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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7EB00D it is the complementary color #814FF2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7EB00D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7EB00D shade: #83B008, #94C21B, #A5D42E, #B6E641 and #C7F854

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7EB00D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7EB00D shade: #7EB00D, #6D9E00, #5C8C00, #4B7A00 and #3A6800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7EB00D shade: #7EAF0D, #A9AF0D, #AF8A0D, #AF5E0D and #AF320D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7EB00D shade: #7EAF0D, #52AF0D, #26AF0D, #0DAF20 and #0DAF4C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7EB00D shade matches the following richer shades: #7EAF0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7EB00D shade: #7EAF0D, #78A01C, #72912C, #6C823B and #66724A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7EB00D shade: #AF8A0D, #AAAF0D, #7FAF0D, #54AF0D and #28AF0D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7EB00D shade: #476307, #62890A, #7EAF0D, #99D610 and #AFEE21

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7EB00D shade: #7EB00D, #0DAF5E and #9F0DAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7EB00D shade: #7EB00D, #0D7FAF and #AF0D7F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7EB00D shade: #7EB00D, #0DAF5E, #3E0DAF and #AF0D5E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7EB00D shade: #7EB00D, #0DAF8F, #3E0DAF and #AF0D2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 93 / 31

HEX #7EB00D

RGB 126 176 13

HSL 78.4, 0.86%, 0.37%

LAB 66.15, -37.17, 65.7

 

Complementary color

CMYK 47 / 67 / 0 / 5

HEX #814FF2

RGB 129 79 242

HSL 258.4, 0.86%, 0.63%

LAB 47.84, 57.02, -74.63

 

CMYK 26 / 0 / 95 / 31

HEX #83B008

RGB 131 176 8

HSL 76.07, 0.91%, 0.36%

LAB 66.44, -35.28, 66.69

 

CMYK 24 / 0 / 86 / 24

HEX #94C21B

RGB 148 194 27

HSL 76.53, 0.76%, 0.43%

LAB 72.86, -36.28, 69.29

 

CMYK 22 / 0 / 78 / 17

HEX #A5D42E

RGB 165 212 46

HSL 76.99, 0.66%, 0.51%

LAB 79.2, -37.07, 70.52

 

CMYK 21 / 0 / 72 / 10

HEX #B6E641

RGB 182 230 65

HSL 77.45, 0.77%, 0.58%

LAB 85.46, -37.68, 70.83

 

CMYK 20 / 0 / 66 / 3

HEX #C7F854

RGB 199 248 84

HSL 77.93, 0.92%, 0.65%

LAB 91.65, -38.15, 70.57

 

CMYK 28 / 0 / 93 / 31

HEX #7EB00D

RGB 126 176 13

HSL 78.4, 0.86%, 0.37%

LAB 66.15, -37.17, 65.7

 

CMYK 31 / 0 / 100 / 38

HEX #6D9E00

RGB 109 158 0

HSL 78.61, 1%, 0.31%

LAB 59.62, -36.01, 61.9

 

CMYK 34 / 0 / 100 / 45

HEX #5C8C00

RGB 92 140 0

HSL 80.57, 1%, 0.27%

LAB 52.98, -34.6, 56.38

 

CMYK 39 / 0 / 100 / 52

HEX #4B7A00

RGB 75 122 0

HSL 83.11, 1%, 0.24%

LAB 46.2, -33.15, 50.73

 

CMYK 44 / 0 / 100 / 59

HEX #3A6800

RGB 58 104 0

HSL 86.54, 1%, 0.2%

LAB 39.24, -31.61, 44.95

 

CMYK 28 / 0 / 93 / 31

HEX #7EAF0D

RGB 126 175 13

HSL 78.15, 0.86%, 0.37%

LAB 65.85, -36.72, 65.45

 

CMYK 3 / 0 / 93 / 31

HEX #A9AF0D

RGB 169 175 13

HSL 62.22, 0.86%, 0.37%

LAB 68.84, -18.71, 69.09

 

