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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 12 / 38 / 0 / 63 it is the complementary color CMYK 13 / 0 / 18 / 23. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 12 / 38 / 0 / 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 12 / 38 / 0 / 63: CMYK 1 / 35 / 0 / 65, CMYK 3 / 30 / 0 / 58, CMYK 4 / 26 / 0 / 50, CMYK 5 / 23 / 0 / 43 and CMYK 5 / 21 / 0 / 35

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 12 / 38 / 0 / 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 12 / 38 / 0 / 63: CMYK 12 / 38 / 0 / 63, CMYK 12 / 47 / 0 / 71, CMYK 13 / 61 / 0 / 78, CMYK 14 / 89 / 0 / 85 and CMYK 17 / 100 / 0 / 93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 38 / 0 / 63

HEX #533A5E

RGB 83 58 94

HSL 281.67, 0.24%, 0.3%

LAB 28.57, 18.46, -17.17

 

Complementary color

CMYK 13 / 0 / 18 / 23

HEX #ACC5A1

RGB 172 197 161

HSL 101.67, 0.24%, 0.7%

LAB 76.85, -15.14, 15.27

 

CMYK 1 / 35 / 0 / 65

HEX #583A59

RGB 88 58 89

HSL 298.06, 0.21%, 0.29%

LAB 28.96, 19.14, -13.28

 

CMYK 3 / 30 / 0 / 58

HEX #694C6C

RGB 105 76 108

HSL 294.38, 0.17%, 0.36%

LAB 36.47, 18.36, -13.71

 

CMYK 4 / 26 / 0 / 50

HEX #7A5E7F

RGB 122 94 127

HSL 290.91, 0.15%, 0.43%

LAB 43.76, 17.66, -14.11

 

CMYK 5 / 23 / 0 / 43

HEX #8B7092

RGB 139 112 146

HSL 287.65, 0.13%, 0.51%

LAB 50.87, 17.05, -14.5

 

CMYK 5 / 21 / 0 / 35

HEX #9C82A5

RGB 156 130 165

HSL 284.57, 0.16%, 0.58%

LAB 57.8, 16.5, -14.88

 

CMYK 12 / 38 / 0 / 63

HEX #533A5E

RGB 83 58 94

HSL 281.67, 0.24%, 0.3%

LAB 28.57, 18.46, -17.17

 

CMYK 12 / 47 / 0 / 71

HEX #42284B

RGB 66 40 75

HSL 284.57, 0.3%, 0.23%

LAB 20.77, 19.35, -16.91

 

CMYK 13 / 61 / 0 / 78

HEX #311638

RGB 49 22 56

HSL 287.65, 0.44%, 0.15%

LAB 12.69, 20.29, -16.55

 

CMYK 14 / 89 / 0 / 85

HEX #200425

RGB 32 4 37

HSL 290.91, 0.8%, 0.08%

LAB 4.76, 19.06, -15.16

 

CMYK 17 / 100 / 0 / 93

HEX #0F0012

RGB 15 0 18

HSL 290, 1%, 0.04%

LAB 1.31, 6.89, -6.09

 

CMYK 12 / 38 / 0 / 63

HEX #533A5E

RGB 83 58 94

HSL 281.67, 0.24%, 0.3%

LAB 28.57, 18.46, -17.17

 

CMYK 5 / 38 / 0 / 63

HEX #593A5E

RGB 89 58 94

HSL 291.67, 0.24%, 0.3%

LAB 29.31, 20.62, -15.97

 

CMYK 0 / 38 / 0 / 63

HEX #5E3A5E

RGB 94 58 94

HSL 300, 0.24%, 0.3%

LAB 29.95, 22.44, -14.94

 

CMYK 0 / 38 / 6 / 63

HEX #5E3A58

RGB 94 58 88

HSL 310, 0.24%, 0.3%

LAB 29.69, 21.18, -11.45

 

CMYK 0 / 38 / 13 / 63

HEX #5E3A52

RGB 94 58 82

HSL 320, 0.24%, 0.3%

LAB 29.45, 19.99, -7.91

 

