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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8D9ACF it is the complementary color #726530. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8D9ACF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8D9ACF shade: #929ACA, #A3ACDD, #B4BEF0, #C5D0FF and #D6E2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8D9ACF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8D9ACF shade: #8D9ACF, #7C88BC, #6B76A9, #5A6496 and #495283

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8D9ACF shade: #8C99CF, #918CCF, #A38CCF, #B58CCF and #C78CCF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8D9ACF shade: #8C99CF and #8C8CCF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8D9ACF shade matches the following richer shades: #8C99CF, #7F91DC, #7289E9 and #6481F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8D9ACF shade: #8C99CF, #99A1C2, #A6A9B4, #B4B1A7 and #C1B99A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8D9ACF shade: #8CBDCF, #8CABCF, #8C99CF, #908CCF and #A28CCF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8D9ACF shade: #5266B7, #6F7FC3, #8C99CF, #A9B3DB and #C6CDE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8D9ACF shade: #8D9ACF, #CF8CCF and #B4CF8C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8D9ACF shade: #8D9ACF, #CF8C99 and #99CF8C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8D9ACF shade: #8D9ACF, #CF8CCF, #CFC18C and #8CCF8C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8D9ACF shade: #8D9ACF, #CF8CBB, #CFC18C and #8CCFA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 26 / 0 / 19

HEX #8D9ACF

RGB 141 154 207

HSL 228.18, 0.41%, 0.68%

LAB 64.39, 7.76, -28.65

 

Complementary color

CMYK 0 / 11 / 58 / 55

HEX #726530

RGB 114 101 48

HSL 48.18, 0.41%, 0.32%

LAB 42.91, -2.21, 31.49

 

CMYK 28 / 24 / 0 / 21

HEX #929ACA

RGB 146 154 202

HSL 231.43, 0.35%, 0.68%

LAB 64.55, 7.97, -25.58

 

CMYK 26 / 22 / 0 / 13

HEX #A3ACDD

RGB 163 172 221

HSL 230.69, 0.46%, 0.75%

LAB 71.22, 7.6, -25.73

 

CMYK 25 / 21 / 0 / 6

HEX #B4BEF0

RGB 180 190 240

HSL 230, 0.67%, 0.82%

LAB 77.77, 7.27, -25.92

 

CMYK 23 / 18 / 0 / 0

HEX #C5D0FF

RGB 197 208 255

HSL 228.62, 1%, 0.89%

LAB 84.07, 6.06, -24.2

 

CMYK 16 / 11 / 0 / 0

HEX #D6E2FF

RGB 214 226 255

HSL 222.44, 1%, 0.92%

LAB 89.82, 1.74, -15.41

 

CMYK 32 / 26 / 0 / 19

HEX #8D9ACF

RGB 141 154 207

HSL 228.18, 0.41%, 0.68%

LAB 64.39, 7.76, -28.65

 

CMYK 34 / 28 / 0 / 26

HEX #7C88BC

RGB 124 136 188

HSL 228.75, 0.32%, 0.61%

LAB 57.58, 8.21, -28.58

 

CMYK 37 / 30 / 0 / 34

HEX #6B76A9

RGB 107 118 169

HSL 229.35, 0.26%, 0.54%

LAB 50.63, 8.74, -28.55

 

CMYK 40 / 33 / 0 / 41

HEX #5A6496

RGB 90 100 150

HSL 230, 0.25%, 0.47%

LAB 43.49, 9.37, -28.58

 

CMYK 44 / 37 / 0 / 49

HEX #495283

RGB 73 82 131

HSL 230.69, 0.28%, 0.4%

LAB 36.16, 10.14, -28.68

 

CMYK 32 / 26 / 0 / 19

HEX #8C99CF

RGB 140 153 207

HSL 228.36, 0.41%, 0.68%

LAB 64.05, 8.04, -29.18

 

