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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 91 100 72 it is the complementary color RGB 164 155 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 91 100 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 91 100 72: RGB 96 100 67, RGB 113 118 86, RGB 130 136 105, RGB 147 154 124 and RGB 164 172 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 91 100 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 91 100 72: RGB 91 100 72, RGB 74 82 53, RGB 57 64 34, RGB 40 46 15 and RGB 23 28 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 28 / 61

HEX #5B6448

RGB 91 100 72

HSL 79.29, 0.16%, 0.34%

LAB 40.91, -8.92, 14.77

 

Complementary color

CMYK 10 / 15 / 0 / 28

HEX #A49BB7

RGB 164 155 183

HSL 259.29, 0.16%, 0.66%

LAB 65.56, 8.81, -13.31

 

CMYK 4 / 0 / 33 / 61

HEX #606443

RGB 96 100 67

HSL 67.27, 0.2%, 0.33%

LAB 41.23, -7.56, 18.24

 

CMYK 4 / 0 / 27 / 54

HEX #717656

RGB 113 118 86

HSL 69.38, 0.16%, 0.4%

LAB 48.44, -7.73, 17.04

 

CMYK 4 / 0 / 23 / 47

HEX #828869

RGB 130 136 105

HSL 71.61, 0.13%, 0.47%

LAB 55.46, -7.85, 15.94

 

CMYK 5 / 0 / 19 / 40

HEX #939A7C

RGB 147 154 124

HSL 74, 0.13%, 0.55%

LAB 62.31, -7.95, 14.93

 

CMYK 5 / 0 / 17 / 33

HEX #A4AC8F

RGB 164 172 143

HSL 76.55, 0.15%, 0.62%

LAB 69.03, -8.04, 13.98

 

CMYK 9 / 0 / 28 / 61

HEX #5B6448

RGB 91 100 72

HSL 79.29, 0.16%, 0.34%

LAB 40.91, -8.92, 14.77

 

CMYK 10 / 0 / 35 / 68

HEX #4A5235

RGB 74 82 53

HSL 76.55, 0.21%, 0.26%

LAB 33.45, -8.85, 16

 

CMYK 11 / 0 / 47 / 75

HEX #394022

RGB 57 64 34

HSL 74, 0.31%, 0.19%

LAB 25.72, -8.72, 17.37

 

CMYK 13 / 0 / 67 / 82

HEX #282E0F

RGB 40 46 15

HSL 71.61, 0.51%, 0.12%

LAB 17.64, -8.41, 18.68

 

CMYK 18 / 0 / 100 / 89

HEX #171C00

RGB 23 28 0

HSL 70.71, 1%, 0.05%

LAB 9.1, -7.72, 13.47

 

CMYK 9 / 0 / 28 / 61

HEX #5B6448

RGB 91 100 72

HSL 79.29, 0.16%, 0.34%

LAB 40.91, -8.92, 14.77

 

CMYK 13 / 0 / 28 / 61

HEX #576448

RGB 87 100 72

HSL 87.86, 0.16%, 0.34%

LAB 40.59, -10.59, 14.28

 

CMYK 18 / 0 / 28 / 61

HEX #526448

RGB 82 100 72

HSL 98.57, 0.16%, 0.34%

LAB 40.21, -12.64, 13.7

 

CMYK 23 / 0 / 28 / 61

HEX #4D6448

RGB 77 100 72

HSL 109.29, 0.16%, 0.34%

LAB 39.85, -14.64, 13.15

 

CMYK 27 / 0 / 28 / 61

HEX #496448

RGB 73 100 72

HSL 117.86, 0.16%, 0.34%

LAB 39.58, -16.19, 12.74

 

CMYK 9 / 0 / 28 / 61

HEX #5B6448

RGB 91 100 72

HSL 79.29, 0.16%, 0.34%

LAB 40.91, -8.92, 14.77

 

CMYK 9 / 0 / 28 / 41

HEX #89976D

RGB 137 151 109

HSL 80, 0.17%, 0.51%

LAB 60.39, -12.6, 20.52

 

CMYK 9 / 0 / 28 / 21

HEX #B8CA91

RGB 184 202 145

HSL 78.95, 0.35%, 0.68%

LAB 78.74, -15.8, 26.5

 

CMYK 9 / 0 / 28 / 1

HEX #E6FDB6

RGB 230 253 182

HSL 79.44, 0.95%, 0.85%

LAB 96.18, -19.06, 31.58

 

CMYK 8 / 0 / 29 / 81

HEX #2D3123

RGB 45 49 35

HSL 77.14, 0.17%, 0.16%

LAB 19.54, -4.81, 8.38

 

CMYK 9 / 0 / 28 / 61

HEX #5B6448

RGB 91 100 72

HSL 79.29, 0.16%, 0.34%

LAB 40.91, -8.92, 14.77

 

CMYK 28 / 0 / 13 / 61

HEX #486457

RGB 72 100 87

HSL 152.14, 0.16%, 0.34%

LAB 39.88, -13.4, 4.05

 

CMYK 2 / 28 / 0 / 61

HEX #624864

RGB 98 72 100

HSL 295.71, 0.16%, 0.34%

LAB 34.3, 16.5, -12.07

 

CMYK 9 / 0 / 28 / 61

HEX #5B6448

RGB 91 100 72

HSL 79.29, 0.16%, 0.34%

LAB 40.91, -8.92, 14.77

 

CMYK 28 / 9 / 0 / 61

HEX #485B64

RGB 72 91 100

HSL 199.29, 0.16%, 0.34%

LAB 37.44, -4.91, -7.55

 

CMYK 0 / 28 / 9 / 61

HEX #64485B

RGB 100 72 91

HSL 319.29, 0.16%, 0.34%

LAB 34.19, 15.39, -6.51

 

CMYK 9 / 0 / 28 / 61

HEX #5B6448

RGB 91 100 72

HSL 79.29, 0.16%, 0.34%

LAB 40.91, -8.92, 14.77

 

CMYK 28 / 0 / 13 / 61

HEX #486457

RGB 72 100 87

HSL 152.14, 0.16%, 0.34%

LAB 39.88, -13.4, 4.05

 

CMYK 19 / 28 / 0 / 61

HEX #514864

RGB 81 72 100

HSL 259.29, 0.16%, 0.34%

LAB 32.49, 10.22, -14.99

 

CMYK 0 / 28 / 14 / 61

HEX #644856

RGB 100 72 86

HSL 330, 0.16%, 0.34%

LAB 34.02, 14.42, -3.59

 

CMYK 9 / 0 / 28 / 61

HEX #5B6448

RGB 91 100 72

HSL 79.29, 0.16%, 0.34%

LAB 40.91, -8.92, 14.77

 

CMYK 28 / 0 / 5 / 61

HEX #48645F

RGB 72 100 95

HSL 169.29, 0.16%, 0.34%

LAB 40.11, -11.5, -0.51

 

CMYK 19 / 28 / 0 / 61

HEX #514864

RGB 81 72 100

HSL 259.29, 0.16%, 0.34%

LAB 32.49, 10.22, -14.99

 

CMYK 0 / 28 / 23 / 61

HEX #64484D

RGB 100 72 77

HSL 349.29, 0.16%, 0.34%

LAB 33.73, 12.8, 1.72

 

Description

Color code: RGB 91 100 72 | qconv.com Color code: RGB 91 100 72 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 91 red, 100 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
91 100 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 28 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 28% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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