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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B421F it is the complementary color #74BDE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B421F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #8B421F shade: #90421A, #A1542D, #B26640, #C37853 and #D48A66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B421F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #8B421F shade: #8B421F, #7A300C, #691E00, #580C00 and #470000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #8B421F shade: #8A411E, #8A241E and #8A1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #8B421F shade: #8A411E, #8A5E1E, #8A7B1E, #7C8A1E and #5F8A1E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #8B421F shade matches the following richer shades: #8A411E, #983C11 and #A53803

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #8B421F shade: #8A411E, #7C462C, #6F4B3A, #615047 and #545455

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #8B421F shade: #8A1E36, #8A241E, #8A401E, #8A5D1E and #8A7A1E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #8B421F shade: #46210F, #683117, #8A411E, #AC5126 and #CE612D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #8B421F shade: #8B421F, #528A1E and #1E278A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #8B421F shade: #8B421F, #1E8A40 and #401E8A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #8B421F shade: #8B421F, #528A1E, #1E688A and #561E8A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #8B421F shade: #8B421F, #328A1E, #1E688A and #761E8A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 78 / 45

HEX #8B421F

RGB 139 66 31

HSL 19.44, 0.64%, 0.33%

LAB 36.9, 28.55, 34.74

 

Complementary color

CMYK 48 / 16 / 0 / 12

HEX #74BDE0

RGB 116 189 224

HSL 199.44, 0.64%, 0.67%

LAB 73.21, -13.46, -24.57

 

CMYK 0 / 54 / 82 / 44

HEX #90421A

RGB 144 66 26

HSL 20.34, 0.69%, 0.33%

LAB 37.66, 30.45, 38.3

 

CMYK 0 / 48 / 72 / 37

HEX #A1542D

RGB 161 84 45

HSL 20.17, 0.56%, 0.4%

LAB 44.39, 28.65, 36.33

 

CMYK 0 / 43 / 64 / 30

HEX #B26640

RGB 178 102 64

HSL 20, 0.47%, 0.47%

LAB 51.08, 27.05, 34.35

 

CMYK 0 / 38 / 57 / 24

HEX #C37853

RGB 195 120 83

HSL 19.82, 0.48%, 0.55%

LAB 57.71, 25.64, 32.51

 

CMYK 0 / 35 / 52 / 17

HEX #D48A66

RGB 212 138 102

HSL 19.64, 0.56%, 0.62%

LAB 64.27, 24.41, 30.85

 

CMYK 0 / 53 / 78 / 45

HEX #8B421F

RGB 139 66 31

HSL 19.44, 0.64%, 0.33%

LAB 36.9, 28.55, 34.74

 

CMYK 0 / 61 / 90 / 52

HEX #7A300C

RGB 122 48 12

HSL 19.64, 0.82%, 0.26%

LAB 30.1, 30.43, 36.55

 

CMYK 0 / 71 / 100 / 59

HEX #691E00

RGB 105 30 0

HSL 17.14, 1%, 0.21%

LAB 23.44, 32.22, 34.31

 

CMYK 0 / 86 / 100 / 65

HEX #580C00

RGB 88 12 0

HSL 8.18, 1%, 0.17%

LAB 17.17, 33.18, 26.28

 

CMYK 0 / 100 / 100 / 72

HEX #470000

RGB 71 0 0

HSL 0, 1%, 0.14%

LAB 11.55, 31.88, 18.17

 

CMYK 0 / 53 / 78 / 46

HEX #8A411E

RGB 138 65 30

HSL 19.44, 0.64%, 0.33%

LAB 36.51, 28.63, 34.82

 

CMYK 0 / 74 / 78 / 46

HEX #8A241E

RGB 138 36 30

HSL 3.33, 0.64%, 0.33%

LAB 31.25, 42.52, 29.28

 

CMYK 0 / 78 / 78 / 46

HEX #8A1E1E

RGB 138 30 30

HSL 0, 0.64%, 0.33%

LAB 30.46, 44.72, 28.42

 

CMYK 0 / 53 / 78 / 46

HEX #8A411E

RGB 138 65 30

HSL 19.44, 0.64%, 0.33%

LAB 36.51, 28.63, 34.82

 

CMYK 0 / 32 / 78 / 46

HEX #8A5E1E

RGB 138 94 30

HSL 35.56, 0.64%, 0.33%

LAB 43.51, 11.99, 41.81

 

CMYK 0 / 11 / 78 / 46

HEX #8A7B1E

RGB 138 123 30

HSL 51.67, 0.64%, 0.33%

LAB 51.45, -4.69, 49.34

 

CMYK 10 / 0 / 78 / 46

HEX #7C8A1E

RGB 124 138 30

HSL 67.78, 0.64%, 0.33%

LAB 54.61, -19.18, 51.82

 

CMYK 31 / 0 / 78 / 46

HEX #5F8A1E

RGB 95 138 30

HSL 83.89, 0.64%, 0.33%

LAB 52.62, -31.47, 49.25

 

CMYK 0 / 53 / 78 / 46

HEX #8A411E

RGB 138 65 30

HSL 19.44, 0.64%, 0.33%

LAB 36.51, 28.63, 34.82

 

CMYK 0 / 61 / 89 / 40

HEX #983C11

RGB 152 60 17

HSL 19.11, 0.8%, 0.33%

LAB 37.75, 36.51, 42.9

 

CMYK 0 / 66 / 98 / 35

HEX #A53803

RGB 165 56 3

HSL 19.63, 0.96%, 0.33%

LAB 39.3, 43.06, 49.82

 

CMYK 0 / 53 / 78 / 46

HEX #8A411E

RGB 138 65 30

HSL 19.44, 0.64%, 0.33%

LAB 36.51, 28.63, 34.82

 

