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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #928272 it is the complementary color #6D7D8D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #928272. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #928272: #97826D, #A89480, #B9A693, #CAB8A6 and #DBCAB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #928272. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #928272: #928272, #81705F, #705E4C, #5F4C39 and #4E3A26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 22 / 43

HEX #928272

RGB 146 130 114

HSL 30, 0.13%, 0.51%

LAB 55.37, 3.37, 10.88

 

Complementary color

CMYK 23 / 11 / 0 / 45

HEX #6D7D8D

RGB 109 125 141

HSL 210, 0.13%, 0.49%

LAB 51.66, -2.13, -10.62

 

CMYK 0 / 14 / 28 / 41

HEX #97826D

RGB 151 130 109

HSL 30, 0.17%, 0.51%

LAB 55.73, 4.64, 14.33

 

CMYK 0 / 12 / 24 / 34

HEX #A89480

RGB 168 148 128

HSL 30, 0.19%, 0.58%

LAB 62.56, 4.19, 13.3

 

CMYK 0 / 10 / 21 / 27

HEX #B9A693

RGB 185 166 147

HSL 30, 0.21%, 0.65%

LAB 69.25, 3.8, 12.35

 

CMYK 0 / 9 / 18 / 21

HEX #CAB8A6

RGB 202 184 166

HSL 30, 0.25%, 0.72%

LAB 75.82, 3.46, 11.46

 

CMYK 0 / 8 / 16 / 14

HEX #DBCAB9

RGB 219 202 185

HSL 30, 0.32%, 0.79%

LAB 82.27, 3.15, 10.62

 

CMYK 0 / 11 / 22 / 43

HEX #928272

RGB 146 130 114

HSL 30, 0.13%, 0.51%

LAB 55.37, 3.37, 10.88

 

CMYK 0 / 13 / 26 / 49

HEX #81705F

RGB 129 112 95

HSL 30, 0.15%, 0.44%

LAB 48.36, 3.81, 11.91

 

CMYK 0 / 16 / 32 / 56

HEX #705E4C

RGB 112 94 76

HSL 30, 0.19%, 0.37%

LAB 41.17, 4.33, 13.04

 

CMYK 0 / 20 / 40 / 63

HEX #5F4C39

RGB 95 76 57

HSL 30, 0.25%, 0.3%

LAB 33.77, 4.99, 14.32

 

CMYK 0 / 26 / 51 / 69

HEX #4E3A26

RGB 78 58 38

HSL 30, 0.34%, 0.23%

LAB 26.12, 5.87, 15.82

 

CMYK 0 / 11 / 22 / 43

HEX #928272

RGB 146 130 114

HSL 30, 0.13%, 0.51%

LAB 55.37, 3.37, 10.88

 

CMYK 0 / 8 / 23 / 43

HEX #928771

RGB 146 135 113

HSL 40, 0.13%, 0.51%

LAB 56.71, 0.39, 13.34

 

CMYK 0 / 4 / 23 / 43

HEX #928C71

RGB 146 140 113

HSL 49.09, 0.13%, 0.51%

LAB 58.09, -2.41, 15.25

 

CMYK 0 / 0 / 23 / 43

HEX #929271

RGB 146 146 113

HSL 60, 0.13%, 0.51%

LAB 59.76, -5.72, 17.55

 

CMYK 4 / 0 / 23 / 43

HEX #8C9271

RGB 140 146 113

HSL 70.91, 0.13%, 0.51%

LAB 59.27, -8.1, 16.8

 

CMYK 0 / 11 / 22 / 43

HEX #928272

RGB 146 130 114

HSL 30, 0.13%, 0.51%

LAB 55.37, 3.37, 10.88

 

CMYK 0 / 11 / 22 / 23

HEX #C5AF9A

RGB 197 175 154

HSL 29.3, 0.27%, 0.69%

LAB 72.8, 4.58, 13.66

 

CMYK 0 / 11 / 22 / 3

HEX #F8DDC2

RGB 248 221 194

HSL 30, 0.79%, 0.87%

LAB 89.66, 5.19, 16.66

 

CMYK 0 / 11 / 23 / 83

HEX #2C2722

RGB 44 39 34

HSL 30, 0.13%, 0.15%

LAB 16.01, 1.26, 4.14

 

CMYK 0 / 11 / 22 / 63

HEX #5F554A

RGB 95 85 74

HSL 31.43, 0.12%, 0.33%

LAB 36.79, 2.07, 7.91

 

CMYK 0 / 11 / 22 / 43

HEX #928272

RGB 146 130 114

HSL 30, 0.13%, 0.51%

LAB 55.37, 3.37, 10.88

 

CMYK 16 / 0 / 23 / 43

HEX #7B9271

RGB 123 146 113

HSL 101.82, 0.13%, 0.51%

LAB 58, -14.65, 14.84

 

CMYK 20 / 23 / 0 / 43

HEX #757192

RGB 117 113 146

HSL 247.27, 0.13%, 0.51%

LAB 49.09, 8.84, -17.38

 

CMYK 0 / 11 / 22 / 43

HEX #928272

RGB 146 130 114

HSL 30, 0.13%, 0.51%

LAB 55.37, 3.37, 10.88

 

CMYK 23 / 0 / 11 / 43

HEX #719282

RGB 113 146 130

HSL 150.91, 0.13%, 0.51%

LAB 57.73, -14.97, 4.72

 

CMYK 11 / 23 / 0 / 43

HEX #827192

RGB 130 113 146

HSL 270.91, 0.13%, 0.51%

LAB 50.25, 13.3, -15.51

 

CMYK 0 / 11 / 22 / 43

HEX #928272

RGB 146 130 114

HSL 30, 0.13%, 0.51%

LAB 55.37, 3.37, 10.88

 

CMYK 16 / 0 / 23 / 43

HEX #7B9271

RGB 123 146 113

HSL 101.82, 0.13%, 0.51%

LAB 58, -14.65, 14.84

 

CMYK 23 / 11 / 0 / 43

HEX #718292

RGB 113 130 146

HSL 209.09, 0.13%, 0.51%

LAB 53.55, -2.47, -10.67

 

CMYK 7 / 23 / 0 / 43

HEX #887192

RGB 136 113 146

HSL 281.82, 0.13%, 0.51%

LAB 50.83, 15.4, -14.58

 

CMYK 0 / 11 / 22 / 43

HEX #928272

RGB 146 130 114

HSL 30, 0.13%, 0.51%

LAB 55.37, 3.37, 10.88

 

CMYK 23 / 0 / 23 / 43

HEX #719271

RGB 113 146 113

HSL 120, 0.13%, 0.51%

LAB 57.33, -18.33, 13.81

 

CMYK 23 / 11 / 0 / 43

HEX #718292

RGB 113 130 146

HSL 209.09, 0.13%, 0.51%

LAB 53.55, -2.47, -10.67

 

CMYK 0 / 23 / 0 / 43

HEX #927192

RGB 146 113 146

HSL 300, 0.13%, 0.51%

LAB 51.83, 18.96, -12.96

 

Description

Color code: HEX #928272 | qconv.com Color code: HEX #928272 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 146 red, 130 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
146 130 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 22 yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 22% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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