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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #C37853 it is the complementary color #3C87AC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #C37853. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #C37853 shade: #C8784E, #D98A61, #EA9C74, #FBAE87 and #FFC09A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #C37853. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #C37853 shade: #C37853, #B26640, #A1542D, #90421A and #7F3007

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #C37853 shade: #C37A55, #C35C55 and #C35555

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #C37853 shade: #C37A55, #C39755, #C3B555, #B4C355 and #96C355

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #C37853 shade matches the following richer shades: #C37A55, #D67343, #E86D30 and #FB671D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #C37853 shade: #C37A55, #B18068, #9E867A, #8C8C8D and #79939F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #C37853 shade: #C3556D, #C35B55, #C37855, #C39555 and #C3B355

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #C37853 shade: #935333, #B1643E, #C37A55, #CE9274 and #D9AA92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #C37853 shade: #C37853, #8AC355 and #555EC3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #C37853 shade: #C37853, #55C378 and #7855C3

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #C37853 shade: #C37853, #8AC355, #55A0C3 and #8E55C3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #C37853 shade: #C37853, #69C355, #55A0C3 and #AF55C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 57 / 24

HEX #C37853

RGB 195 120 83

HSL 19.82, 0.48%, 0.55%

LAB 57.71, 25.64, 32.51

 

Complementary color

CMYK 65 / 22 / 0 / 33

HEX #3C87AC

RGB 60 135 172

HSL 199.82, 0.48%, 0.45%

LAB 53.24, -11.46, -26.42

 

CMYK 0 / 40 / 61 / 22

HEX #C8784E

RGB 200 120 78

HSL 20.66, 0.53%, 0.55%

LAB 58.29, 27.32, 36.09

 

CMYK 0 / 36 / 55 / 15

HEX #D98A61

RGB 217 138 97

HSL 20.5, 0.61%, 0.62%

LAB 64.8, 26, 34.36

 

CMYK 0 / 33 / 50 / 8

HEX #EA9C74

RGB 234 156 116

HSL 20.34, 0.74%, 0.69%

LAB 71.24, 24.83, 32.78

 

CMYK 0 / 31 / 46 / 2

HEX #FBAE87

RGB 251 174 135

HSL 20.17, 0.94%, 0.76%

LAB 77.6, 23.79, 31.32

 

CMYK 0 / 25 / 40 / 0

HEX #FFC09A

RGB 255 192 154

HSL 22.57, 1%, 0.8%

LAB 82.54, 17.87, 27.94

 

CMYK 0 / 38 / 57 / 24

HEX #C37853

RGB 195 120 83

HSL 19.82, 0.48%, 0.55%

LAB 57.71, 25.64, 32.51

 

CMYK 0 / 43 / 64 / 30

HEX #B26640

RGB 178 102 64

HSL 20, 0.47%, 0.47%

LAB 51.08, 27.05, 34.35

 

CMYK 0 / 48 / 72 / 37

HEX #A1542D

RGB 161 84 45

HSL 20.17, 0.56%, 0.4%

LAB 44.39, 28.65, 36.33

 

CMYK 0 / 54 / 82 / 44

HEX #90421A

RGB 144 66 26

HSL 20.34, 0.69%, 0.33%

LAB 37.66, 30.45, 38.3

 

CMYK 0 / 62 / 94 / 50

HEX #7F3007

RGB 127 48 7

HSL 20.5, 0.9%, 0.26%

LAB 30.98, 32.36, 39.62

 

CMYK 0 / 37 / 56 / 24

HEX #C37A55

RGB 195 122 85

HSL 20.18, 0.48%, 0.55%

LAB 58.2, 24.71, 32.03

 

CMYK 0 / 53 / 56 / 24

HEX #C35C55

RGB 195 92 85

HSL 3.82, 0.48%, 0.55%

LAB 51.74, 40.61, 23.74

 

CMYK 0 / 56 / 56 / 24

HEX #C35555

RGB 195 85 85

HSL 0, 0.48%, 0.55%

LAB 50.4, 44.07, 21.99

 

CMYK 0 / 37 / 56 / 24

HEX #C37A55

RGB 195 122 85

HSL 20.18, 0.48%, 0.55%

LAB 58.2, 24.71, 32.03

 

CMYK 0 / 23 / 56 / 24

HEX #C39755

RGB 195 151 85

HSL 36, 0.48%, 0.55%

LAB 65.27, 8.79, 40.7

 

CMYK 0 / 7 / 56 / 24

HEX #C3B555

RGB 195 181 85

HSL 52.36, 0.48%, 0.55%

LAB 73.09, -7.25, 49.87

 

CMYK 8 / 0 / 56 / 24

HEX #B4C355

RGB 180 195 85

HSL 68.18, 0.48%, 0.55%

LAB 75.69, -20.61, 52.51

 

CMYK 23 / 0 / 56 / 24

HEX #96C355

RGB 150 195 85

HSL 84.55, 0.48%, 0.55%

LAB 73.66, -32.44, 49.64

 

CMYK 0 / 37 / 56 / 24

HEX #C37A55

RGB 195 122 85

HSL 20.18, 0.48%, 0.55%

LAB 58.2, 24.71, 32.03

 

CMYK 0 / 46 / 69 / 16

HEX #D67343

RGB 214 115 67

HSL 19.59, 0.64%, 0.55%

LAB 58.94, 34.94, 43.14

 

CMYK 0 / 53 / 79 / 9

HEX #E86D30

RGB 232 109 48

HSL 19.89, 0.8%, 0.55%

LAB 60.16, 44.14, 54.42

 

CMYK 0 / 59 / 88 / 2

HEX #FB671D

RGB 251 103 29

HSL 20, 0.97%, 0.55%

LAB 61.91, 53.46, 64.44

 

