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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A3ACDD it is the complementary color #5C5322. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A3ACDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #A3ACDD: #A8ACD8, #B9BEEB, #CAD0FE, #DBE2FF and #ECF4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A3ACDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #A3ACDD: #A3ACDD, #929ACA, #8188B7, #7076A4 and #5F6491

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 22 / 0 / 13

HEX #A3ACDD

RGB 163 172 221

HSL 230.69, 0.46%, 0.75%

LAB 71.22, 7.6, -25.73

 

Complementary color

CMYK 0 / 10 / 63 / 64

HEX #5C5322

RGB 92 83 34

HSL 50.69, 0.46%, 0.25%

LAB 35.16, -3.27, 29.47

 

CMYK 22 / 20 / 0 / 15

HEX #A8ACD8

RGB 168 172 216

HSL 235, 0.38%, 0.75%

LAB 71.41, 7.94, -22.68

 

CMYK 21 / 19 / 0 / 8

HEX #B9BEEB

RGB 185 190 235

HSL 234, 0.56%, 0.82%

LAB 77.96, 7.63, -22.91

 

CMYK 20 / 18 / 0 / 0

HEX #CAD0FE

RGB 202 208 254

HSL 233.08, 0.96%, 0.89%

LAB 84.39, 7.34, -23.15

 

CMYK 14 / 11 / 0 / 0

HEX #DBE2FF

RGB 219 226 255

HSL 228.33, 1%, 0.93%

LAB 90.17, 3.29, -14.84

 

CMYK 7 / 4 / 0 / 0

HEX #ECF4FF

RGB 236 244 255

HSL 214.74, 1%, 0.96%

LAB 95.89, -0.6, -6.2

 

CMYK 26 / 22 / 0 / 13

HEX #A3ACDD

RGB 163 172 221

HSL 230.69, 0.46%, 0.75%

LAB 71.22, 7.6, -25.73

 

CMYK 28 / 24 / 0 / 21

HEX #929ACA

RGB 146 154 202

HSL 231.43, 0.35%, 0.68%

LAB 64.55, 7.97, -25.58

 

CMYK 30 / 26 / 0 / 28

HEX #8188B7

RGB 129 136 183

HSL 232.22, 0.27%, 0.61%

LAB 57.75, 8.38, -25.45

 

CMYK 32 / 28 / 0 / 36

HEX #7076A4

RGB 112 118 164

HSL 233.08, 0.22%, 0.54%

LAB 50.78, 8.85, -25.37

 

CMYK 34 / 31 / 0 / 43

HEX #5F6491

RGB 95 100 145

HSL 234, 0.21%, 0.47%

LAB 43.64, 9.4, -25.33

 

CMYK 26 / 22 / 0 / 13

HEX #A3ACDD

RGB 163 172 221

HSL 230.69, 0.46%, 0.75%

LAB 71.22, 7.6, -25.73

 

CMYK 27 / 27 / 0 / 14

HEX #A1A1DC

RGB 161 161 220

HSL 240, 0.46%, 0.75%

LAB 68.19, 12.92, -29.86

 

CMYK 22 / 27 / 0 / 14

HEX #ABA1DC

RGB 171 161 220

HSL 250.17, 0.46%, 0.75%

LAB 68.98, 15.93, -28.58

 

CMYK 18 / 27 / 0 / 14

HEX #B5A1DC

RGB 181 161 220

HSL 260.34, 0.46%, 0.75%

LAB 69.81, 19.01, -27.23

 

CMYK 13 / 27 / 0 / 14

HEX #BFA1DC

RGB 191 161 220

HSL 270.51, 0.46%, 0.75%

LAB 70.69, 22.16, -25.81

 

CMYK 26 / 22 / 0 / 13

HEX #A3ACDD

RGB 163 172 221

HSL 230.69, 0.46%, 0.75%

LAB 71.22, 7.6, -25.73

 

CMYK 24 / 24 / 0 / 93

HEX #0D0D11

RGB 13 13 17

HSL 240, 0.13%, 0.06%

LAB 3.74, 0.72, -1.97

 

CMYK 26 / 22 / 0 / 73

HEX #323544

RGB 50 53 68

HSL 230, 0.15%, 0.23%

LAB 22.45, 2.68, -9.73

 

CMYK 26 / 22 / 0 / 53

HEX #585D77

RGB 88 93 119

HSL 230.32, 0.15%, 0.41%

LAB 39.97, 4.36, -15.31

 

CMYK 26 / 22 / 0 / 33

HEX #7D84AA

RGB 125 132 170

HSL 230.67, 0.21%, 0.58%

LAB 55.85, 6.17, -20.96

 

CMYK 26 / 22 / 0 / 13

HEX #A3ACDD

RGB 163 172 221

HSL 230.69, 0.46%, 0.75%

LAB 71.22, 7.6, -25.73

 

CMYK 0 / 27 / 1 / 14

HEX #DCA1DA

RGB 220 161 218

HSL 302.03, 0.46%, 0.75%

LAB 73.39, 31.12, -20.33

 

CMYK 11 / 0 / 27 / 14

HEX #C3DCA1

RGB 195 220 161

HSL 85.42, 0.46%, 0.75%

LAB 84.67, -18.45, 26.31

 

CMYK 26 / 22 / 0 / 13

HEX #A3ACDD

RGB 163 172 221

HSL 230.69, 0.46%, 0.75%

LAB 71.22, 7.6, -25.73

 

CMYK 0 / 27 / 22 / 14

HEX #DCA1AB

RGB 220 161 171

HSL 349.83, 0.46%, 0.75%

LAB 71.99, 23.31, 3.47

 

CMYK 22 / 0 / 27 / 14

HEX #ABDCA1

RGB 171 220 161

HSL 109.83, 0.46%, 0.75%

LAB 83.13, -26.88, 23.97

 

CMYK 26 / 22 / 0 / 13

HEX #A3ACDD

RGB 163 172 221

HSL 230.69, 0.46%, 0.75%

LAB 71.22, 7.6, -25.73

 

CMYK 0 / 27 / 1 / 14

HEX #DCA1DA

RGB 220 161 218

HSL 302.03, 0.46%, 0.75%

LAB 73.39, 31.12, -20.33

 

CMYK 0 / 5 / 27 / 14

HEX #DCD2A1

RGB 220 210 161

HSL 49.83, 0.46%, 0.75%

LAB 83.9, -4.11, 25.58

 

CMYK 27 / 0 / 26 / 14

HEX #A1DCA3

RGB 161 220 163

HSL 122.03, 0.46%, 0.75%

LAB 82.6, -29.88, 22.1

 

CMYK 26 / 22 / 0 / 13

HEX #A3ACDD

RGB 163 172 221

HSL 230.69, 0.46%, 0.75%

LAB 71.22, 7.6, -25.73

 

CMYK 0 / 27 / 9 / 14

HEX #DCA1C9

RGB 220 161 201

HSL 319.32, 0.46%, 0.75%

LAB 72.84, 28.1, -11.83

 

CMYK 0 / 5 / 27 / 14

HEX #DCD2A1

RGB 220 210 161

HSL 49.83, 0.46%, 0.75%

LAB 83.9, -4.11, 25.58

 

CMYK 27 / 0 / 18 / 14

HEX #A1DCB5

RGB 161 220 181

HSL 140.34, 0.46%, 0.75%

LAB 82.97, -26.67, 13.17

 

Description

Color code: HEX #A3ACDD | qconv.com Color code: HEX #A3ACDD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 163 red, 172 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
163 172 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 22 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 22% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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