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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #8B2509 it is the complementary color #74DAF6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #8B2509. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #8B2509: #902504, #A13717, #B2492A, #C35B3D and #D46D50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #8B2509. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #8B2509: #8B2509, #7A1300, #690100, #580000 and #470000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 94 / 45

HEX #8B2509

RGB 139 37 9

HSL 12.92, 0.88%, 0.29%

LAB 31.42, 41.88, 40.18

 

Complementary color

CMYK 53 / 11 / 0 / 4

HEX #74DAF6

RGB 116 218 246

HSL 192.92, 0.88%, 0.71%

LAB 82.11, -22.24, -22.81

 

CMYK 0 / 74 / 97 / 44

HEX #902504

RGB 144 37 4

HSL 14.14, 0.95%, 0.29%

LAB 32.39, 43.52, 43.35

 

CMYK 0 / 66 / 86 / 37

HEX #A13717

RGB 161 55 23

HSL 13.91, 0.75%, 0.36%

LAB 38.5, 42.41, 41.57

 

CMYK 0 / 59 / 76 / 30

HEX #B2492A

RGB 178 73 42

HSL 13.68, 0.62%, 0.43%

LAB 44.8, 40.98, 39.16

 

CMYK 0 / 53 / 69 / 24

HEX #C35B3D

RGB 195 91 61

HSL 13.43, 0.53%, 0.5%

LAB 51.18, 39.49, 36.72

 

CMYK 0 / 49 / 62 / 17

HEX #D46D50

RGB 212 109 80

HSL 13.18, 0.61%, 0.57%

LAB 57.57, 38.05, 34.5

 

CMYK 0 / 73 / 94 / 45

HEX #8B2509

RGB 139 37 9

HSL 12.92, 0.88%, 0.29%

LAB 31.42, 41.88, 40.18

 

CMYK 0 / 84 / 100 / 52

HEX #7A1300

RGB 122 19 0

HSL 9.34, 1%, 0.24%

LAB 25.57, 42.27, 37.61

 

CMYK 0 / 99 / 100 / 59

HEX #690100

RGB 105 1 0

HSL 0.57, 1%, 0.21%

LAB 20.14, 41.47, 30.78

 

CMYK 0 / 100 / 100 / 65

HEX #580000

RGB 88 0 0

HSL 0, 1%, 0.17%

LAB 15.87, 36.88, 24.68

 

CMYK 0 / 100 / 100 / 72

HEX #470000

RGB 71 0 0

HSL 0, 1%, 0.14%

LAB 11.55, 31.88, 18.17

 

CMYK 0 / 73 / 94 / 45

HEX #8B2509

RGB 139 37 9

HSL 12.92, 0.88%, 0.29%

LAB 31.42, 41.88, 40.18

 

CMYK 0 / 60 / 94 / 45

HEX #8B3808

RGB 139 56 8

HSL 21.98, 0.89%, 0.29%

LAB 34.67, 33.16, 42.85

 

CMYK 0 / 44 / 94 / 45

HEX #8B4E08

RGB 139 78 8

HSL 32.06, 0.89%, 0.29%

LAB 39.51, 21.09, 46.33

 

CMYK 0 / 29 / 94 / 45

HEX #8B6308

RGB 139 99 8

HSL 41.68, 0.89%, 0.29%

LAB 44.84, 8.86, 50.29

 

CMYK 0 / 13 / 94 / 45

HEX #8B7908

RGB 139 121 8

HSL 51.76, 0.89%, 0.29%

LAB 50.9, -3.75, 54.88

 

CMYK 0 / 73 / 94 / 45

HEX #8B2509

RGB 139 37 9

HSL 12.92, 0.88%, 0.29%

LAB 31.42, 41.88, 40.18

 

CMYK 0 / 73 / 94 / 25

HEX #BE330C

RGB 190 51 12

HSL 13.15, 0.88%, 0.4%

LAB 43.27, 53.75, 51.84

 

CMYK 0 / 73 / 93 / 5

HEX #F14010

RGB 241 64 16

HSL 12.8, 0.89%, 0.5%

LAB 54.45, 65.31, 62.43

 

CMYK 0 / 73 / 95 / 85

HEX #250A02

RGB 37 10 2

HSL 13.71, 0.9%, 0.08%

LAB 5.55, 12.19, 7.72

 

CMYK 0 / 74 / 93 / 65

HEX #581706

RGB 88 23 6

HSL 12.44, 0.87%, 0.18%

LAB 18.8, 29.03, 25.79

 

CMYK 0 / 73 / 94 / 45

HEX #8B2509

RGB 139 37 9

HSL 12.92, 0.88%, 0.29%

LAB 31.42, 41.88, 40.18

 

CMYK 38 / 0 / 94 / 45

HEX #568B08

RGB 86 139 8

HSL 84.27, 0.89%, 0.29%

LAB 52.35, -36.26, 54.33

 

CMYK 94 / 76 / 0 / 45

HEX #08228B

RGB 8 34 139

HSL 228.09, 0.89%, 0.29%

LAB 20.28, 35.02, -59.48

 

CMYK 0 / 73 / 94 / 45

HEX #8B2509

RGB 139 37 9

HSL 12.92, 0.88%, 0.29%

LAB 31.42, 41.88, 40.18

 

CMYK 94 / 0 / 76 / 45

HEX #088B22

RGB 8 139 34

HSL 131.91, 0.89%, 0.29%

LAB 50.25, -52.55, 44.56

 

CMYK 76 / 94 / 0 / 45

HEX #22088B

RGB 34 8 139

HSL 251.91, 0.89%, 0.29%

LAB 17.36, 48.52, -64.3

 

CMYK 0 / 73 / 94 / 45

HEX #8B2509

RGB 139 37 9

HSL 12.92, 0.88%, 0.29%

LAB 31.42, 41.88, 40.18

 

CMYK 38 / 0 / 94 / 45

HEX #568B08

RGB 86 139 8

HSL 84.27, 0.89%, 0.29%

LAB 52.35, -36.26, 54.33

 

CMYK 94 / 19 / 0 / 45

HEX #08708B

RGB 8 112 139

HSL 192.37, 0.89%, 0.29%

LAB 43.51, -16.19, -22.22

 

CMYK 57 / 94 / 0 / 45

HEX #3C088B

RGB 60 8 139

HSL 263.82, 0.89%, 0.29%

LAB 20.04, 50.29, -59.77

 

CMYK 0 / 73 / 94 / 45

HEX #8B2509

RGB 139 37 9

HSL 12.92, 0.88%, 0.29%

LAB 31.42, 41.88, 40.18

 

CMYK 66 / 0 / 94 / 45

HEX #2F8B08

RGB 47 139 8

HSL 102.14, 0.89%, 0.29%

LAB 50.79, -48.36, 52.4

 

CMYK 94 / 19 / 0 / 45

HEX #08708B

RGB 8 112 139

HSL 192.37, 0.89%, 0.29%

LAB 43.51, -16.19, -22.22

 

CMYK 29 / 94 / 0 / 45

HEX #63088B

RGB 99 8 139

HSL 281.68, 0.89%, 0.29%

LAB 25.83, 54.88, -50.03

 

Description

Color code: HEX #8B2509 | qconv.com Color code: HEX #8B2509 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 139 red, 37 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
139 37 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 94 yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 94% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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