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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 193 185 154 it is the complementary color RGB 62 70 101. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 193 185 154. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 193 185 154 shade: RGB 198 185 149, RGB 215 203 168, RGB 232 221 187, RGB 249 239 206 and RGB 255 255 225

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 193 185 154. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 193 185 154 shade: RGB 193 185 154, RGB 176 167 135, RGB 159 149 116, RGB 142 131 97 and RGB 125 113 78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 193 185 154 shade: RGB 193 185 154, RGB 193 174 154, RGB 193 164 154 and RGB 193 154 154

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 193 185 154 shade: RGB 193 185 154, RGB 190 193 154, RGB 180 193 154, RGB 169 193 154 and RGB 159 193 154

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 193 185 154 shade matches the following richer shades: RGB 193 185 154, RGB 206 193 141, RGB 219 201 127, RGB 233 208 114 and RGB 246 216 101

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 193 185 154 shade: RGB 193 185 154, RGB 180 177 167, RGB 167 169 180, RGB 153 162 193 and RGB 140 154 207

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 193 185 154 shade: RGB 193 164 154, RGB 193 174 154, RGB 193 184 154, RGB 191 193 154 and RGB 181 193 154

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 193 185 154 shade: RGB 162 150 103, RGB 177 167 128, RGB 193 185 154, RGB 209 203 179 and RGB 224 220 205

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 193 185 154 shade: RGB 193 185 154, RGB 154 193 154 and RGB 169 154 193

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 193 185 154 shade: RGB 193 185 154, RGB 154 193 184 and RGB 184 154 193

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 193 185 154 shade: RGB 193 185 154, RGB 154 193 154, RGB 154 162 193 and RGB 192 154 193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 193 185 154 shade: RGB 193 185 154, RGB 154 193 165, RGB 154 162 193 and RGB 193 154 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 20 / 24

HEX #C1B99A

RGB 193 185 154

HSL 47.69, 0.24%, 0.68%

LAB 75.06, -2.29, 16.77

 

Complementary color

CMYK 39 / 31 / 0 / 60

HEX #3E4665

RGB 62 70 101

HSL 227.69, 0.24%, 0.32%

LAB 30.26, 5.32, -19.2

 

CMYK 0 / 7 / 25 / 22

HEX #C6B995

RGB 198 185 149

HSL 44.08, 0.3%, 0.68%

LAB 75.37, -1.11, 19.96

 

CMYK 0 / 6 / 22 / 16

HEX #D7CBA8

RGB 215 203 168

HSL 44.68, 0.37%, 0.75%

LAB 81.83, -1.4, 18.99

 

CMYK 0 / 5 / 19 / 9

HEX #E8DDBB

RGB 232 221 187

HSL 45.33, 0.49%, 0.82%

LAB 88.19, -1.66, 18.06

 

CMYK 0 / 4 / 17 / 2

HEX #F9EFCE

RGB 249 239 206

HSL 46.05, 0.78%, 0.89%

LAB 94.45, -1.9, 17.18

 

CMYK 0 / 0 / 12 / 0

HEX #FFFFE1

RGB 255 255 225

HSL 60, 1%, 0.94%

LAB 99.31, -4.95, 14.35

 

CMYK 0 / 4 / 20 / 24

HEX #C1B99A

RGB 193 185 154

HSL 47.69, 0.24%, 0.68%

LAB 75.06, -2.29, 16.77

 

CMYK 0 / 5 / 23 / 31

HEX #B0A787

RGB 176 167 135

HSL 46.83, 0.21%, 0.61%

LAB 68.47, -2.02, 17.75

 

CMYK 0 / 6 / 27 / 38

HEX #9F9574

RGB 159 149 116

HSL 46.05, 0.18%, 0.54%

LAB 61.76, -1.71, 18.79

 

CMYK 0 / 8 / 32 / 44

HEX #8E8361

RGB 142 131 97

HSL 45.33, 0.19%, 0.47%

LAB 54.91, -1.35, 19.92

 

CMYK 0 / 10 / 38 / 51

HEX #7D714E

RGB 125 113 78

HSL 44.68, 0.23%, 0.4%

LAB 47.91, -0.9, 21.15

 

CMYK 0 / 4 / 20 / 24

HEX #C1B99A

RGB 193 185 154

HSL 47.69, 0.24%, 0.68%

LAB 75.06, -2.29, 16.77

 

