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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #815A92 it is the complementary color #7EA56D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #815A92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #815A92: #865A8D, #976CA0, #A87EB3, #B990C6 and #CAA2D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #815A92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #815A92: #815A92, #70487F, #5F366C, #4E2459 and #3D1246

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 38 / 0 / 43

HEX #815A92

RGB 129 90 146

HSL 281.79, 0.24%, 0.46%

LAB 44.31, 26.62, -24.64

 

Complementary color

CMYK 24 / 0 / 34 / 35

HEX #7EA56D

RGB 126 165 109

HSL 101.79, 0.24%, 0.54%

LAB 63.71, -24, 24.85

 

CMYK 5 / 36 / 0 / 45

HEX #865A8D

RGB 134 90 141

HSL 291.76, 0.22%, 0.45%

LAB 44.67, 27.21, -21.05

 

CMYK 6 / 33 / 0 / 37

HEX #976CA0

RGB 151 108 160

HSL 289.62, 0.21%, 0.53%

LAB 51.66, 26.45, -21.38

 

CMYK 6 / 30 / 0 / 30

HEX #A87EB3

RGB 168 126 179

HSL 287.55, 0.26%, 0.6%

LAB 58.51, 25.75, -21.7

 

CMYK 7 / 27 / 0 / 22

HEX #B990C6

RGB 185 144 198

HSL 285.56, 0.32%, 0.67%

LAB 65.23, 25.11, -22.02

 

CMYK 7 / 25 / 0 / 15

HEX #CAA2D9

RGB 202 162 217

HSL 283.64, 0.42%, 0.74%

LAB 71.83, 24.51, -22.32

 

CMYK 12 / 38 / 0 / 43

HEX #815A92

RGB 129 90 146

HSL 281.79, 0.24%, 0.46%

LAB 44.31, 26.62, -24.64

 

CMYK 12 / 43 / 0 / 50

HEX #70487F

RGB 112 72 127

HSL 283.64, 0.28%, 0.39%

LAB 37.14, 27.45, -24.41

 

CMYK 12 / 50 / 0 / 58

HEX #5F366C

RGB 95 54 108

HSL 285.56, 0.33%, 0.32%

LAB 29.8, 28.32, -24.14

 

CMYK 12 / 60 / 0 / 65

HEX #4E2459

RGB 78 36 89

HSL 287.55, 0.42%, 0.25%

LAB 22.31, 29.14, -23.73

 

CMYK 13 / 74 / 0 / 73

HEX #3D1246

RGB 61 18 70

HSL 289.62, 0.59%, 0.17%

LAB 14.77, 29.58, -22.98

 

CMYK 12 / 38 / 0 / 43

HEX #815A92

RGB 129 90 146

HSL 281.79, 0.24%, 0.46%

LAB 44.31, 26.62, -24.64

 

CMYK 6 / 39 / 0 / 43

HEX #895991

RGB 137 89 145

HSL 291.43, 0.24%, 0.46%

LAB 44.95, 29.63, -22.98

 

CMYK 0 / 39 / 1 / 43

HEX #915990

RGB 145 89 144

HSL 301.07, 0.24%, 0.46%

LAB 45.88, 32.08, -20.87

 

CMYK 0 / 39 / 7 / 43

HEX #915987

RGB 145 89 135

HSL 310.71, 0.24%, 0.46%

LAB 45.52, 30.36, -16.02

 

CMYK 0 / 39 / 14 / 43

HEX #91597D

RGB 145 89 125

HSL 321.43, 0.24%, 0.46%

LAB 45.14, 28.55, -10.55

 

CMYK 12 / 38 / 0 / 43

HEX #815A92

RGB 129 90 146

HSL 281.79, 0.24%, 0.46%

LAB 44.31, 26.62, -24.64

 

CMYK 12 / 39 / 0 / 23

HEX #AE79C5

RGB 174 121 197

HSL 281.84, 0.4%, 0.62%

LAB 58.7, 34.24, -31.61

 

CMYK 12 / 38 / 0 / 3

HEX #DB99F8

RGB 219 153 248

HSL 281.68, 0.87%, 0.79%

LAB 72.64, 40.92, -37.87

 

CMYK 11 / 39 / 0 / 83

HEX #271B2C

RGB 39 27 44

HSL 282.35, 0.24%, 0.14%

LAB 11.94, 9.91, -9.16

 

CMYK 12 / 38 / 0 / 63

HEX #543B5F

RGB 84 59 95

HSL 281.67, 0.23%, 0.3%

LAB 29, 18.42, -17.14

 

CMYK 12 / 38 / 0 / 43

HEX #815A92

RGB 129 90 146

HSL 281.79, 0.24%, 0.46%

LAB 44.31, 26.62, -24.64

 

CMYK 0 / 39 / 34 / 43

HEX #91595F

RGB 145 89 95

HSL 353.57, 0.24%, 0.46%

LAB 44.22, 23.87, 6.33

 

CMYK 39 / 0 / 28 / 43

HEX #599169

RGB 89 145 105

HSL 137.14, 0.24%, 0.46%

LAB 55.48, -27.51, 15.55

 

CMYK 12 / 38 / 0 / 43

HEX #815A92

RGB 129 90 146

HSL 281.79, 0.24%, 0.46%

LAB 44.31, 26.62, -24.64

 

CMYK 0 / 12 / 39 / 43

HEX #917F59

RGB 145 127 89

HSL 40.71, 0.24%, 0.46%

LAB 53.94, 1.13, 23.2

 

CMYK 39 / 0 / 12 / 43

HEX #59917F

RGB 89 145 127

HSL 160.71, 0.24%, 0.46%

LAB 55.99, -22.79, 3.75

 

CMYK 12 / 38 / 0 / 43

HEX #815A92

RGB 129 90 146

HSL 281.79, 0.24%, 0.46%

LAB 44.31, 26.62, -24.64

 

CMYK 0 / 39 / 34 / 43

HEX #91595F

RGB 145 89 95

HSL 353.57, 0.24%, 0.46%

LAB 44.22, 23.87, 6.33

 

CMYK 27 / 0 / 39 / 43

HEX #6A9159

RGB 106 145 89

HSL 101.79, 0.24%, 0.46%

LAB 56.12, -24.43, 25.5

 

CMYK 39 / 0 / 5 / 43

HEX #59918A

RGB 89 145 138

HSL 172.5, 0.24%, 0.46%

LAB 56.3, -20.13, -2.12

 

CMYK 12 / 38 / 0 / 43

HEX #815A92

RGB 129 90 146

HSL 281.79, 0.24%, 0.46%

LAB 44.31, 26.62, -24.64

 

CMYK 0 / 32 / 39 / 43

HEX #916359

RGB 145 99 89

HSL 10.71, 0.24%, 0.46%

LAB 46.53, 17.29, 13.19

 

CMYK 27 / 0 / 39 / 43

HEX #6A9159

RGB 106 145 89

HSL 101.79, 0.24%, 0.46%

LAB 56.12, -24.43, 25.5

 

CMYK 39 / 7 / 0 / 43

HEX #598791

RGB 89 135 145

HSL 190.71, 0.24%, 0.46%

LAB 53.49, -12.95, -10.33

 

Description

Color code: HEX #815A92 | qconv.com Color code: HEX #815A92 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 129 red, 90 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
129 90 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 38 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 38% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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