CMYK 0 / 44 / 65 / 51

HEX #7C462C

RGB 124 70 44

HSL 19.5, 0.48%, 0.33%

LAB 35.69, 20.55, 25.45

 

CMYK 0 / 32 / 48 / 56

HEX #6F4B3A

RGB 111 75 58

HSL 19.25, 0.31%, 0.33%

LAB 35.43, 13.04, 16.27

 

CMYK 0 / 18 / 27 / 62

HEX #615047

RGB 97 80 71

HSL 20.77, 0.15%, 0.33%

LAB 35.47, 5.52, 7.95

 

CMYK 1 / 1 / 0 / 67

HEX #545455

RGB 84 84 85

HSL 240, 0.01%, 0.33%

LAB 35.75, 0.22, -0.59

 

CMYK 0 / 78 / 61 / 46

HEX #8A1E36

RGB 138 30 54

HSL 346.67, 0.64%, 0.33%

LAB 30.87, 46.05, 13.5

 

CMYK 0 / 74 / 78 / 46

HEX #8A241E

RGB 138 36 30

HSL 3.33, 0.64%, 0.33%

LAB 31.25, 42.52, 29.28

 

CMYK 0 / 54 / 78 / 46

HEX #8A401E

RGB 138 64 30

HSL 18.89, 0.64%, 0.33%

LAB 36.3, 29.18, 34.6

 

CMYK 0 / 33 / 78 / 46

HEX #8A5D1E

RGB 138 93 30

HSL 35, 0.64%, 0.33%

LAB 43.25, 12.57, 41.55

 

CMYK 0 / 12 / 78 / 46

HEX #8A7A1E

RGB 138 122 30

HSL 51.11, 0.64%, 0.33%

LAB 51.17, -4.13, 49.08

 

CMYK 0 / 53 / 79 / 73

HEX #46210F

RGB 70 33 15

HSL 19.64, 0.65%, 0.17%

LAB 17.57, 16, 19.52

 

CMYK 0 / 53 / 78 / 59

HEX #683117

RGB 104 49 23

HSL 19.26, 0.64%, 0.25%

LAB 27.3, 22.56, 27.28

 

CMYK 0 / 53 / 78 / 46

HEX #8A411E

RGB 138 65 30

HSL 19.44, 0.64%, 0.33%

LAB 36.51, 28.63, 34.82

 

CMYK 0 / 53 / 78 / 33

HEX #AC5126

RGB 172 81 38

HSL 19.25, 0.64%, 0.41%

LAB 45.35, 34.45, 41.47

 

CMYK 0 / 53 / 78 / 19

HEX #CE612D

RGB 206 97 45

HSL 19.38, 0.64%, 0.49%

LAB 53.88, 39.99, 48.34

 

CMYK 0 / 53 / 78 / 45

HEX #8B421F

RGB 139 66 31

HSL 19.44, 0.64%, 0.33%

LAB 36.9, 28.55, 34.74

 

CMYK 41 / 0 / 78 / 46

HEX #528A1E

RGB 82 138 30

HSL 91.11, 0.64%, 0.33%

LAB 51.91, -36.41, 48.32

 

CMYK 78 / 72 / 0 / 46

HEX #1E278A

RGB 30 39 138

HSL 235, 0.64%, 0.33%

LAB 22.17, 32.88, -55.71

 

CMYK 0 / 53 / 78 / 45

HEX #8B421F

RGB 139 66 31

HSL 19.44, 0.64%, 0.33%

LAB 36.9, 28.55, 34.74

 

CMYK 78 / 0 / 54 / 46

HEX #1E8A40

RGB 30 138 64

HSL 138.89, 0.64%, 0.33%

LAB 50.48, -46.26, 31.11

 

CMYK 54 / 78 / 0 / 46

HEX #401E8A

RGB 64 30 138

HSL 258.89, 0.64%, 0.33%

LAB 23.18, 42.34, -53.94

 

CMYK 0 / 53 / 78 / 45

HEX #8B421F

RGB 139 66 31

HSL 19.44, 0.64%, 0.33%

LAB 36.9, 28.55, 34.74

 

CMYK 41 / 0 / 78 / 46

HEX #528A1E

RGB 82 138 30

HSL 91.11, 0.64%, 0.33%

LAB 51.91, -36.41, 48.32

 

CMYK 78 / 25 / 0 / 46

HEX #1E688A

RGB 30 104 138

HSL 198.89, 0.64%, 0.33%

LAB 41.23, -10.08, -25.13

 

CMYK 38 / 78 / 0 / 46

HEX #561E8A

RGB 86 30 138

HSL 271.11, 0.64%, 0.33%

LAB 25.99, 45.98, -49.24

 

CMYK 0 / 53 / 78 / 45

HEX #8B421F

RGB 139 66 31

HSL 19.44, 0.64%, 0.33%

LAB 36.9, 28.55, 34.74

 

CMYK 64 / 0 / 78 / 46

HEX #328A1E

RGB 50 138 30

HSL 108.89, 0.64%, 0.33%

LAB 50.63, -46.23, 46.63

 

CMYK 78 / 25 / 0 / 46

HEX #1E688A

RGB 30 104 138

HSL 198.89, 0.64%, 0.33%

LAB 41.23, -10.08, -25.13

 

CMYK 14 / 78 / 0 / 46

HEX #761E8A

RGB 118 30 138

HSL 288.89, 0.64%, 0.33%

LAB 30.91, 52.21, -41.03

 

Description

Color code: HEX #8B421F | qconv.com Color code: HEX #8B421F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 66 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 66 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 78 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 78% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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