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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7F861E it is the complementary color #8079E1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7F861E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #7F861E: #848619, #95982C, #A6AA3F, #B7BC52 and #C8CE65

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7F861E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #7F861E: #7F861E, #6E740B, #5D6200, #4C5000 and #3B3E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 78 / 47

HEX #7F861E

RGB 127 134 30

HSL 64.04, 0.63%, 0.32%

LAB 53.66, -15.75, 51.03

 

Complementary color

CMYK 43 / 46 / 0 / 12

HEX #8079E1

RGB 128 121 225

HSL 244.04, 0.63%, 0.68%

LAB 55.79, 28.46, -52.28

 

CMYK 1 / 0 / 81 / 47

HEX #848619

RGB 132 134 25

HSL 61.1, 0.69%, 0.31%

LAB 54.05, -13.68, 53.15

 

CMYK 2 / 0 / 71 / 40

HEX #95982C

RGB 149 152 44

HSL 61.67, 0.55%, 0.38%

LAB 60.81, -14.69, 53.4

 

CMYK 2 / 0 / 63 / 33

HEX #A6AA3F

RGB 166 170 63

HSL 62.24, 0.46%, 0.46%

LAB 67.44, -15.48, 52.87

 

CMYK 3 / 0 / 56 / 26

HEX #B7BC52

RGB 183 188 82

HSL 62.83, 0.44%, 0.53%

LAB 73.96, -16.11, 51.98

 

CMYK 3 / 0 / 51 / 19

HEX #C8CE65

RGB 200 206 101

HSL 63.43, 0.52%, 0.6%

LAB 80.38, -16.61, 50.92

 

CMYK 5 / 0 / 78 / 47

HEX #7F861E

RGB 127 134 30

HSL 64.04, 0.63%, 0.32%

LAB 53.66, -15.75, 51.03

 

CMYK 5 / 0 / 91 / 55

HEX #6E740B

RGB 110 116 11

HSL 63.43, 0.83%, 0.25%

LAB 46.75, -14.62, 49.86

 

CMYK 5 / 0 / 100 / 62

HEX #5D6200

RGB 93 98 0

HSL 63.06, 1%, 0.19%

LAB 39.69, -13.13, 46.35

 

CMYK 5 / 0 / 100 / 69

HEX #4C5000

RGB 76 80 0

HSL 63, 1%, 0.16%

LAB 32.42, -11.31, 40.31

 

CMYK 5 / 0 / 100 / 76

HEX #3B3E00

RGB 59 62 0

HSL 62.9, 1%, 0.12%

LAB 24.87, -9.42, 33.47

 

CMYK 5 / 0 / 78 / 47

HEX #7F861E

RGB 127 134 30

HSL 64.04, 0.63%, 0.32%

LAB 53.66, -15.75, 51.03

 

CMYK 18 / 0 / 77 / 48

HEX #6D851E

RGB 109 133 30

HSL 73.98, 0.63%, 0.32%

LAB 51.97, -23.21, 48.95

 

CMYK 32 / 0 / 77 / 48

HEX #5B851E

RGB 91 133 30

HSL 84.47, 0.63%, 0.32%

LAB 50.8, -30.72, 47.42

 

CMYK 44 / 0 / 77 / 48

HEX #4A851E

RGB 74 133 30

HSL 94.37, 0.63%, 0.32%

LAB 49.89, -37.09, 46.23

 

CMYK 57 / 0 / 77 / 48

HEX #39851E

RGB 57 133 30

HSL 104.27, 0.63%, 0.32%

LAB 49.18, -42.49, 45.29

 

CMYK 5 / 0 / 78 / 47

HEX #7F861E

RGB 127 134 30

HSL 64.04, 0.63%, 0.32%

LAB 53.66, -15.75, 51.03

 

CMYK 5 / 0 / 78 / 27

HEX #AFB929

RGB 175 185 41

HSL 64.17, 0.64%, 0.44%

LAB 72.21, -20.38, 65.88

 

CMYK 5 / 0 / 78 / 7

HEX #E0EC35

RGB 224 236 53

HSL 63.93, 0.83%, 0.57%

LAB 89.9, -24.3, 79.71

 

CMYK 6 / 0 / 78 / 87

HEX #1E2007

RGB 30 32 7

HSL 64.8, 0.64%, 0.08%

LAB 11.44, -5.53, 14.02

 

CMYK 5 / 0 / 77 / 67

HEX #4F5313

RGB 79 83 19

HSL 63.75, 0.63%, 0.2%

LAB 33.76, -10.72, 34.84

 

CMYK 5 / 0 / 78 / 47

HEX #7F861E

RGB 127 134 30

HSL 64.04, 0.63%, 0.32%

LAB 53.66, -15.75, 51.03

 

CMYK 77 / 0 / 57 / 48

HEX #1E8539

RGB 30 133 57

HSL 135.73, 0.63%, 0.32%

LAB 48.69, -45.5, 32.54

 

CMYK 26 / 77 / 0 / 48

HEX #621E85

RGB 98 30 133

HSL 279.61, 0.63%, 0.32%

LAB 27.35, 47.09, -43.82

 

CMYK 5 / 0 / 78 / 47

HEX #7F861E

RGB 127 134 30

HSL 64.04, 0.63%, 0.32%

LAB 53.66, -15.75, 51.03

 

CMYK 77 / 5 / 0 / 48

HEX #1E7E85

RGB 30 126 133

HSL 184.08, 0.63%, 0.32%

LAB 48.12, -23.97, -11.59

 

CMYK 0 / 77 / 5 / 48

HEX #851E7E

RGB 133 30 126

HSL 304.08, 0.63%, 0.32%

LAB 32.75, 53.33, -30.47

 

CMYK 5 / 0 / 78 / 47

HEX #7F861E

RGB 127 134 30

HSL 64.04, 0.63%, 0.32%

LAB 53.66, -15.75, 51.03

 

CMYK 77 / 0 / 57 / 48

HEX #1E8539

RGB 30 133 57

HSL 135.73, 0.63%, 0.32%

LAB 48.69, -45.5, 32.54

 

CMYK 72 / 77 / 0 / 48

HEX #251E85

RGB 37 30 133

HSL 244.08, 0.63%, 0.32%

LAB 20.11, 37.31, -55.96

 

CMYK 0 / 77 / 21 / 48

HEX #851E69

RGB 133 30 105

HSL 316.31, 0.63%, 0.32%

LAB 31.66, 50.11, -18.86

 

CMYK 5 / 0 / 78 / 47

HEX #7F861E

RGB 127 134 30

HSL 64.04, 0.63%, 0.32%

LAB 53.66, -15.75, 51.03

 

CMYK 77 / 0 / 34 / 48

HEX #1E8558

RGB 30 133 88

HSL 153.79, 0.63%, 0.32%

LAB 49.2, -39.72, 16.27

 

CMYK 72 / 77 / 0 / 48

HEX #251E85

RGB 37 30 133

HSL 244.08, 0.63%, 0.32%

LAB 20.11, 37.31, -55.96

 

CMYK 0 / 77 / 44 / 48

HEX #851E4A

RGB 133 30 74

HSL 334.37, 0.63%, 0.32%

LAB 30.42, 46.29, -0.52

 

Description

Color code: HEX #7F861E | qconv.com Color code: HEX #7F861E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 127 red, 134 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
127 134 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 78 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 78% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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