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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 5 / 0 / 78 / 47 it is the complementary color CMYK 44 / 47 / 0 / 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 5 / 0 / 78 / 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 5 / 0 / 78 / 47: CMYK 1 / 0 / 81 / 47, CMYK 2 / 0 / 71 / 40, CMYK 2 / 0 / 63 / 33, CMYK 3 / 0 / 57 / 26 and CMYK 3 / 0 / 51 / 19

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 5 / 0 / 78 / 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 5 / 0 / 78 / 47: CMYK 5 / 0 / 78 / 47, CMYK 5 / 0 / 91 / 54, CMYK 5 / 0 / 100 / 61, CMYK 5 / 0 / 100 / 68 and CMYK 5 / 0 / 100 / 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 5 / 0 / 78 / 47

HEX #80871E

RGB 128 135 30

HSL 64, 0.64%, 0.32%

LAB 54.04, -15.82, 51.41

 

Complementary color

CMYK 44 / 47 / 0 / 12

HEX #7F78E1

RGB 127 120 225

HSL 244, 0.64%, 0.68%

LAB 55.46, 28.81, -52.8

 

CMYK 1 / 0 / 81 / 47

HEX #858719

RGB 133 135 25

HSL 61.09, 0.69%, 0.31%

LAB 54.43, -13.76, 53.51

 

CMYK 2 / 0 / 71 / 40

HEX #96992C

RGB 150 153 44

HSL 61.65, 0.55%, 0.39%

LAB 61.18, -14.77, 53.79

 

CMYK 2 / 0 / 63 / 33

HEX #A7AB3F

RGB 167 171 63

HSL 62.22, 0.46%, 0.46%

LAB 67.8, -15.57, 53.28

 

CMYK 3 / 0 / 57 / 26

HEX #B8BD52

RGB 184 189 82

HSL 62.8, 0.45%, 0.53%

LAB 74.31, -16.2, 52.4

 

CMYK 3 / 0 / 51 / 19

HEX #C9CF65

RGB 201 207 101

HSL 63.4, 0.52%, 0.6%

LAB 80.73, -16.7, 51.34

 

CMYK 5 / 0 / 78 / 47

HEX #80871E

RGB 128 135 30

HSL 64, 0.64%, 0.32%

LAB 54.04, -15.82, 51.41

 

CMYK 5 / 0 / 91 / 54

HEX #6F750B

RGB 111 117 11

HSL 63.4, 0.83%, 0.25%

LAB 47.14, -14.69, 50.22

 

CMYK 5 / 0 / 100 / 61

HEX #5E6300

RGB 94 99 0

HSL 63.03, 1%, 0.19%

LAB 40.09, -13.2, 46.68

 

CMYK 5 / 0 / 100 / 68

HEX #4D5100

RGB 77 81 0

HSL 62.96, 1%, 0.16%

LAB 32.84, -11.39, 40.65

 

CMYK 5 / 0 / 100 / 75

HEX #3C3F00

RGB 60 63 0

HSL 62.86, 1%, 0.12%

LAB 25.31, -9.5, 33.91

 

CMYK 5 / 0 / 78 / 47

HEX #80871E

RGB 128 135 30

HSL 64, 0.64%, 0.32%

LAB 54.04, -15.82, 51.41

 

CMYK 18 / 0 / 78 / 48

HEX #6D851D

RGB 109 133 29

HSL 73.85, 0.64%, 0.32%

LAB 51.97, -23.27, 49.29

 

CMYK 31 / 0 / 78 / 48

HEX #5C851D

RGB 92 133 29

HSL 83.65, 0.64%, 0.32%

LAB 50.85, -30.38, 47.84

 

CMYK 44 / 0 / 78 / 48

HEX #4A851D

RGB 74 133 29

HSL 94.04, 0.64%, 0.32%

LAB 49.88, -37.15, 46.58

 

CMYK 57 / 0 / 78 / 48

HEX #39851D

RGB 57 133 29

HSL 103.85, 0.64%, 0.32%

LAB 49.17, -42.56, 45.64

 

