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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8E9A81 it is the complementary color #71657E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8E9A81. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8E9A81: #939A7C, #A4AC8F, #B5BEA2, #C6D0B5 and #D7E2C8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8E9A81. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8E9A81: #8E9A81, #7D886E, #6C765B, #5B6448 and #4A5235

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 16 / 40

HEX #8E9A81

RGB 142 154 129

HSL 88.8, 0.11%, 0.55%

LAB 62.04, -9.02, 11.69

 

Complementary color

CMYK 10 / 20 / 0 / 51

HEX #71657E

RGB 113 101 126

HSL 268.8, 0.11%, 0.45%

LAB 44.69, 9.96, -12.18

 

CMYK 5 / 0 / 19 / 40

HEX #939A7C

RGB 147 154 124

HSL 74, 0.13%, 0.55%

LAB 62.31, -7.95, 14.93

 

CMYK 5 / 0 / 17 / 33

HEX #A4AC8F

RGB 164 172 143

HSL 76.55, 0.15%, 0.62%

LAB 69.03, -8.04, 13.98

 

CMYK 5 / 0 / 15 / 25

HEX #B5BEA2

RGB 181 190 162

HSL 79.29, 0.18%, 0.69%

LAB 75.61, -8.12, 13.09

 

CMYK 5 / 0 / 13 / 18

HEX #C6D0B5

RGB 198 208 181

HSL 82.22, 0.22%, 0.76%

LAB 82.08, -8.19, 12.25

 

CMYK 5 / 0 / 12 / 11

HEX #D7E2C8

RGB 215 226 200

HSL 85.38, 0.31%, 0.84%

LAB 88.45, -8.26, 11.45

 

CMYK 8 / 0 / 16 / 40

HEX #8E9A81

RGB 142 154 129

HSL 88.8, 0.11%, 0.55%

LAB 62.04, -9.02, 11.69

 

CMYK 8 / 0 / 19 / 47

HEX #7D886E

RGB 125 136 110

HSL 85.38, 0.11%, 0.48%

LAB 55.17, -8.99, 12.63

 

CMYK 8 / 0 / 23 / 54

HEX #6C765B

RGB 108 118 91

HSL 82.22, 0.13%, 0.41%

LAB 48.13, -8.96, 13.65

 

CMYK 9 / 0 / 28 / 61

HEX #5B6448

RGB 91 100 72

HSL 79.29, 0.16%, 0.34%

LAB 40.91, -8.92, 14.77

 

CMYK 10 / 0 / 35 / 68

HEX #4A5235

RGB 74 82 53

HSL 76.55, 0.21%, 0.26%

LAB 33.45, -8.85, 16

 

CMYK 8 / 0 / 16 / 40

HEX #8E9A81

RGB 142 154 129

HSL 88.8, 0.11%, 0.55%

LAB 62.04, -9.02, 11.69

 

CMYK 11 / 0 / 16 / 40

HEX #88987F

RGB 136 152 127

HSL 98.4, 0.11%, 0.55%

LAB 60.98, -10.54, 11.26

 

CMYK 13 / 0 / 16 / 40

HEX #84987F

RGB 132 152 127

HSL 108, 0.11%, 0.55%

LAB 60.69, -12.02, 10.81

 

CMYK 16 / 0 / 16 / 40

HEX #80987F

RGB 128 152 127

HSL 117.6, 0.11%, 0.55%

LAB 60.41, -13.48, 10.37

 

CMYK 16 / 0 / 14 / 40

HEX #7F9882

RGB 127 152 130

HSL 127.2, 0.11%, 0.55%

LAB 60.41, -13.28, 8.67

 

CMYK 8 / 0 / 16 / 40

HEX #8E9A81

RGB 142 154 129

HSL 88.8, 0.11%, 0.55%

LAB 62.04, -9.02, 11.69

 

CMYK 8 / 0 / 16 / 20

HEX #BDCDAC

RGB 189 205 172

HSL 89.09, 0.25%, 0.74%

LAB 80.44, -11.34, 14.62

 

CMYK 0 / 0 / 0 / 100

HEX #010101

RGB 1 1 1

HSL 0, 0%, 0%

LAB 0.27, 0, -0

 

CMYK 8 / 0 / 15 / 80

HEX #30342C

RGB 48 52 44

HSL 90, 0.08%, 0.19%

LAB 21.08, -3.56, 4.48

 

CMYK 8 / 0 / 17 / 60

HEX #5F6756

RGB 95 103 86

HSL 88.24, 0.09%, 0.37%

LAB 42.47, -6.53, 8.56

 

CMYK 8 / 0 / 16 / 40

HEX #8E9A81

RGB 142 154 129

HSL 88.8, 0.11%, 0.55%

LAB 62.04, -9.02, 11.69

 

CMYK 16 / 0 / 5 / 40

HEX #7F9890

RGB 127 152 144

HSL 160.8, 0.11%, 0.55%

LAB 60.77, -10.47, 1.26

 

CMYK 0 / 16 / 1 / 40

HEX #987F97

RGB 152 127 151

HSL 302.4, 0.11%, 0.55%

LAB 56.18, 13.99, -9.29

 

CMYK 8 / 0 / 16 / 40

HEX #8E9A81

RGB 142 154 129

HSL 88.8, 0.11%, 0.55%

LAB 62.04, -9.02, 11.69

 

CMYK 16 / 7 / 0 / 40

HEX #7F8D98

RGB 127 141 152

HSL 206.4, 0.11%, 0.55%

LAB 57.87, -2.64, -7.55

 

CMYK 0 / 16 / 7 / 40

HEX #987F8D

RGB 152 127 141

HSL 326.4, 0.11%, 0.55%

LAB 55.86, 12.07, -3.96

 

CMYK 8 / 0 / 16 / 40

HEX #8E9A81

RGB 142 154 129

HSL 88.8, 0.11%, 0.55%

LAB 62.04, -9.02, 11.69

 

CMYK 16 / 0 / 5 / 40

HEX #7F9890

RGB 127 152 144

HSL 160.8, 0.11%, 0.55%

LAB 60.77, -10.47, 1.26

 

CMYK 9 / 16 / 0 / 40

HEX #8B7F98

RGB 139 127 152

HSL 268.8, 0.11%, 0.55%

LAB 55.01, 9.55, -11.75

 

CMYK 0 / 16 / 11 / 40

HEX #987F88

RGB 152 127 136

HSL 338.4, 0.11%, 0.55%

LAB 55.72, 11.16, -1.28

 

CMYK 8 / 0 / 16 / 40

HEX #8E9A81

RGB 142 154 129

HSL 88.8, 0.11%, 0.55%

LAB 62.04, -9.02, 11.69

 

CMYK 16 / 0 / 0 / 40

HEX #7F9898

RGB 127 152 152

HSL 180, 0.11%, 0.55%

LAB 60.99, -8.74, -2.94

 

CMYK 9 / 16 / 0 / 40

HEX #8B7F98

RGB 139 127 152

HSL 268.8, 0.11%, 0.55%

LAB 55.01, 9.55, -11.75

 

CMYK 0 / 16 / 16 / 40

HEX #987F80

RGB 152 127 128

HSL 357.6, 0.11%, 0.55%

LAB 55.49, 9.76, 3.04

 

Description

Color code: HEX #8E9A81 | qconv.com Color code: HEX #8E9A81 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 142 red, 154 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
142 154 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 16 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 16% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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