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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #797695 it is the complementary color #86896A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #797695. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #797695 shade: #7E7690, #8F88A3, #A09AB6, #B1ACC9 and #C2BEDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #797695. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #797695 shade: #797695, #686482, #57526F, #46405C and #352E49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #797695 shade: #787595, #807595, #897595, #927595 and #95758F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #797695 shade: #787595 and #757595

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #797695 shade matches the following richer shades: #787595, #6861A8, #584DBC, #4839D0 and #3825E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #797695 shade: #787595, #888881, #989C6D, #A8B059 and #B8C445

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #797695 shade: #758395, #757B95, #777595, #807595 and #887595

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #797695 shade: #524F67, #64617F, #787595, #8F8CA6 and #A5A3B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #797695 shade: #797695, #95758B and #7F9575

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #797695 shade: #797695, #957775 and #759577

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #797695 shade: #797695, #95758B, #929575 and #75957E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #797695 shade: #797695, #957582, #929575 and #759587

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 21 / 0 / 42

HEX #797695

RGB 121 118 149

HSL 245.81, 0.13%, 0.52%

LAB 50.91, 7.93, -16.34

 

Complementary color

CMYK 2 / 0 / 23 / 46

HEX #86896A

RGB 134 137 106

HSL 65.81, 0.13%, 0.48%

LAB 56.09, -6.65, 16.3

 

CMYK 13 / 18 / 0 / 44

HEX #7E7690

RGB 126 118 144

HSL 258.46, 0.1%, 0.51%

LAB 51.16, 8.49, -12.99

 

CMYK 12 / 17 / 0 / 36

HEX #8F88A3

RGB 143 136 163

HSL 255.56, 0.13%, 0.59%

LAB 58.12, 8.13, -13.35

 

CMYK 12 / 15 / 0 / 29

HEX #A09AB6

RGB 160 154 182

HSL 252.86, 0.16%, 0.66%

LAB 64.93, 7.81, -13.72

 

CMYK 12 / 14 / 0 / 21

HEX #B1ACC9

RGB 177 172 201

HSL 250.34, 0.21%, 0.73%

LAB 71.6, 7.51, -14.09

 

CMYK 12 / 14 / 0 / 14

HEX #C2BEDC

RGB 194 190 220

HSL 248, 0.3%, 0.8%

LAB 78.15, 7.23, -14.47

 

CMYK 19 / 21 / 0 / 42

HEX #797695

RGB 121 118 149

HSL 245.81, 0.13%, 0.52%

LAB 50.91, 7.93, -16.34

 

CMYK 20 / 23 / 0 / 49

HEX #686482

RGB 104 100 130

HSL 248, 0.13%, 0.45%

LAB 43.75, 8.34, -16.09

 

CMYK 22 / 26 / 0 / 56

HEX #57526F

RGB 87 82 111

HSL 250.34, 0.15%, 0.38%

LAB 36.38, 8.81, -15.88

 

CMYK 24 / 30 / 0 / 64

HEX #46405C

RGB 70 64 92

HSL 252.86, 0.18%, 0.31%

LAB 28.75, 9.36, -15.71

 

CMYK 27 / 37 / 0 / 71

HEX #352E49

RGB 53 46 73

HSL 255.56, 0.23%, 0.23%

LAB 20.8, 10.05, -15.62

 

CMYK 19 / 21 / 0 / 42

HEX #787595

RGB 120 117 149

HSL 245.63, 0.13%, 0.52%

LAB 50.55, 8.19, -16.9

 

CMYK 14 / 21 / 0 / 42

HEX #807595

RGB 128 117 149

HSL 260.63, 0.13%, 0.52%

LAB 51.25, 10.91, -15.78

 

CMYK 8 / 21 / 0 / 42

HEX #897595

RGB 137 117 149

HSL 277.5, 0.13%, 0.52%

LAB 52.07, 14.05, -14.44

 

CMYK 2 / 21 / 0 / 42

HEX #927595

RGB 146 117 149

HSL 294.38, 0.13%, 0.52%

LAB 52.95, 17.23, -13.03

 

CMYK 0 / 21 / 4 / 42

HEX #95758F

RGB 149 117 143

HSL 311.25, 0.13%, 0.52%

LAB 53.05, 17.12, -9.34

 

CMYK 19 / 21 / 0 / 42

HEX #787595

RGB 120 117 149

HSL 245.63, 0.13%, 0.52%

LAB 50.55, 8.19, -16.9

 

CMYK 21 / 21 / 0 / 42

HEX #757595

RGB 117 117 149

HSL 240, 0.13%, 0.52%

LAB 50.3, 7.19, -17.3

 

CMYK 19 / 21 / 0 / 42

HEX #787595

RGB 120 117 149

HSL 245.63, 0.13%, 0.52%

LAB 50.55, 8.19, -16.9

 

CMYK 38 / 42 / 0 / 34

HEX #6861A8

RGB 104 97 168

HSL 245.92, 0.29%, 0.52%

LAB 44.69, 20.41, -37.29

 

CMYK 53 / 59 / 0 / 26

HEX #584DBC

RGB 88 77 188

HSL 245.95, 0.45%, 0.52%

LAB 39.6, 35, -57.26

 

CMYK 65 / 73 / 0 / 18

HEX #4839D0

RGB 72 57 208

HSL 245.96, 0.62%, 0.52%

LAB 35.71, 50.41, -75.33

 

CMYK 75 / 84 / 0 / 11

HEX #3825E4

RGB 56 37 228

HSL 245.97, 0.78%, 0.52%

LAB 33.49, 64.45, -90.55

 

