMYK 2 / 66 / 0 / 12

HEX #DB4DE0

RGB 219 77 224

HSL 297.96, 0.7%, 0.59%

LAB 57.8, 72.53, -47.89

 

CMYK 20 / 66 / 0 / 12

HEX #B34DE0

RGB 179 77 224

HSL 281.63, 0.7%, 0.59%

LAB 52.14, 63.62, -57.24

 

CMYK 38 / 66 / 0 / 12

HEX #8C4DE0

RGB 140 77 224

HSL 265.71, 0.7%, 0.59%

LAB 47.32, 55.44, -65.26

 

CMYK 55 / 66 / 0 / 12

HEX #644DE0

RGB 100 77 224

HSL 249.39, 0.7%, 0.59%

LAB 43.36, 48.15, -71.89

 

CMYK 66 / 66 / 0 / 12

HEX #4D4DE0

RGB 77 77 224

HSL 240, 0.7%, 0.59%

LAB 41.64, 44.78, -74.77

 

CMYK 2 / 66 / 0 / 12

HEX #DB4DE0

RGB 219 77 224

HSL 297.96, 0.7%, 0.59%

LAB 57.8, 72.53, -47.89

 

CMYK 3 / 75 / 0 / 5

HEX #EA3CF1

RGB 234 60 241

HSL 297.68, 0.87%, 0.59%

LAB 59.04, 83.96, -55.3

 

CMYK 2 / 66 / 0 / 12

HEX #DB4DE0

RGB 219 77 224

HSL 297.96, 0.7%, 0.59%

LAB 57.8, 72.53, -47.89

 

CMYK 2 / 55 / 0 / 19

HEX #CB5ECF

RGB 203 94 207

HSL 297.88, 0.54%, 0.59%

LAB 57.28, 58.52, -39.25

 

CMYK 2 / 42 / 0 / 25

HEX #BB6FBE

RGB 187 111 190

HSL 297.72, 0.38%, 0.59%

LAB 57.7, 42.29, -29.05

 

CMYK 1 / 26 / 0 / 32

HEX #AB80AD

RGB 171 128 173

HSL 297.33, 0.22%, 0.59%

LAB 59.08, 24.42, -17.38

 

CMYK 0 / 7 / 0 / 39

HEX #9C919C

RGB 156 145 156

HSL 300, 0.05%, 0.59%

LAB 61.41, 6.14, -4.34

 

CMYK 38 / 66 / 0 / 12

HEX #8A4DE0

RGB 138 77 224

HSL 264.9, 0.7%, 0.59%

LAB 47.1, 55.04, -65.64

 

CMYK 21 / 66 / 0 / 12

HEX #B14DE0

RGB 177 77 224

HSL 280.82, 0.7%, 0.59%

LAB 51.88, 63.19, -57.68

 

CMYK 4 / 66 / 0 / 12

HEX #D84DE0

RGB 216 77 224

HSL 296.73, 0.7%, 0.59%

LAB 57.36, 71.85, -48.62

 

CMYK 0 / 66 / 14 / 12

HEX #E04DC0

RGB 224 77 192

HSL 313.06, 0.7%, 0.59%

LAB 57.04, 68.75, -30.83

 

CMYK 0 / 66 / 32 / 12

HEX #E04D99

RGB 224 77 153

HSL 328.98, 0.7%, 0.59%

LAB 55.54, 63.65, -10.46

 

CMYK 3 / 82 / 0 / 27

HEX #B421BA

RGB 180 33 186

HSL 297.65, 0.7%, 0.43%

LAB 44.71, 71.91, -47.26

 

CMYK 3 / 81 / 0 / 15

HEX #D32AD9

RGB 211 42 217

HSL 297.94, 0.7%, 0.51%

LAB 52.41, 80.48, -52.57

 

CMYK 2 / 66 / 0 / 12

HEX #DB4DE0

RGB 219 77 224

HSL 297.96, 0.7%, 0.59%

LAB 57.8, 72.53, -47.89

 

CMYK 2 / 51 / 0 / 10

HEX #E270E6

RGB 226 112 230

HSL 297.97, 0.7%, 0.67%

LAB 64.54, 60.31, -40.56

 

CMYK 1 / 38 / 0 / 7

HEX #E993EC

RGB 233 147 236

HSL 297.98, 0.7%, 0.75%

LAB 72.39, 45.94, -31.59

 

CMYK 2 / 65 / 0 / 13

HEX #DA4DDF

RGB 218 77 223

HSL 297.95, 0.7%, 0.59%

LAB 57.6, 72.13, -47.65

 

CMYK 0 / 56 / 66 / 12

HEX #E0634D

RGB 224 99 77

HSL 8.98, 0.7%, 0.59%

LAB 57.37, 47.31, 36.33

 

CMYK 66 / 0 / 29 / 12

HEX #4DE09E

RGB 77 224 158

HSL 153.06, 0.7%, 0.59%

LAB 80.38, -54.05, 21.13

 

CMYK 2 / 65 / 0 / 13

HEX #DA4DDF

RGB 218 77 223

HSL 297.95, 0.7%, 0.59%

LAB 57.6, 72.13, -47.65

 

CMYK 0 / 4 / 66 / 12

HEX #E0D84D

RGB 224 216 77

HSL 56.73, 0.7%, 0.59%

LAB 84.74, -13.47, 66.68

 

CMYK 66 / 0 / 4 / 12

HEX #4DE0D8

RGB 77 224 216

HSL 176.73, 0.7%, 0.59%

LAB 81.75, -40.18, -7.53

 

CMYK 2 / 65 / 0 / 13

HEX #DA4DDF

RGB 218 77 223

HSL 297.95, 0.7%, 0.59%

LAB 57.6, 72.13, -47.65

 

CMYK 0 / 56 / 66 / 12

HEX #E0634D

RGB 224 99 77

HSL 8.98, 0.7%, 0.59%

LAB 57.37, 47.31, 36.33

 

CMYK 62 / 0 / 66 / 12

HEX #55E04D

RGB 85 224 77

HSL 116.73, 0.7%, 0.59%

LAB 79.49, -64.69, 58.84

 

CMYK 66 / 10 / 0 / 12

HEX #4DCAE0

RGB 77 202 224

HSL 188.98, 0.7%, 0.59%

LAB 75.58, -27.56, -21.09

 

CMYK 2 / 65 / 0 / 13

HEX #DA4DDF

RGB 218 77 223

HSL 297.95, 0.7%, 0.59%

LAB 57.6, 72.13, -47.65

 

CMYK 0 / 36 / 66 / 12

HEX #E08F4D

RGB 224 143 77

HSL 26.94, 0.7%, 0.59%

LAB 66.54, 24.76, 47.05

 

CMYK 62 / 0 / 66 / 12

HEX #55E04D

RGB 85 224 77

HSL 116.73, 0.7%, 0.59%

LAB 79.49, -64.69, 58.84

 

CMYK 66 / 29 / 0 / 12

HEX #4D9EE0

RGB 77 158 224

HSL 206.94, 0.7%, 0.59%

LAB 62.86, -4.29, -40.73

 

Description

Color code: HEX #DA4DDF | qconv.com Color code: HEX #DA4DDF | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 77 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 77 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 65 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 65% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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