CMYK 5 / 0 / 78 / 47

HEX #80871E

RGB 128 135 30

HSL 64, 0.64%, 0.32%

LAB 54.04, -15.82, 51.41

 

CMYK 5 / 0 / 78 / 27

HEX #B0BA29

RGB 176 186 41

HSL 64.14, 0.64%, 0.45%

LAB 72.57, -20.45, 66.24

 

CMYK 5 / 0 / 78 / 7

HEX #E1ED35

RGB 225 237 53

HSL 63.91, 0.84%, 0.57%

LAB 90.24, -24.37, 80.04

 

CMYK 6 / 0 / 79 / 87

HEX #1F2107

RGB 31 33 7

HSL 64.62, 0.65%, 0.08%

LAB 11.92, -5.65, 14.69

 

CMYK 5 / 0 / 77 / 67

HEX #505413

RGB 80 84 19

HSL 63.69, 0.63%, 0.2%

LAB 34.18, -10.8, 35.27

 

CMYK 5 / 0 / 78 / 47

HEX #80871E

RGB 128 135 30

HSL 64, 0.64%, 0.32%

LAB 54.04, -15.82, 51.41

 

CMYK 78 / 0 / 57 / 48

HEX #1D8539

RGB 29 133 57

HSL 136.15, 0.64%, 0.32%

LAB 48.68, -45.66, 32.52

 

CMYK 26 / 78 / 0 / 48

HEX #631D85

RGB 99 29 133

HSL 280.38, 0.64%, 0.32%

LAB 27.37, 47.68, -43.79

 

CMYK 5 / 0 / 78 / 47

HEX #80871E

RGB 128 135 30

HSL 64, 0.64%, 0.32%

LAB 54.04, -15.82, 51.41

 

CMYK 78 / 5 / 0 / 48

HEX #1D7E85

RGB 29 126 133

HSL 184.04, 0.64%, 0.32%

LAB 48.1, -24.08, -11.62

 

CMYK 0 / 78 / 5 / 48

HEX #851D7E

RGB 133 29 126

HSL 304.04, 0.64%, 0.32%

LAB 32.64, 53.64, -30.64

 

CMYK 5 / 0 / 78 / 47

HEX #80871E

RGB 128 135 30

HSL 64, 0.64%, 0.32%

LAB 54.04, -15.82, 51.41

 

CMYK 78 / 0 / 57 / 48

HEX #1D8539

RGB 29 133 57

HSL 136.15, 0.64%, 0.32%

LAB 48.68, -45.66, 32.52

 

CMYK 73 / 78 / 0 / 48

HEX #241D85

RGB 36 29 133

HSL 244.04, 0.64%, 0.32%

LAB 19.83, 37.78, -56.42

 

CMYK 0 / 78 / 21 / 48

HEX #851D69

RGB 133 29 105

HSL 316.15, 0.64%, 0.32%

LAB 31.54, 50.43, -19.04

 

CMYK 5 / 0 / 78 / 47

HEX #80871E

RGB 128 135 30

HSL 64, 0.64%, 0.32%

LAB 54.04, -15.82, 51.41

 

CMYK 78 / 0 / 34 / 48

HEX #1D8558

RGB 29 133 88

HSL 154.04, 0.64%, 0.32%

LAB 49.18, -39.86, 16.24

 

CMYK 73 / 78 / 0 / 48

HEX #241D85

RGB 36 29 133

HSL 244.04, 0.64%, 0.32%

LAB 19.83, 37.78, -56.42

 

CMYK 0 / 78 / 44 / 48

HEX #851D4A

RGB 133 29 74

HSL 334.04, 0.64%, 0.32%

LAB 30.3, 46.63, -0.7

 

Description

Color code: CMYK 5 / 0 / 78 / 47 | qconv.com Color code: CMYK 5 / 0 / 78 / 47 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 135 green and 30 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 135 30 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 5 cyan, none magenta, 78 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
5% 0% 78% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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