CMYK 30 / 32 / 0 / 19

HEX #918CCF

RGB 145 140 207

HSL 244.48, 0.41%, 0.68%

LAB 61.03, 16.96, -33.83

 

CMYK 21 / 32 / 0 / 19

HEX #A38CCF

RGB 163 140 207

HSL 260.6, 0.41%, 0.68%

LAB 62.55, 22.34, -31.35

 

CMYK 13 / 32 / 0 / 19

HEX #B58CCF

RGB 181 140 207

HSL 276.72, 0.41%, 0.68%

LAB 64.23, 27.93, -28.62

 

CMYK 4 / 32 / 0 / 19

HEX #C78CCF

RGB 199 140 207

HSL 292.84, 0.41%, 0.68%

LAB 66.06, 33.64, -25.64

 

CMYK 32 / 26 / 0 / 19

HEX #8C99CF

RGB 140 153 207

HSL 228.36, 0.41%, 0.68%

LAB 64.05, 8.04, -29.18

 

CMYK 32 / 32 / 0 / 19

HEX #8C8CCF

RGB 140 140 207

HSL 240, 0.41%, 0.68%

LAB 60.64, 15.52, -34.47

 

CMYK 32 / 26 / 0 / 19

HEX #8C99CF

RGB 140 153 207

HSL 228.36, 0.41%, 0.68%

LAB 64.05, 8.04, -29.18

 

CMYK 42 / 34 / 0 / 14

HEX #7F91DC

RGB 127 145 220

HSL 228.39, 0.57%, 0.68%

LAB 61.59, 12.64, -40.31

 

CMYK 51 / 41 / 0 / 9

HEX #7289E9

RGB 114 137 233

HSL 228.4, 0.73%, 0.68%

LAB 59.3, 18.1, -51.21

 

CMYK 59 / 48 / 0 / 4

HEX #6481F6

RGB 100 129 246

HSL 228.08, 0.89%, 0.68%

LAB 57.14, 24.2, -61.92

 

CMYK 32 / 26 / 0 / 19

HEX #8C99CF

RGB 140 153 207

HSL 228.36, 0.41%, 0.68%

LAB 64.05, 8.04, -29.18

 

CMYK 21 / 17 / 0 / 24

HEX #99A1C2

RGB 153 161 194

HSL 228.29, 0.25%, 0.68%

LAB 66.64, 4.28, -17.89

 

CMYK 8 / 6 / 0 / 29

HEX #A6A9B4

RGB 166 169 180

HSL 227.14, 0.09%, 0.68%

LAB 69.31, 1.11, -6.02

 

CMYK 0 / 2 / 7 / 29

HEX #B4B1A7

RGB 180 177 167

HSL 46.15, 0.08%, 0.68%

LAB 72.19, -0.74, 5.48

 

CMYK 0 / 4 / 20 / 24

HEX #C1B99A

RGB 193 185 154

HSL 47.69, 0.24%, 0.68%

LAB 75.06, -2.29, 16.77

 

CMYK 32 / 9 / 0 / 19

HEX #8CBDCF

RGB 140 189 207

HSL 196.12, 0.41%, 0.68%

LAB 73.85, -11.75, -14.24

 

CMYK 32 / 17 / 0 / 19

HEX #8CABCF

RGB 140 171 207

HSL 212.24, 0.41%, 0.68%

LAB 68.9, -2.05, -21.73

 

CMYK 32 / 26 / 0 / 19

HEX #8C99CF

RGB 140 153 207

HSL 228.36, 0.41%, 0.68%

LAB 64.05, 8.04, -29.18

 

CMYK 30 / 32 / 0 / 19

HEX #908CCF

RGB 144 140 207

HSL 243.58, 0.41%, 0.68%

LAB 60.95, 16.67, -33.96

 

CMYK 22 / 32 / 0 / 19

HEX #A28CCF

RGB 162 140 207

HSL 259.7, 0.41%, 0.68%

LAB 62.46, 22.03, -31.5

 