CMYK 0 / 10 / 20 / 24

HEX #C1AE9A

RGB 193 174 154

HSL 30.77, 0.24%, 0.68%

LAB 72.19, 3.59, 12.75

 

CMYK 0 / 15 / 20 / 24

HEX #C1A49A

RGB 193 164 154

HSL 15.38, 0.24%, 0.68%

LAB 69.63, 9.02, 9.12

 

CMYK 0 / 20 / 20 / 24

HEX #C19A9A

RGB 193 154 154

HSL 0, 0.24%, 0.68%

LAB 67.11, 14.5, 5.52

 

CMYK 0 / 4 / 20 / 24

HEX #C1B99A

RGB 193 185 154

HSL 47.69, 0.24%, 0.68%

LAB 75.06, -2.29, 16.77

 

CMYK 2 / 0 / 20 / 24

HEX #BEC19A

RGB 190 193 154

HSL 64.62, 0.24%, 0.68%

LAB 76.93, -7.62, 19.34

 

CMYK 7 / 0 / 20 / 24

HEX #B4C19A

RGB 180 193 154

HSL 80, 0.24%, 0.68%

LAB 76.18, -11.33, 18.17

 

CMYK 12 / 0 / 20 / 24

HEX #A9C19A

RGB 169 193 154

HSL 96.92, 0.24%, 0.68%

LAB 75.39, -15.34, 16.97

 

CMYK 18 / 0 / 20 / 24

HEX #9FC19A

RGB 159 193 154

HSL 112.31, 0.24%, 0.68%

LAB 74.73, -18.88, 15.93

 

CMYK 0 / 4 / 20 / 24

HEX #C1B99A

RGB 193 185 154

HSL 47.69, 0.24%, 0.68%

LAB 75.06, -2.29, 16.77

 

CMYK 0 / 6 / 32 / 19

HEX #CEC18D

RGB 206 193 141

HSL 48, 0.4%, 0.68%

LAB 77.98, -3.28, 27.88

 

CMYK 0 / 8 / 42 / 14

HEX #DBC97F

RGB 219 201 127

HSL 48.26, 0.56%, 0.68%

LAB 80.94, -3.91, 39.2

 

CMYK 0 / 11 / 51 / 9

HEX #E9D072

RGB 233 208 114

HSL 47.39, 0.73%, 0.68%

LAB 83.78, -3.1, 49.43

 

CMYK 0 / 12 / 59 / 4

HEX #F6D865

RGB 246 216 101

HSL 47.59, 0.89%, 0.68%

LAB 86.82, -2.88, 59.33

 

CMYK 0 / 4 / 20 / 24

HEX #C1B99A

RGB 193 185 154

HSL 47.69, 0.24%, 0.68%

LAB 75.06, -2.29, 16.77

 

CMYK 0 / 2 / 7 / 29

HEX #B4B1A7

RGB 180 177 167

HSL 46.15, 0.08%, 0.68%

LAB 72.19, -0.74, 5.48

 

CMYK 7 / 6 / 0 / 29

HEX #A7A9B4

RGB 167 169 180

HSL 230.77, 0.08%, 0.68%

LAB 69.39, 1.46, -5.89

 

CMYK 21 / 16 / 0 / 24

HEX #99A2C1

RGB 153 162 193

HSL 226.5, 0.24%, 0.68%

LAB 66.87, 3.49, -16.98

 

CMYK 32 / 26 / 0 / 19

HEX #8C9ACF

RGB 140 154 207

HSL 227.46, 0.41%, 0.68%

LAB 64.32, 7.47, -28.77

 

CMYK 0 / 15 / 20 / 24

HEX #C1A49A

RGB 193 164 154

HSL 15.38, 0.24%, 0.68%

LAB 69.63, 9.02, 9.12

 

CMYK 0 / 10 / 20 / 24

HEX #C1AE9A

RGB 193 174 154

HSL 30.77, 0.24%, 0.68%

LAB 72.19, 3.59, 12.75

 

CMYK 0 / 5 / 20 / 24

HEX #C1B89A

RGB 193 184 154

HSL 46.15, 0.24%, 0.68%

LAB 74.79, -1.76, 16.4

 