CMYK 12 / 38 / 0 / 63

HEX #533A5E

RGB 83 58 94

HSL 281.67, 0.24%, 0.3%

LAB 28.57, 18.46, -17.17

 

CMYK 12 / 39 / 0 / 43

HEX #805991

RGB 128 89 145

HSL 281.79, 0.24%, 0.46%

LAB 43.91, 26.66, -24.67

 

CMYK 12 / 38 / 0 / 23

HEX #AD79C4

RGB 173 121 196

HSL 281.6, 0.39%, 0.62%

LAB 58.55, 33.72, -31.28

 

CMYK 12 / 38 / 0 / 3

HEX #DA98F7

RGB 218 152 247

HSL 281.68, 0.86%, 0.78%

LAB 72.28, 40.96, -37.89

 

CMYK 12 / 37 / 0 / 83

HEX #261B2B

RGB 38 27 43

HSL 281.25, 0.23%, 0.14%

LAB 11.76, 9.22, -8.71

 

CMYK 12 / 38 / 0 / 63

HEX #533A5E

RGB 83 58 94

HSL 281.67, 0.24%, 0.3%

LAB 28.57, 18.46, -17.17

 

CMYK 0 / 38 / 34 / 63

HEX #5E3A3E

RGB 94 58 62

HSL 353.33, 0.24%, 0.3%

LAB 28.78, 16.54, 4.19

 

CMYK 38 / 0 / 28 / 63

HEX #3A5E44

RGB 58 94 68

HSL 136.67, 0.24%, 0.3%

LAB 36.6, -19.24, 10.91

 

CMYK 12 / 38 / 0 / 63

HEX #533A5E

RGB 83 58 94

HSL 281.67, 0.24%, 0.3%

LAB 28.57, 18.46, -17.17

 

CMYK 0 / 12 / 38 / 63

HEX #5E533A

RGB 94 83 58

HSL 41.67, 0.24%, 0.3%

LAB 35.74, 0.36, 16.32

 

CMYK 38 / 0 / 12 / 63

HEX #3A5E53

RGB 58 94 83

HSL 161.67, 0.24%, 0.3%

LAB 36.98, -15.76, 2.22

 

CMYK 12 / 38 / 0 / 63

HEX #533A5E

RGB 83 58 94

HSL 281.67, 0.24%, 0.3%

LAB 28.57, 18.46, -17.17

 

CMYK 0 / 38 / 34 / 63

HEX #5E3A3E

RGB 94 58 62

HSL 353.33, 0.24%, 0.3%

LAB 28.78, 16.54, 4.19

 

CMYK 27 / 0 / 38 / 63

HEX #455E3A

RGB 69 94 58

HSL 101.67, 0.24%, 0.3%

LAB 37.07, -16.99, 17.7

 

CMYK 38 / 0 / 4 / 63

HEX #3A5E5A

RGB 58 94 90

HSL 173.33, 0.24%, 0.3%

LAB 37.19, -13.94, -1.81

 

CMYK 12 / 38 / 0 / 63

HEX #533A5E

RGB 83 58 94

HSL 281.67, 0.24%, 0.3%

LAB 28.57, 18.46, -17.17

 

CMYK 0 / 32 / 38 / 63

HEX #5E403A

RGB 94 64 58

HSL 10, 0.24%, 0.3%

LAB 30.28, 12.19, 8.91

 

CMYK 27 / 0 / 38 / 63

HEX #455E3A

RGB 69 94 58

HSL 101.67, 0.24%, 0.3%

LAB 37.07, -16.99, 17.7

 

CMYK 38 / 6 / 0 / 63

HEX #3A585E

RGB 58 88 94

HSL 190, 0.24%, 0.3%

LAB 35.37, -9.35, -7

 

Description

Color code: CMYK 12 / 38 / 0 / 63 | qconv.com Color code: CMYK 12 / 38 / 0 / 63 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 83 red, 58 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
83 58 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, 38 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 38% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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