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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #886356 it is the complementary color #779CA9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #886356. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #886356: #8D6351, #9E7564, #AF8777, #C0998A and #D1AB9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #886356. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #886356: #886356, #775143, #663F30, #552D1D and #441B0A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 37 / 47

HEX #886356

RGB 136 99 86

HSL 15.6, 0.23%, 0.44%

LAB 45.4, 13.11, 13.26

 

Complementary color

CMYK 30 / 8 / 0 / 34

HEX #779CA9

RGB 119 156 169

HSL 195.6, 0.23%, 0.56%

LAB 62.14, -9.51, -10.9

 

CMYK 0 / 30 / 43 / 45

HEX #8D6351

RGB 141 99 81

HSL 18, 0.27%, 0.44%

LAB 45.88, 14.61, 16.99

 

CMYK 0 / 26 / 37 / 38

HEX #9E7564

RGB 158 117 100

HSL 17.59, 0.23%, 0.51%

LAB 52.85, 13.72, 15.66

 

CMYK 0 / 23 / 32 / 31

HEX #AF8777

RGB 175 135 119

HSL 17.14, 0.26%, 0.58%

LAB 59.68, 12.97, 14.48

 

CMYK 0 / 20 / 28 / 25

HEX #C0998A

RGB 192 153 138

HSL 16.67, 0.3%, 0.65%

LAB 66.39, 12.32, 13.41

 

CMYK 0 / 18 / 25 / 18

HEX #D1AB9D

RGB 209 171 157

HSL 16.15, 0.36%, 0.72%

LAB 72.97, 11.75, 12.42

 

CMYK 0 / 27 / 37 / 47

HEX #886356

RGB 136 99 86

HSL 15.6, 0.23%, 0.44%

LAB 45.4, 13.11, 13.26

 

CMYK 0 / 32 / 44 / 53

HEX #775143

RGB 119 81 67

HSL 16.15, 0.28%, 0.36%

LAB 38.22, 14.04, 14.64

 

CMYK 0 / 38 / 53 / 60

HEX #663F30

RGB 102 63 48

HSL 16.67, 0.36%, 0.29%

LAB 30.86, 15.2, 16.26

 

CMYK 0 / 47 / 66 / 67

HEX #552D1D

RGB 85 45 29

HSL 17.14, 0.49%, 0.22%

LAB 23.33, 16.66, 18.25

 

CMYK 0 / 60 / 85 / 73

HEX #441B0A

RGB 68 27 10

HSL 17.59, 0.74%, 0.15%

LAB 15.67, 18.48, 19.42

 

CMYK 0 / 27 / 37 / 47

HEX #886356

RGB 136 99 86

HSL 15.6, 0.23%, 0.44%

LAB 45.4, 13.11, 13.26

 

CMYK 0 / 22 / 38 / 46

HEX #8A6B56

RGB 138 107 86

HSL 24.23, 0.23%, 0.44%

LAB 47.74, 9.27, 16.5

 

CMYK 0 / 16 / 38 / 46

HEX #8A7456

RGB 138 116 86

HSL 34.62, 0.23%, 0.44%

LAB 50.18, 4.04, 19.78

 

CMYK 0 / 9 / 38 / 46

HEX #8A7D56

RGB 138 125 86

HSL 45, 0.23%, 0.44%

LAB 52.67, -1.11, 23.09

 

CMYK 0 / 4 / 38 / 46

HEX #8A8556

RGB 138 133 86

HSL 54.23, 0.23%, 0.44%

LAB 54.92, -5.59, 26.03

 

CMYK 0 / 27 / 37 / 47

HEX #886356

RGB 136 99 86

HSL 15.6, 0.23%, 0.44%

LAB 45.4, 13.11, 13.26

 

CMYK 0 / 27 / 37 / 27

HEX #BB8876

RGB 187 136 118

HSL 15.65, 0.34%, 0.6%

LAB 61.2, 17.1, 17.35

 

CMYK 0 / 27 / 37 / 7

HEX #EEAD97

RGB 238 173 151

HSL 15.17, 0.72%, 0.76%

LAB 76.25, 21, 20.7

 

CMYK 0 / 26 / 35 / 87

HEX #221916

RGB 34 25 22

HSL 15, 0.21%, 0.11%

LAB 9.75, 3.89, 3.8

 

CMYK 0 / 27 / 36 / 67

HEX #553E36

RGB 85 62 54

HSL 15.48, 0.22%, 0.27%

LAB 28.49, 8.79, 8.84

 

CMYK 0 / 27 / 37 / 47

HEX #886356

RGB 136 99 86

HSL 15.6, 0.23%, 0.44%

LAB 45.4, 13.11, 13.26

 

CMYK 17 / 0 / 38 / 46

HEX #728A56

RGB 114 138 86

HSL 87.69, 0.23%, 0.44%

LAB 54.48, -18.21, 25.09

 

CMYK 38 / 32 / 0 / 46

HEX #565E8A

RGB 86 94 138

HSL 230.77, 0.23%, 0.44%

LAB 40.93, 8.41, -25.4

 

CMYK 0 / 27 / 37 / 47

HEX #886356

RGB 136 99 86

HSL 15.6, 0.23%, 0.44%

LAB 45.4, 13.11, 13.26

 

CMYK 38 / 0 / 28 / 46

HEX #568A63

RGB 86 138 99

HSL 135, 0.23%, 0.44%

LAB 53.01, -26.19, 15.53

 

CMYK 28 / 38 / 0 / 46

HEX #63568A

RGB 99 86 138

HSL 255, 0.23%, 0.44%

LAB 39.82, 17.41, -27.05

 

CMYK 0 / 27 / 37 / 47

HEX #886356

RGB 136 99 86

HSL 15.6, 0.23%, 0.44%

LAB 45.4, 13.11, 13.26

 

CMYK 17 / 0 / 38 / 46

HEX #728A56

RGB 114 138 86

HSL 87.69, 0.23%, 0.44%

LAB 54.48, -18.21, 25.09

 

CMYK 38 / 9 / 0 / 46

HEX #567D8A

RGB 86 125 138

HSL 195, 0.23%, 0.44%

LAB 50.07, -10.12, -11.39

 

CMYK 21 / 38 / 0 / 46

HEX #6D568A

RGB 109 86 138

HSL 266.54, 0.23%, 0.44%

LAB 40.8, 20.61, -25.44

 

CMYK 0 / 27 / 37 / 47

HEX #886356

RGB 136 99 86

HSL 15.6, 0.23%, 0.44%

LAB 45.4, 13.11, 13.26

 

CMYK 28 / 0 / 38 / 46

HEX #638A56

RGB 99 138 86

HSL 105, 0.23%, 0.44%

LAB 53.49, -23.96, 23.62

 

CMYK 38 / 9 / 0 / 46

HEX #567D8A

RGB 86 125 138

HSL 195, 0.23%, 0.44%

LAB 50.07, -10.12, -11.39

 

CMYK 9 / 38 / 0 / 46

HEX #7D568A

RGB 125 86 138

HSL 285, 0.23%, 0.44%

LAB 42.54, 25.89, -22.61

 

Description

Color code: HEX #886356 | qconv.com Color code: HEX #886356 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 136 red, 99 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
136 99 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 37 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 37% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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