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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 19 / 30 / 0 / 0 it is the complementary color CMYK 37 / 0 / 100 / 70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 19 / 30 / 0 / 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 19 / 30 / 0 / 0: CMYK 15 / 28 / 0 / 2, CMYK 10 / 23 / 0 / 0, CMYK 4 / 16 / 0 / 0, CMYK 0 / 9 / 0 / 0 and CMYK 0 / 2 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 19 / 30 / 0 / 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 19 / 30 / 0 / 0: CMYK 19 / 30 / 0 / 0, CMYK 19 / 32 / 0 / 7, CMYK 20 / 34 / 0 / 15, CMYK 21 / 37 / 0 / 22 and CMYK 22 / 40 / 0 / 30

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 30 / 0 / 0

HEX #CFB3FF

RGB 207 179 255

HSL 262.11, 1%, 0.85%

LAB 77.71, 24.75, -33.88

 

Complementary color

CMYK 37 / 0 / 100 / 70

HEX #304C00

RGB 48 76 0

HSL 82.11, 1%, 0.15%

LAB 28.9, -22.49, 36.68

 

CMYK 15 / 28 / 0 / 2

HEX #D4B3FA

RGB 212 179 250

HSL 267.89, 0.88%, 0.84%

LAB 77.96, 25.18, -30.78

 

CMYK 10 / 23 / 0 / 0

HEX #E5C5FF

RGB 229 197 255

HSL 273.1, 1%, 0.89%

LAB 83.87, 21.78, -24.28

 

CMYK 4 / 16 / 0 / 0

HEX #F6D7FF

RGB 246 215 255

HSL 286.5, 1%, 0.92%

LAB 89.59, 17.67, -15.5

 

CMYK 0 / 9 / 0 / 0

HEX #FFE9FF

RGB 255 233 255

HSL 300, 1%, 0.96%

LAB 94.64, 11.24, -7.9

 

CMYK 0 / 2 / 0 / 0

HEX #FFFBFF

RGB 255 251 255

HSL 300, 1%, 0.99%

LAB 99.02, 2.03, -1.45

 

CMYK 19 / 30 / 0 / 0

HEX #CFB3FF

RGB 207 179 255

HSL 262.11, 1%, 0.85%

LAB 77.71, 24.75, -33.88

 

CMYK 19 / 32 / 0 / 7

HEX #BEA1EC

RGB 190 161 236

HSL 263.2, 0.66%, 0.78%

LAB 71.21, 25.34, -33.77

 

CMYK 20 / 34 / 0 / 15

HEX #AD8FD9

RGB 173 143 217

HSL 264.32, 0.49%, 0.71%

LAB 64.59, 25.99, -33.68

 

CMYK 21 / 37 / 0 / 22

HEX #9C7DC6

RGB 156 125 198

HSL 265.48, 0.39%, 0.63%

LAB 57.86, 26.69, -33.62

 

CMYK 22 / 40 / 0 / 30

HEX #8B6BB3

RGB 139 107 179

HSL 266.67, 0.32%, 0.56%

LAB 50.99, 27.47, -33.59

 

CMYK 19 / 30 / 0 / 0

HEX #CFB3FF

RGB 207 179 255

HSL 262.11, 1%, 0.85%

LAB 77.71, 24.75, -33.88

 

CMYK 14 / 30 / 0 / 0

HEX #DBB2FF

RGB 219 178 255

HSL 271.95, 1%, 0.85%

LAB 78.53, 28.91, -32.53

 

CMYK 9 / 30 / 0 / 0

HEX #E8B2FF

RGB 232 178 255

HSL 282.08, 1%, 0.85%

LAB 79.74, 32.88, -30.58

 

CMYK 4 / 30 / 0 / 0

HEX #F4B2FF

RGB 244 178 255

HSL 291.43, 1%, 0.85%

LAB 80.9, 36.59, -28.69

 

CMYK 0 / 30 / 1 / 0

HEX #FFB2FC

RGB 255 178 252

HSL 302.34, 1%, 0.85%

LAB 81.91, 39.47, -25.44

 

