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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #856AE5 it is the complementary color #7A951A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #856AE5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #856AE5: #8A6AE0, #9B7CF3, #AC8EFF, #BDA0FF and #CEB2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #856AE5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #856AE5: #856AE5, #7458D2, #6346BF, #5234AC and #412299

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 54 / 0 / 10

HEX #856AE5

RGB 133 106 229

HSL 253.17, 0.7%, 0.66%

LAB 52.9, 39.52, -59.13

 

Complementary color

CMYK 18 / 0 / 83 / 42

HEX #7A951A

RGB 122 149 26

HSL 73.17, 0.7%, 0.34%

LAB 57.76, -25.77, 55.84

 

CMYK 38 / 53 / 0 / 12

HEX #8A6AE0

RGB 138 106 224

HSL 256.27, 0.66%, 0.65%

LAB 53.05, 39.32, -56.04

 

CMYK 36 / 49 / 0 / 5

HEX #9B7CF3

RGB 155 124 243

HSL 255.63, 0.83%, 0.72%

LAB 59.76, 38.22, -55.84

 

CMYK 33 / 44 / 0 / 0

HEX #AC8EFF

RGB 172 142 255

HSL 255.93, 1%, 0.78%

LAB 66.01, 35.44, -52.41

 

CMYK 26 / 37 / 0 / 0

HEX #BDA0FF

RGB 189 160 255

HSL 258.32, 1%, 0.81%

LAB 71.68, 29.99, -43.38

 

CMYK 19 / 30 / 0 / 0

HEX #CEB2FF

RGB 206 178 255

HSL 261.82, 1%, 0.85%

LAB 77.39, 25, -34.39

 

CMYK 42 / 54 / 0 / 10

HEX #856AE5

RGB 133 106 229

HSL 253.17, 0.7%, 0.66%

LAB 52.9, 39.52, -59.13

 

CMYK 45 / 58 / 0 / 18

HEX #7458D2

RGB 116 88 210

HSL 253.77, 0.58%, 0.58%

LAB 46.1, 40.81, -59.37

 

CMYK 48 / 63 / 0 / 25

HEX #6346BF

RGB 99 70 191

HSL 254.38, 0.49%, 0.51%

LAB 39.23, 42.2, -59.58

 

CMYK 52 / 70 / 0 / 33

HEX #5234AC

RGB 82 52 172

HSL 255, 0.54%, 0.44%

LAB 32.32, 43.62, -59.67

 

CMYK 58 / 78 / 0 / 40

HEX #412299

RGB 65 34 153

HSL 255.63, 0.64%, 0.37%

LAB 25.47, 44.88, -59.47

 

CMYK 42 / 54 / 0 / 10

HEX #856AE5

RGB 133 106 229

HSL 253.17, 0.7%, 0.66%

LAB 52.9, 39.52, -59.13

 

CMYK 32 / 53 / 0 / 11

HEX #9A6BE4

RGB 154 107 228

HSL 263.31, 0.69%, 0.66%

LAB 55.06, 43.66, -54.99

 

CMYK 24 / 53 / 0 / 11

HEX #AE6BE4

RGB 174 107 228

HSL 273.22, 0.69%, 0.66%

LAB 57.19, 48.68, -51.47

 

CMYK 15 / 53 / 0 / 11

HEX #C26BE4

RGB 194 107 228

HSL 283.14, 0.69%, 0.66%

LAB 59.51, 53.86, -47.63

 

CMYK 6 / 53 / 0 / 11

HEX #D66BE4

RGB 214 107 228

HSL 293.06, 0.69%, 0.66%

LAB 62.01, 59.12, -43.53

 

CMYK 42 / 54 / 0 / 10

HEX #856AE5

RGB 133 106 229

HSL 253.17, 0.7%, 0.66%

LAB 52.9, 39.52, -59.13

 

CMYK 40 / 52 / 0 / 90

HEX #0F0C19

RGB 15 12 25

HSL 253.85, 0.35%, 0.07%

LAB 3.93, 3.72, -7.2

 

CMYK 42 / 54 / 0 / 70

HEX #2C234C

RGB 44 35 76

HSL 253.17, 0.37%, 0.22%

LAB 16.79, 15.68, -24.03

 

CMYK 42 / 54 / 0 / 50

HEX #4A3B7F

RGB 74 59 127

HSL 253.24, 0.37%, 0.36%

LAB 29.7, 24.1, -36.43

 

CMYK 42 / 54 / 0 / 30

HEX #6752B2

RGB 103 82 178

HSL 253.13, 0.38%, 0.51%

LAB 41.43, 32.22, -48.39

 

CMYK 42 / 54 / 0 / 10

HEX #856AE5

RGB 133 106 229

HSL 253.17, 0.7%, 0.66%

LAB 52.9, 39.52, -59.13

 

CMYK 0 / 53 / 22 / 11

HEX #E46BB2

RGB 228 107 178

HSL 324.79, 0.69%, 0.66%

LAB 61.85, 54.98, -15.38

 

CMYK 43 / 0 / 53 / 11

HEX #81E46B

RGB 129 228 107

HSL 109.09, 0.69%, 0.66%

LAB 82.49, -51.57, 49.6

 

CMYK 42 / 54 / 0 / 10

HEX #856AE5

RGB 133 106 229

HSL 253.17, 0.7%, 0.66%

LAB 52.9, 39.52, -59.13

 

CMYK 0 / 42 / 53 / 11

HEX #E4856B

RGB 228 133 107

HSL 12.89, 0.69%, 0.66%

LAB 65.22, 33.84, 29.73

 

CMYK 53 / 0 / 42 / 11

HEX #6BE485

RGB 107 228 133

HSL 132.89, 0.69%, 0.66%

LAB 82, -53.96, 36.24

 

CMYK 42 / 54 / 0 / 10

HEX #856AE5

RGB 133 106 229

HSL 253.17, 0.7%, 0.66%

LAB 52.9, 39.52, -59.13

 

CMYK 0 / 53 / 22 / 11

HEX #E46BB2

RGB 228 107 178

HSL 324.79, 0.69%, 0.66%

LAB 61.85, 54.98, -15.38

 

CMYK 11 / 0 / 53 / 11

HEX #CAE46B

RGB 202 228 107

HSL 72.89, 0.69%, 0.66%

LAB 86.56, -26.02, 55.4

 

CMYK 53 / 0 / 31 / 11

HEX #6BE49E

RGB 107 228 158

HSL 145.29, 0.69%, 0.66%

LAB 82.42, -49.61, 24.07

 

CMYK 42 / 54 / 0 / 10

HEX #856AE5

RGB 133 106 229

HSL 253.17, 0.7%, 0.66%

LAB 52.9, 39.52, -59.13

 

CMYK 0 / 53 / 38 / 11

HEX #E46B8E

RGB 228 107 142

HSL 342.64, 0.69%, 0.66%

LAB 60.75, 50.43, 3.7

 

CMYK 11 / 0 / 53 / 11

HEX #CAE46B

RGB 202 228 107

HSL 72.89, 0.69%, 0.66%

LAB 86.56, -26.02, 55.4

 

CMYK 53 / 0 / 15 / 11

HEX #6BE4C2

RGB 107 228 194

HSL 163.14, 0.69%, 0.66%

LAB 83.18, -42.06, 6.3

 

Description

Color code: HEX #856AE5 | qconv.com Color code: HEX #856AE5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 133 red, 106 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
133 106 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 54 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 54% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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