CMYK 19 / 21 / 0 / 42

HEX #787595

RGB 120 117 149

HSL 245.63, 0.13%, 0.52%

LAB 50.55, 8.19, -16.9

 

CMYK 0 / 0 / 5 / 47

HEX #888881

RGB 136 136 129

HSL 60, 0.03%, 0.52%

LAB 56.51, -1.34, 3.75

 

CMYK 3 / 0 / 30 / 39

HEX #989C6D

RGB 152 156 109

HSL 65.11, 0.19%, 0.52%

LAB 62.97, -9.32, 24.2

 

CMYK 5 / 0 / 49 / 31

HEX #A8B059

RGB 168 176 89

HSL 65.52, 0.36%, 0.52%

LAB 69.54, -15.59, 43.22

 

CMYK 6 / 0 / 65 / 23

HEX #B8C445

RGB 184 196 69

HSL 65.67, 0.52%, 0.52%

LAB 76.13, -20.61, 59.96

 

CMYK 21 / 12 / 0 / 42

HEX #758395

RGB 117 131 149

HSL 213.75, 0.13%, 0.52%

LAB 54.22, -1, -11.36

 

CMYK 21 / 17 / 0 / 42

HEX #757B95

RGB 117 123 149

HSL 228.75, 0.13%, 0.52%

LAB 51.97, 3.64, -14.76

 

CMYK 20 / 21 / 0 / 42

HEX #777595

RGB 119 117 149

HSL 243.75, 0.13%, 0.52%

LAB 50.47, 7.85, -17.03

 

CMYK 14 / 21 / 0 / 42

HEX #807595

RGB 128 117 149

HSL 260.63, 0.13%, 0.52%

LAB 51.25, 10.91, -15.78

 

CMYK 9 / 21 / 0 / 42

HEX #887595

RGB 136 117 149

HSL 275.63, 0.13%, 0.52%

LAB 51.98, 13.7, -14.59

 

CMYK 20 / 23 / 0 / 60

HEX #524F67

RGB 82 79 103

HSL 247.5, 0.13%, 0.36%

LAB 34.73, 6.87, -13.44

 

CMYK 21 / 24 / 0 / 50

HEX #64617F

RGB 100 97 127

HSL 246, 0.13%, 0.44%

LAB 42.45, 8.05, -16.31

 

CMYK 19 / 21 / 0 / 42

HEX #787595

RGB 120 117 149

HSL 245.63, 0.13%, 0.52%

LAB 50.55, 8.19, -16.9

 

CMYK 14 / 16 / 0 / 35

HEX #8F8CA6

RGB 143 140 166

HSL 246.92, 0.13%, 0.6%

LAB 59.3, 6.5, -13.3

 

CMYK 10 / 11 / 0 / 28

HEX #A5A3B8

RGB 165 163 184

HSL 245.71, 0.13%, 0.68%

LAB 67.77, 4.9, -10.54

 

CMYK 19 / 21 / 0 / 42

HEX #797695

RGB 121 118 149

HSL 245.81, 0.13%, 0.52%

LAB 50.91, 7.93, -16.34

 

CMYK 0 / 21 / 7 / 42

HEX #95758B

RGB 149 117 139

HSL 318.75, 0.13%, 0.52%

LAB 52.92, 16.36, -7.19

 

CMYK 15 / 0 / 21 / 42

HEX #7F9575

RGB 127 149 117

HSL 101.25, 0.13%, 0.52%

LAB 59.24, -14.06, 14.36

 

CMYK 19 / 21 / 0 / 42

HEX #797695

RGB 121 118 149

HSL 245.81, 0.13%, 0.52%

LAB 50.91, 7.93, -16.34

 

CMYK 0 / 20 / 21 / 42

HEX #957775

RGB 149 119 117

HSL 3.75, 0.13%, 0.52%

LAB 52.8, 11.36, 5.53

 

CMYK 21 / 0 / 20 / 42

HEX #759577

RGB 117 149 119

HSL 123.75, 0.13%, 0.52%

LAB 58.61, -17.35, 12.25

 

CMYK 19 / 21 / 0 / 42

HEX #797695

RGB 121 118 149

HSL 245.81, 0.13%, 0.52%

LAB 50.91, 7.93, -16.34

 

CMYK 0 / 21 / 7 / 42

HEX #95758B

RGB 149 117 139

HSL 318.75, 0.13%, 0.52%

LAB 52.92, 16.36, -7.19

 

CMYK 2 / 0 / 21 / 42

HEX #929575

RGB 146 149 117

HSL 65.63, 0.13%, 0.52%

LAB 60.68, -6.74, 16.58

 

CMYK 21 / 0 / 15 / 42

HEX #75957E

RGB 117 149 126

HSL 136.88, 0.13%, 0.52%

LAB 58.77, -16, 8.52

 

CMYK 19 / 21 / 0 / 42

HEX #797695

RGB 121 118 149

HSL 245.81, 0.13%, 0.52%

LAB 50.91, 7.93, -16.34

 

CMYK 0 / 21 / 13 / 42

HEX #957582

RGB 149 117 130

HSL 335.63, 0.13%, 0.52%

LAB 52.65, 14.72, -2.32

 

CMYK 2 / 0 / 21 / 42

HEX #929575

RGB 146 149 117

HSL 65.63, 0.13%, 0.52%

LAB 60.68, -6.74, 16.58

 

CMYK 21 / 0 / 9 / 42

HEX #759587

RGB 117 149 135

HSL 153.75, 0.13%, 0.52%

LAB 59, -14.16, 3.73

 

Description

Color code: HEX #797695 | qconv.com Color code: HEX #797695 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 118 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 118 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 21 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 21% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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