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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AF5E0D it is the complementary color #50A1F2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AF5E0D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AF5E0D: #B45E08, #C5701B, #D6822E, #E79441 and #F8A654

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AF5E0D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AF5E0D: #AF5E0D, #9E4C00, #8D3A00, #7C2800 and #6B1600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 93 / 31

HEX #AF5E0D

RGB 175 94 13

HSL 30, 0.86%, 0.37%

LAB 48.45, 28.06, 53.94

 

Complementary color

CMYK 67 / 33 / 0 / 5

HEX #50A1F2

RGB 80 161 242

HSL 210, 0.86%, 0.63%

LAB 64.65, 0.5, -47.81

 

CMYK 0 / 48 / 96 / 29

HEX #B45E08

RGB 180 94 8

HSL 30, 0.91%, 0.37%

LAB 49.16, 30.11, 55.92

 

CMYK 0 / 43 / 86 / 23

HEX #C5701B

RGB 197 112 27

HSL 30, 0.76%, 0.44%

LAB 55.62, 27.96, 56.72

 

CMYK 0 / 39 / 79 / 16

HEX #D6822E

RGB 214 130 46

HSL 30, 0.67%, 0.51%

LAB 62.05, 26.04, 56.18

 

CMYK 0 / 36 / 72 / 9

HEX #E79441

RGB 231 148 65

HSL 30, 0.78%, 0.58%

LAB 68.42, 24.35, 55.03

 

CMYK 0 / 33 / 66 / 3

HEX #F8A654

RGB 248 166 84

HSL 30, 0.92%, 0.65%

LAB 74.74, 22.85, 53.66

 

CMYK 0 / 46 / 93 / 31

HEX #AF5E0D

RGB 175 94 13

HSL 30, 0.86%, 0.37%

LAB 48.45, 28.06, 53.94

 

CMYK 0 / 52 / 100 / 38

HEX #9E4C00

RGB 158 76 0

HSL 28.86, 1%, 0.31%

LAB 41.9, 30.38, 51.66

 

CMYK 0 / 59 / 100 / 45

HEX #8D3A00

RGB 141 58 0

HSL 24.68, 1%, 0.28%

LAB 35.38, 32.8, 46.44

 

CMYK 0 / 68 / 100 / 51

HEX #7C2800

RGB 124 40 0

HSL 19.35, 1%, 0.24%

LAB 28.91, 34.92, 40.66

 

CMYK 0 / 79 / 100 / 58

HEX #6B1600

RGB 107 22 0

HSL 12.34, 1%, 0.21%

LAB 22.65, 36.28, 33.63

 

CMYK 0 / 46 / 93 / 31

HEX #AF5E0D

RGB 175 94 13

HSL 30, 0.86%, 0.37%

LAB 48.45, 28.06, 53.94

 

CMYK 0 / 31 / 93 / 31

HEX #AF790D

RGB 175 121 13

HSL 40, 0.86%, 0.37%

LAB 54.88, 13.06, 58.69

 

CMYK 0 / 15 / 93 / 31

HEX #AF940D

RGB 175 148 13

HSL 50, 0.86%, 0.37%

LAB 61.93, -1.87, 64.01

 

CMYK 0 / 0 / 93 / 31

HEX #AFAF0D

RGB 175 175 13

HSL 60, 0.86%, 0.37%

LAB 69.33, -16.09, 69.68

 

CMYK 15 / 0 / 93 / 31

HEX #94AF0D

RGB 148 175 13

HSL 70, 0.86%, 0.37%

LAB 67.27, -27.74, 67.18

 

CMYK 0 / 46 / 93 / 31

HEX #AF5E0D

RGB 175 94 13

HSL 30, 0.86%, 0.37%

LAB 48.45, 28.06, 53.94

 

CMYK 0 / 46 / 92 / 11

HEX #E27911

RGB 226 121 17

HSL 29.86, 0.86%, 0.48%

LAB 61.55, 35.03, 65.71

 

CMYK 0 / 45 / 91 / 91

HEX #160C02

RGB 22 12 2

HSL 30, 0.83%, 0.05%

LAB 3.96, 2.34, 5.15

 

CMYK 0 / 47 / 93 / 71

HEX #492705

RGB 73 39 5

HSL 30, 0.87%, 0.15%

LAB 19.55, 13.12, 26.35

 

CMYK 0 / 46 / 93 / 51

HEX #7C4309

RGB 124 67 9

HSL 30.26, 0.86%, 0.26%

LAB 34.64, 20.64, 41.39

 

CMYK 0 / 46 / 93 / 31

HEX #AF5E0D

RGB 175 94 13

HSL 30, 0.86%, 0.37%

LAB 48.45, 28.06, 53.94

 

CMYK 65 / 0 / 93 / 31

HEX #3DAF0D

RGB 61 175 13

HSL 102.22, 0.86%, 0.37%

LAB 63.08, -57.35, 62.04

 

CMYK 83 / 93 / 0 / 31

HEX #1D0DAF

RGB 29 13 175

HSL 245.93, 0.86%, 0.37%

LAB 22.46, 56.84, -77.9

 

CMYK 0 / 46 / 93 / 31

HEX #AF5E0D

RGB 175 94 13

HSL 30, 0.86%, 0.37%

LAB 48.45, 28.06, 53.94

 

CMYK 93 / 0 / 46 / 31

HEX #0DAF5E

RGB 13 175 94

HSL 150, 0.86%, 0.37%

LAB 62.97, -55.86, 31.16

 

CMYK 46 / 93 / 0 / 31

HEX #5E0DAF

RGB 94 13 175

HSL 270, 0.86%, 0.37%

LAB 28.81, 61.13, -67.19

 

CMYK 0 / 46 / 93 / 31

HEX #AF5E0D

RGB 175 94 13

HSL 30, 0.86%, 0.37%

LAB 48.45, 28.06, 53.94

 

CMYK 65 / 0 / 93 / 31

HEX #3DAF0D

RGB 61 175 13

HSL 102.22, 0.86%, 0.37%

LAB 63.08, -57.35, 62.04

 

CMYK 93 / 46 / 0 / 31

HEX #0D5EAF

RGB 13 94 175

HSL 210, 0.86%, 0.37%

LAB 39.89, 9.27, -49.33

 

CMYK 28 / 93 / 0 / 31

HEX #7E0DAF

RGB 126 13 175

HSL 281.85, 0.86%, 0.37%

LAB 33.6, 65.04, -59.13

 

CMYK 0 / 46 / 93 / 31

HEX #AF5E0D

RGB 175 94 13

HSL 30, 0.86%, 0.37%

LAB 48.45, 28.06, 53.94

 

CMYK 93 / 0 / 93 / 31

HEX #0DAF0D

RGB 13 175 13

HSL 120, 0.86%, 0.37%

LAB 62.32, -64, 61.1

 

CMYK 93 / 46 / 0 / 31

HEX #0D5EAF

RGB 13 94 175

HSL 210, 0.86%, 0.37%

LAB 39.89, 9.27, -49.33

 

CMYK 0 / 93 / 0 / 31

HEX #AF0DAF

RGB 175 13 175

HSL 300, 0.86%, 0.37%

LAB 42, 72.76, -45.16

 

Description

Color code: HEX #AF5E0D | qconv.com Color code: HEX #AF5E0D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 175 red, 94 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
175 94 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 93 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 93% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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