CMYK 55 / 44 / 0 / 28

HEX #5266B7

RGB 82 102 183

HSL 228.12, 0.41%, 0.52%

LAB 45.24, 16.51, -45.3

 

CMYK 43 / 35 / 0 / 24

HEX #6F7FC3

RGB 111 127 195

HSL 228.57, 0.41%, 0.6%

LAB 54.55, 11.91, -37.36

 

CMYK 32 / 26 / 0 / 19

HEX #8C99CF

RGB 140 153 207

HSL 228.36, 0.41%, 0.68%

LAB 64.05, 8.04, -29.18

 

CMYK 23 / 18 / 0 / 14

HEX #A9B3DB

RGB 169 179 219

HSL 228, 0.41%, 0.76%

LAB 73.41, 5.09, -21.27

 

CMYK 14 / 11 / 0 / 9

HEX #C6CDE7

RGB 198 205 231

HSL 227.27, 0.41%, 0.84%

LAB 82.61, 2.77, -13.64

 

CMYK 32 / 26 / 0 / 19

HEX #8D9ACF

RGB 141 154 207

HSL 228.18, 0.41%, 0.68%

LAB 64.39, 7.76, -28.65

 

CMYK 0 / 32 / 0 / 19

HEX #CF8CCF

RGB 207 140 207

HSL 300, 0.41%, 0.68%

LAB 66.92, 36.21, -24.25

 

CMYK 13 / 0 / 32 / 19

HEX #B4CF8C

RGB 180 207 140

HSL 84.18, 0.41%, 0.68%

LAB 79.74, -20.48, 30.39

 

CMYK 32 / 26 / 0 / 19

HEX #8D9ACF

RGB 141 154 207

HSL 228.18, 0.41%, 0.68%

LAB 64.39, 7.76, -28.65

 

CMYK 0 / 32 / 26 / 19

HEX #CF8C99

RGB 207 140 153

HSL 348.36, 0.41%, 0.68%

LAB 65.22, 27.29, 3.54

 

CMYK 26 / 0 / 32 / 19

HEX #99CF8C

RGB 153 207 140

HSL 108.36, 0.41%, 0.68%

LAB 78.05, -30.11, 27.83

 

CMYK 32 / 26 / 0 / 19

HEX #8D9ACF

RGB 141 154 207

HSL 228.18, 0.41%, 0.68%

LAB 64.39, 7.76, -28.65

 

CMYK 0 / 32 / 0 / 19

HEX #CF8CCF

RGB 207 140 207

HSL 300, 0.41%, 0.68%

LAB 66.92, 36.21, -24.25

 

CMYK 0 / 7 / 32 / 19

HEX #CFC18C

RGB 207 193 140

HSL 47.46, 0.41%, 0.68%

LAB 78.05, -3.02, 28.51

 

CMYK 32 / 0 / 32 / 19

HEX #8CCF8C

RGB 140 207 140

HSL 120, 0.41%, 0.68%

LAB 77.34, -34.42, 26.76

 

CMYK 32 / 26 / 0 / 19

HEX #8D9ACF

RGB 141 154 207

HSL 228.18, 0.41%, 0.68%

LAB 64.39, 7.76, -28.65

 

CMYK 0 / 32 / 10 / 19

HEX #CF8CBB

RGB 207 140 187

HSL 317.91, 0.41%, 0.68%

LAB 66.22, 32.63, -14.13

 

CMYK 0 / 7 / 32 / 19

HEX #CFC18C

RGB 207 193 140

HSL 47.46, 0.41%, 0.68%

LAB 78.05, -3.02, 28.51

 

CMYK 32 / 0 / 23 / 19

HEX #8CCFA0

RGB 140 207 160

HSL 137.91, 0.41%, 0.68%

LAB 77.72, -30.93, 16.75

 

Description

Color code: HEX #8D9ACF | qconv.com Color code: HEX #8D9ACF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 141 red, 154 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
141 154 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, 26 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 26% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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