CMYK 0 / 21 / 93 / 31

HEX #AF8A0D

RGB 175 138 13

HSL 46.3, 0.86%, 0.37%

LAB 59.27, 3.6, 61.99

 

CMYK 0 / 46 / 93 / 31

HEX #AF5E0D

RGB 175 94 13

HSL 30, 0.86%, 0.37%

LAB 48.45, 28.06, 53.94

 

CMYK 0 / 71 / 93 / 31

HEX #AF320D

RGB 175 50 13

HSL 13.7, 0.86%, 0.37%

LAB 40.29, 49.19, 48.16

 

CMYK 28 / 0 / 93 / 31

HEX #7EAF0D

RGB 126 175 13

HSL 78.15, 0.86%, 0.37%

LAB 65.85, -36.72, 65.45

 

CMYK 53 / 0 / 93 / 31

HEX #52AF0D

RGB 82 175 13

HSL 94.44, 0.86%, 0.37%

LAB 63.74, -51.96, 62.86

 

CMYK 78 / 0 / 93 / 31

HEX #26AF0D

RGB 38 175 13

HSL 110.74, 0.86%, 0.37%

LAB 62.59, -61.53, 61.44

 

CMYK 93 / 0 / 82 / 31

HEX #0DAF20

RGB 13 175 32

HSL 127.04, 0.86%, 0.37%

LAB 62.38, -63.18, 57.01

 

CMYK 93 / 0 / 57 / 31

HEX #0DAF4C

RGB 13 175 76

HSL 143.33, 0.86%, 0.37%

LAB 62.73, -58.76, 39.89

 

CMYK 28 / 0 / 93 / 31

HEX #7EAF0D

RGB 126 175 13

HSL 78.15, 0.86%, 0.37%

LAB 65.85, -36.72, 65.45

 

CMYK 28 / 0 / 93 / 31

HEX #7EAF0D

RGB 126 175 13

HSL 78.15, 0.86%, 0.37%

LAB 65.85, -36.72, 65.45

 

CMYK 25 / 0 / 83 / 37

HEX #78A01C

RGB 120 160 28

HSL 78.18, 0.7%, 0.37%

LAB 60.97, -31.8, 58.09

 

CMYK 21 / 0 / 70 / 43

HEX #72912C

RGB 114 145 44

HSL 78.42, 0.53%, 0.37%

LAB 56.1, -26.21, 47.8

 

CMYK 17 / 0 / 55 / 49

HEX #6C823B

RGB 108 130 59

HSL 78.59, 0.38%, 0.37%

LAB 51.23, -19.85, 35.39

 

CMYK 11 / 0 / 35 / 55

HEX #66724A

RGB 102 114 74

HSL 78, 0.21%, 0.37%

LAB 46.12, -11.9, 20.72

 

CMYK 0 / 21 / 93 / 31

HEX #AF8A0D

RGB 175 138 13

HSL 46.3, 0.86%, 0.37%

LAB 59.27, 3.6, 61.99

 

CMYK 3 / 0 / 93 / 31

HEX #AAAF0D

RGB 170 175 13

HSL 61.85, 0.86%, 0.37%

LAB 68.92, -18.28, 69.19

 

CMYK 27 / 0 / 93 / 31

HEX #7FAF0D

RGB 127 175 13

HSL 77.78, 0.86%, 0.37%

LAB 65.9, -36.33, 65.52

 

CMYK 52 / 0 / 93 / 31

HEX #54AF0D

RGB 84 175 13

HSL 93.7, 0.86%, 0.37%

LAB 63.81, -51.37, 62.95

 

CMYK 77 / 0 / 93 / 31

HEX #28AF0D

RGB 40 175 13

HSL 110, 0.86%, 0.37%

LAB 62.63, -61.24, 61.48

 