CMYK 19 / 30 / 0 / 0

HEX #CFB3FF

RGB 207 179 255

HSL 262.11, 1%, 0.85%

LAB 77.71, 24.75, -33.88

 

CMYK 20 / 29 / 0 / 80

HEX #292433

RGB 41 36 51

HSL 260, 0.17%, 0.17%

LAB 15.34, 6.16, -8.94

 

CMYK 19 / 29 / 0 / 60

HEX #534866

RGB 83 72 102

HSL 262, 0.17%, 0.34%

LAB 32.77, 11.45, -15.81

 

CMYK 19 / 30 / 0 / 40

HEX #7C6B99

RGB 124 107 153

HSL 262.17, 0.18%, 0.51%

LAB 48.39, 16.46, -22.54

 

CMYK 19 / 30 / 0 / 20

HEX #A68FCC

RGB 166 143 204

HSL 262.62, 0.37%, 0.68%

LAB 63.43, 20.86, -28.28

 

CMYK 19 / 30 / 0 / 0

HEX #CFB3FF

RGB 207 179 255

HSL 262.11, 1%, 0.85%

LAB 77.71, 24.75, -33.88

 

CMYK 0 / 30 / 17 / 0

HEX #FFB2D3

RGB 255 178 211

HSL 334.29, 1%, 0.85%

LAB 80.63, 32.69, -5.31

 

CMYK 29 / 0 / 30 / 0

HEX #B5FFB2

RGB 181 255 178

HSL 117.66, 1%, 0.85%

LAB 93.69, -37.2, 29.72

 

CMYK 19 / 30 / 0 / 0

HEX #CFB3FF

RGB 207 179 255

HSL 262.11, 1%, 0.85%

LAB 77.71, 24.75, -33.88

 

CMYK 0 / 19 / 30 / 0

HEX #FFCEB2

RGB 255 206 178

HSL 21.82, 1%, 0.85%

LAB 86.31, 13.4, 20.47

 

CMYK 30 / 0 / 19 / 0

HEX #B2FFCE

RGB 178 255 206

HSL 141.82, 1%, 0.85%

LAB 94.07, -33.35, 15.99

 

CMYK 19 / 30 / 0 / 0

HEX #CFB3FF

RGB 207 179 255

HSL 262.11, 1%, 0.85%

LAB 77.71, 24.75, -33.88

 

CMYK 0 / 30 / 17 / 0

HEX #FFB2D3

RGB 255 178 211

HSL 334.29, 1%, 0.85%

LAB 80.63, 32.69, -5.31

 

CMYK 11 / 0 / 30 / 0

HEX #E2FFB2

RGB 226 255 178

HSL 82.6, 1%, 0.85%

LAB 96.37, -21.99, 33.78

 

CMYK 30 / 0 / 13 / 0

HEX #B2FFDD

RGB 178 255 221

HSL 153.51, 1%, 0.85%

LAB 94.4, -30.5, 8.75

 

CMYK 19 / 30 / 0 / 0

HEX #CFB3FF

RGB 207 179 255

HSL 262.11, 1%, 0.85%

LAB 77.71, 24.75, -33.88

 

CMYK 0 / 30 / 26 / 0

HEX #FFB2BC

RGB 255 178 188

HSL 352.21, 1%, 0.85%

LAB 80.03, 29.38, 6.25

 

CMYK 11 / 0 / 30 / 0

HEX #E2FFB2

RGB 226 255 178

HSL 82.6, 1%, 0.85%

LAB 96.37, -21.99, 33.78

 

CMYK 30 / 0 / 4 / 0

HEX #B2FFF4

RGB 178 255 244

HSL 171.43, 1%, 0.85%

LAB 94.96, -25.77, -2.3

 

Description

Color code: CMYK 19 / 30 / 0 / 0 | qconv.com Color code: CMYK 19 / 30 / 0 / 0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 207 red, 179 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
207 179 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 30 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 30% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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