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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 102 114 74 it is the complementary color RGB 153 141 181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 102 114 74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 102 114 74: RGB 107 114 69, RGB 124 132 88, RGB 141 150 107, RGB 158 168 126 and RGB 175 186 145

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 102 114 74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 102 114 74: RGB 102 114 74, RGB 85 96 55, RGB 68 78 36, RGB 51 60 17 and RGB 34 42 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 35 / 55

HEX #66724A

RGB 102 114 74

HSL 78, 0.21%, 0.37%

LAB 46.12, -11.9, 20.72

 

Complementary color

CMYK 15 / 22 / 0 / 29

HEX #998DB5

RGB 153 141 181

HSL 258, 0.21%, 0.63%

LAB 60.92, 12.63, -19.29

 

CMYK 6 / 0 / 39 / 55

HEX #6B7245

RGB 107 114 69

HSL 69.33, 0.25%, 0.36%

LAB 46.43, -10.47, 24.06

 

CMYK 6 / 0 / 33 / 48

HEX #7C8458

RGB 124 132 88

HSL 70.91, 0.2%, 0.43%

LAB 53.48, -10.65, 22.82

 

CMYK 6 / 0 / 29 / 41

HEX #8D966B

RGB 141 150 107

HSL 72.56, 0.17%, 0.5%

LAB 60.37, -10.78, 21.66

 

CMYK 6 / 0 / 25 / 34

HEX #9EA87E

RGB 158 168 126

HSL 74.29, 0.19%, 0.58%

LAB 67.11, -10.88, 20.57

 

CMYK 6 / 0 / 22 / 27

HEX #AFBA91

RGB 175 186 145

HSL 76.1, 0.23%, 0.65%

LAB 73.72, -10.96, 19.55

 

CMYK 11 / 0 / 35 / 55

HEX #66724A

RGB 102 114 74

HSL 78, 0.21%, 0.37%

LAB 46.12, -11.9, 20.72

 

CMYK 11 / 0 / 43 / 62

HEX #556037

RGB 85 96 55

HSL 76.1, 0.27%, 0.3%

LAB 38.85, -11.8, 22

 

CMYK 13 / 0 / 54 / 69

HEX #444E24

RGB 68 78 36

HSL 74.29, 0.37%, 0.22%

LAB 31.36, -11.6, 23.36

 

CMYK 15 / 0 / 72 / 76

HEX #333C11

RGB 51 60 17

HSL 72.56, 0.56%, 0.15%

LAB 23.59, -11.21, 24.57

 

CMYK 19 / 0 / 100 / 84

HEX #222A00

RGB 34 42 0

HSL 71.43, 1%, 0.08%

LAB 15.47, -10.56, 22.28

 

CMYK 11 / 0 / 35 / 55

HEX #66724A

RGB 102 114 74

HSL 78, 0.21%, 0.37%

LAB 46.12, -11.9, 20.72

 

CMYK 17 / 0 / 35 / 55

HEX #5F724A

RGB 95 114 74

HSL 88.5, 0.21%, 0.37%

LAB 45.58, -14.8, 19.92

 

CMYK 22 / 0 / 35 / 55

HEX #59724A

RGB 89 114 74

HSL 97.5, 0.21%, 0.37%

LAB 45.16, -17.21, 19.27

 

CMYK 28 / 0 / 35 / 55

HEX #52724A

RGB 82 114 74

HSL 108, 0.21%, 0.37%

LAB 44.69, -19.93, 18.57

 

CMYK 34 / 0 / 35 / 55

HEX #4B724A

RGB 75 114 74

HSL 118.5, 0.21%, 0.37%

LAB 44.27, -22.52, 17.93

 

CMYK 11 / 0 / 35 / 55

HEX #66724A

RGB 102 114 74

HSL 78, 0.21%, 0.37%

LAB 46.12, -11.9, 20.72

 

CMYK 10 / 0 / 35 / 35

HEX #94A56B

RGB 148 165 107

HSL 77.59, 0.24%, 0.53%

LAB 65.17, -15.93, 28.13

 

CMYK 11 / 0 / 35 / 15

HEX #C1D88C

RGB 193 216 140

HSL 78.16, 0.49%, 0.7%

LAB 83.1, -20.09, 34.98

 

CMYK 8 / 0 / 33 / 95

HEX #0B0C08

RGB 11 12 8

HSL 75, 0.2%, 0.04%

LAB 3.18, -0.86, 1.46

 

CMYK 11 / 0 / 35 / 75

HEX #383F29

RGB 56 63 41

HSL 79.09, 0.21%, 0.2%

LAB 25.43, -7.48, 12.56

 

CMYK 11 / 0 / 35 / 55

HEX #66724A

RGB 102 114 74

HSL 78, 0.21%, 0.37%

LAB 46.12, -11.9, 20.72

 

CMYK 35 / 0 / 18 / 55

HEX #4A725E

RGB 74 114 94

HSL 150, 0.21%, 0.37%

LAB 44.66, -18.82, 6.67

 

CMYK 4 / 35 / 0 / 55

HEX #6E4A72

RGB 110 74 114

HSL 294, 0.21%, 0.37%

LAB 36.79, 22.69, -16.9

 

CMYK 11 / 0 / 35 / 55

HEX #66724A

RGB 102 114 74

HSL 78, 0.21%, 0.37%

LAB 46.12, -11.9, 20.72

 

CMYK 35 / 11 / 0 / 55

HEX #4A6672

RGB 74 102 114

HSL 198, 0.21%, 0.37%

LAB 41.49, -7.04, -10.05

 

CMYK 0 / 35 / 11 / 55

HEX #724A66

RGB 114 74 102

HSL 318, 0.21%, 0.37%

LAB 36.81, 21.72, -9.34

 

CMYK 11 / 0 / 35 / 55

HEX #66724A

RGB 102 114 74

HSL 78, 0.21%, 0.37%

LAB 46.12, -11.9, 20.72

 

CMYK 35 / 0 / 18 / 55

HEX #4A725E

RGB 74 114 94

HSL 150, 0.21%, 0.37%

LAB 44.66, -18.82, 6.67

 

CMYK 25 / 35 / 0 / 55

HEX #564A72

RGB 86 74 114

HSL 258, 0.21%, 0.37%

LAB 34.17, 14.34, -21.17

 

CMYK 0 / 35 / 18 / 55

HEX #724A5E

RGB 114 74 94

HSL 330, 0.21%, 0.37%

LAB 36.52, 20.25, -4.74

 

CMYK 11 / 0 / 35 / 55

HEX #66724A

RGB 102 114 74

HSL 78, 0.21%, 0.37%

LAB 46.12, -11.9, 20.72

 

CMYK 35 / 0 / 7 / 55

HEX #4A726A

RGB 74 114 106

HSL 168, 0.21%, 0.37%

LAB 44.99, -15.98, -0.03

 

CMYK 25 / 35 / 0 / 55

HEX #564A72

RGB 86 74 114

HSL 258, 0.21%, 0.37%

LAB 34.17, 14.34, -21.17

 

CMYK 0 / 35 / 28 / 55

HEX #724A52

RGB 114 74 82

HSL 348, 0.21%, 0.37%

LAB 36.15, 18.24, 2.27

 

Description

Color code: RGB 102 114 74 | qconv.com Color code: RGB 102 114 74 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 102 red, 114 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
102 114 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 35 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 35% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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