CMYK 28 / 0 / 93 / 61

HEX #476307

RGB 71 99 7

HSL 78.26, 0.87%, 0.21%

LAB 38.34, -23.65, 42.64

 

CMYK 28 / 0 / 93 / 46

HEX #62890A

RGB 98 137 10

HSL 78.43, 0.86%, 0.29%

LAB 52.41, -30.57, 54.32

 

CMYK 28 / 0 / 93 / 31

HEX #7EAF0D

RGB 126 175 13

HSL 78.15, 0.86%, 0.37%

LAB 65.85, -36.72, 65.45

 

CMYK 29 / 0 / 93 / 16

HEX #99D610

RGB 153 214 16

HSL 78.48, 0.86%, 0.45%

LAB 78.99, -43.43, 76.25

 

CMYK 26 / 0 / 86 / 7

HEX #AFEE21

RGB 175 238 33

HSL 78.44, 0.86%, 0.53%

LAB 87.18, -45.11, 80.78

 

CMYK 28 / 0 / 93 / 31

HEX #7EB00D

RGB 126 176 13

HSL 78.4, 0.86%, 0.37%

LAB 66.15, -37.17, 65.7

 

CMYK 93 / 0 / 46 / 31

HEX #0DAF5E

RGB 13 175 94

HSL 150, 0.86%, 0.37%

LAB 62.97, -55.86, 31.16

 

CMYK 9 / 93 / 0 / 31

HEX #9F0DAF

RGB 159 13 175

HSL 294.07, 0.86%, 0.37%

LAB 39.16, 70.06, -49.86

 

CMYK 28 / 0 / 93 / 31

HEX #7EB00D

RGB 126 176 13

HSL 78.4, 0.86%, 0.37%

LAB 66.15, -37.17, 65.7

 

CMYK 93 / 27 / 0 / 31

HEX #0D7FAF

RGB 13 127 175

HSL 197.78, 0.86%, 0.37%

LAB 49.93, -11.05, -33.39

 

CMYK 0 / 93 / 27 / 31

HEX #AF0D7F

RGB 175 13 127

HSL 317.78, 0.86%, 0.37%

LAB 39.47, 66.28, -20

 

CMYK 28 / 0 / 93 / 31

HEX #7EB00D

RGB 126 176 13

HSL 78.4, 0.86%, 0.37%

LAB 66.15, -37.17, 65.7

 

CMYK 93 / 0 / 46 / 31

HEX #0DAF5E

RGB 13 175 94

HSL 150, 0.86%, 0.37%

LAB 62.97, -55.86, 31.16

 

CMYK 65 / 93 / 0 / 31

HEX #3E0DAF

RGB 62 13 175

HSL 258.15, 0.86%, 0.37%

LAB 24.97, 58.39, -73.65

 

CMYK 0 / 93 / 46 / 31

HEX #AF0D5E

RGB 175 13 94

HSL 330, 0.86%, 0.37%

LAB 38.22, 62.92, -1.1

 

CMYK 28 / 0 / 93 / 31

HEX #7EB00D

RGB 126 176 13

HSL 78.4, 0.86%, 0.37%

LAB 66.15, -37.17, 65.7

 

CMYK 93 / 0 / 18 / 31

HEX #0DAF8F

RGB 13 175 143

HSL 168.15, 0.86%, 0.37%

LAB 63.94, -44.94, 5.94

 

CMYK 65 / 93 / 0 / 31

HEX #3E0DAF

RGB 62 13 175

HSL 258.15, 0.86%, 0.37%

LAB 24.97, 58.39, -73.65

 

CMYK 0 / 93 / 74 / 31

HEX #AF0D2E

RGB 175 13 46

HSL 347.78, 0.86%, 0.37%

LAB 37.11, 59.87, 28.15

 

Description

Color code: HEX #7EB00D | qconv.com Color code: HEX #7EB00D | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 126 red, 176 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
126 176 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 93 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 93% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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