CMYK 1 / 0 / 20 / 24

HEX #BFC19A

RGB 191 193 154

HSL 63.08, 0.24%, 0.68%

LAB 77.01, -7.24, 19.46

 

CMYK 6 / 0 / 20 / 24

HEX #B5C19A

RGB 181 193 154

HSL 78.46, 0.24%, 0.68%

LAB 76.25, -10.97, 18.29

 

CMYK 0 / 7 / 36 / 36

HEX #A29667

RGB 162 150 103

HSL 47.8, 0.24%, 0.52%

LAB 62.06, -2.77, 26.42

 

CMYK 0 / 6 / 28 / 31

HEX #B1A780

RGB 177 167 128

HSL 47.76, 0.24%, 0.6%

LAB 68.42, -2.63, 21.51

 

CMYK 0 / 4 / 20 / 24

HEX #C1B99A

RGB 193 185 154

HSL 47.69, 0.24%, 0.68%

LAB 75.06, -2.29, 16.77

 

CMYK 0 / 3 / 14 / 18

HEX #D1CBB3

RGB 209 203 179

HSL 48, 0.25%, 0.76%

LAB 81.58, -1.96, 12.72

 

CMYK 0 / 2 / 8 / 12

HEX #E0DCCD

RGB 224 220 205

HSL 47.37, 0.23%, 0.84%

LAB 87.7, -1.21, 7.84

 

CMYK 0 / 4 / 20 / 24

HEX #C1B99A

RGB 193 185 154

HSL 47.69, 0.24%, 0.68%

LAB 75.06, -2.29, 16.77

 

CMYK 20 / 0 / 20 / 24

HEX #9AC19A

RGB 154 193 154

HSL 120, 0.24%, 0.68%

LAB 74.41, -20.61, 15.44

 

CMYK 12 / 20 / 0 / 24

HEX #A99AC1

RGB 169 154 193

HSL 263.08, 0.24%, 0.68%

LAB 66.06, 13.17, -18.1

 

CMYK 0 / 4 / 20 / 24

HEX #C1B99A

RGB 193 185 154

HSL 47.69, 0.24%, 0.68%

LAB 75.06, -2.29, 16.77

 

CMYK 20 / 0 / 5 / 24

HEX #9AC1B8

RGB 154 193 184

HSL 166.15, 0.24%, 0.68%

LAB 75.12, -14.82, 0.24

 

CMYK 5 / 20 / 0 / 24

HEX #B89AC1

RGB 184 154 193

HSL 286.15, 0.24%, 0.68%

LAB 67.39, 18.19, -15.95

 

CMYK 0 / 4 / 20 / 24

HEX #C1B99A

RGB 193 185 154

HSL 47.69, 0.24%, 0.68%

LAB 75.06, -2.29, 16.77

 

CMYK 20 / 0 / 20 / 24

HEX #9AC19A

RGB 154 193 154

HSL 120, 0.24%, 0.68%

LAB 74.41, -20.61, 15.44

 

CMYK 20 / 16 / 0 / 24

HEX #9AA2C1

RGB 154 162 193

HSL 227.69, 0.24%, 0.68%

LAB 66.95, 3.81, -16.86

 

CMYK 1 / 20 / 0 / 24

HEX #C09AC1

RGB 192 154 193

HSL 298.46, 0.24%, 0.68%

LAB 68.14, 20.91, -14.74

 

CMYK 0 / 4 / 20 / 24

HEX #C1B99A

RGB 193 185 154

HSL 47.69, 0.24%, 0.68%

LAB 75.06, -2.29, 16.77

 

CMYK 20 / 0 / 15 / 24

HEX #9AC1A5

RGB 154 193 165

HSL 136.92, 0.24%, 0.68%

LAB 74.65, -18.6, 9.85

 

CMYK 20 / 16 / 0 / 24

HEX #9AA2C1

RGB 154 162 193

HSL 227.69, 0.24%, 0.68%

LAB 66.95, 3.81, -16.86

 

CMYK 0 / 20 / 6 / 24

HEX #C19AB6

RGB 193 154 182

HSL 316.92, 0.24%, 0.68%

LAB 67.89, 19.21, -8.98

 

Description

Color code: RGB 193 185 154 | qconv.com Color code: RGB 193 185 154 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 193 red, 185 green and 154 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
193 185 154 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 20 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 20% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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