CMYK 0 / 37 / 56 / 24

HEX #C37A55

RGB 195 122 85

HSL 20.18, 0.48%, 0.55%

LAB 58.2, 24.71, 32.03

 

CMYK 0 / 28 / 41 / 31

HEX #B18068

RGB 177 128 104

HSL 19.73, 0.32%, 0.55%

LAB 57.83, 15.83, 20.5

 

CMYK 0 / 15 / 23 / 38

HEX #9E867A

RGB 158 134 122

HSL 20, 0.16%, 0.55%

LAB 57.77, 7.16, 9.84

 

CMYK 1 / 1 / 0 / 45

HEX #8C8C8D

RGB 140 140 141

HSL 240, 0%, 0.55%

LAB 58.28, 0.2, -0.54

 

CMYK 24 / 8 / 0 / 38

HEX #79939F

RGB 121 147 159

HSL 198.95, 0.17%, 0.55%

LAB 59.38, -6.35, -9.36

 

CMYK 0 / 56 / 44 / 24

HEX #C3556D

RGB 195 85 109

HSL 346.91, 0.48%, 0.55%

LAB 50.92, 46.25, 8.39

 

CMYK 0 / 53 / 56 / 24

HEX #C35B55

RGB 195 91 85

HSL 3.27, 0.48%, 0.55%

LAB 51.54, 41.11, 23.49

 

CMYK 0 / 38 / 56 / 24

HEX #C37855

RGB 195 120 85

HSL 19.09, 0.48%, 0.55%

LAB 57.74, 25.81, 31.45

 

CMYK 0 / 24 / 56 / 24

HEX #C39555

RGB 195 149 85

HSL 34.91, 0.48%, 0.55%

LAB 64.77, 9.89, 40.09

 

CMYK 0 / 8 / 56 / 24

HEX #C3B355

RGB 195 179 85

HSL 51.27, 0.48%, 0.55%

LAB 72.56, -6.2, 49.26

 

CMYK 0 / 44 / 65 / 42

HEX #935333

RGB 147 83 51

HSL 20, 0.48%, 0.39%

LAB 42.2, 23.62, 29.98

 

CMYK 0 / 44 / 65 / 31

HEX #B1643E

RGB 177 100 62

HSL 19.83, 0.48%, 0.47%

LAB 50.46, 27.6, 34.68

 

CMYK 0 / 37 / 56 / 24

HEX #C37A55

RGB 195 122 85

HSL 20.18, 0.48%, 0.55%

LAB 58.2, 24.71, 32.03

 

CMYK 0 / 29 / 44 / 19

HEX #CE9274

RGB 206 146 116

HSL 20, 0.48%, 0.63%

LAB 65.7, 19.01, 24.91

 

CMYK 0 / 22 / 33 / 15

HEX #D9AA92

RGB 217 170 146

HSL 20.28, 0.48%, 0.71%

LAB 73.27, 13.88, 18.96

 

CMYK 0 / 38 / 57 / 24

HEX #C37853

RGB 195 120 83

HSL 19.82, 0.48%, 0.55%

LAB 57.71, 25.64, 32.51

 

CMYK 29 / 0 / 56 / 24

HEX #8AC355

RGB 138 195 85

HSL 91.09, 0.48%, 0.55%

LAB 72.95, -36.9, 48.64

 

CMYK 56 / 52 / 0 / 24

HEX #555EC3

RGB 85 94 195

HSL 235.09, 0.48%, 0.55%

LAB 44.06, 26.12, -54.16

 

CMYK 0 / 38 / 57 / 24

HEX #C37853

RGB 195 120 83

HSL 19.82, 0.48%, 0.55%

LAB 57.71, 25.64, 32.51

 

CMYK 56 / 0 / 38 / 24

HEX #55C378

RGB 85 195 120

HSL 139.09, 0.48%, 0.55%

LAB 71.09, -48.12, 28.45

 

CMYK 38 / 56 / 0 / 24

HEX #7855C3

RGB 120 85 195

HSL 259.09, 0.48%, 0.55%

LAB 44.84, 39.27, -52.74

 

CMYK 0 / 38 / 57 / 24

HEX #C37853

RGB 195 120 83

HSL 19.82, 0.48%, 0.55%

LAB 57.71, 25.64, 32.51

 

CMYK 29 / 0 / 56 / 24

HEX #8AC355

RGB 138 195 85

HSL 91.09, 0.48%, 0.55%

LAB 72.95, -36.9, 48.64

 

CMYK 56 / 18 / 0 / 24

HEX #55A0C3

RGB 85 160 195

HSL 199.09, 0.48%, 0.55%

LAB 62.52, -13.17, -25.09

 

CMYK 27 / 56 / 0 / 24

HEX #8E55C3

RGB 142 85 195

HSL 271.09, 0.48%, 0.55%

LAB 47.22, 44.64, -48.8

 

CMYK 0 / 38 / 57 / 24

HEX #C37853

RGB 195 120 83

HSL 19.82, 0.48%, 0.55%

LAB 57.71, 25.64, 32.51

 

CMYK 46 / 0 / 56 / 24

HEX #69C355

RGB 105 195 85

HSL 109.09, 0.48%, 0.55%

LAB 71.34, -47.88, 46.36

 

CMYK 56 / 18 / 0 / 24

HEX #55A0C3

RGB 85 160 195

HSL 199.09, 0.48%, 0.55%

LAB 62.52, -13.17, -25.09

 

CMYK 10 / 56 / 0 / 24

HEX #AF55C3

RGB 175 85 195

HSL 289.09, 0.48%, 0.55%

LAB 51.33, 53.15, -42.02

 

Description

Color code: HEX #C37853 | qconv.com Color code: HEX #C37853 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 120 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 120 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 57 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 57% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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