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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #807595 it is the complementary color #7F8A6A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #807595. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #807595 shade: #857590, #9687A3, #A799B6, #B8ABC9 and #C9BDDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #807595. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #807595 shade: #807595, #6F6382, #5E516F, #4D3F5C and #3C2D49

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #807595 shade: #807595, #887595, #917595, #957590 and #957587

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #807595 shade: #807595, #777595 and #757595

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #807595 shade matches the following richer shades: #807595, #7961A8, #734DBC, #6D39D0 and #6725E4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #807595 shade: #807595, #868881, #8C9C6D, #92B059 and #98C445

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #807595 shade: #757B95, #777595, #7F7595, #887595 and #907595

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #807595 shade: #584F67, #6B617F, #807595, #958CA6 and #ABA3B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #807595 shade: #807595, #957584 and #779575

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #807595 shade: #807595, #957F75 and #75957F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #807595 shade: #807595, #957584, #8A9575 and #759586

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #807595 shade: #807595, #95757A, #8A9575 and #75958F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 21 / 0 / 42

HEX #807595

RGB 128 117 149

HSL 260.63, 0.13%, 0.52%

LAB 51.25, 10.91, -15.78

 

Complementary color

CMYK 8 / 0 / 23 / 46

HEX #7F8A6A

RGB 127 138 106

HSL 80.63, 0.13%, 0.48%

LAB 55.82, -9.98, 15.83

 

CMYK 8 / 19 / 0 / 44

HEX #857590

RGB 133 117 144

HSL 275.56, 0.11%, 0.51%

LAB 51.52, 11.55, -12.38

 

CMYK 8 / 17 / 0 / 36

HEX #9687A3

RGB 150 135 163

HSL 272.14, 0.13%, 0.58%

LAB 58.47, 11.13, -12.77

 

CMYK 8 / 16 / 0 / 29

HEX #A799B6

RGB 167 153 182

HSL 268.97, 0.17%, 0.66%

LAB 65.26, 10.74, -13.17

 

CMYK 8 / 15 / 0 / 21

HEX #B8ABC9

RGB 184 171 201

HSL 266, 0.22%, 0.73%

LAB 71.92, 10.38, -13.56

 

CMYK 9 / 14 / 0 / 14

HEX #C9BDDC

RGB 201 189 220

HSL 263.23, 0.31%, 0.8%

LAB 78.45, 10.06, -13.96

 

CMYK 14 / 21 / 0 / 42

HEX #807595

RGB 128 117 149

HSL 260.63, 0.13%, 0.52%

LAB 51.25, 10.91, -15.78

 

CMYK 15 / 24 / 0 / 49

HEX #6F6382

RGB 111 99 130

HSL 263.23, 0.14%, 0.45%

LAB 44.11, 11.38, -15.49

 

CMYK 15 / 27 / 0 / 56

HEX #5E516F

RGB 94 81 111

HSL 266, 0.16%, 0.38%

LAB 36.77, 11.92, -15.23

 

CMYK 16 / 32 / 0 / 64

HEX #4D3F5C

RGB 77 63 92

HSL 268.97, 0.19%, 0.3%

LAB 29.17, 12.55, -15

 

CMYK 18 / 38 / 0 / 71

HEX #3C2D49

RGB 60 45 73

HSL 272.14, 0.24%, 0.23%

LAB 21.28, 13.31, -14.82

 

CMYK 14 / 21 / 0 / 42

HEX #807595

RGB 128 117 149

HSL 260.63, 0.13%, 0.52%

LAB 51.25, 10.91, -15.78

 

CMYK 9 / 21 / 0 / 42

HEX #887595

RGB 136 117 149

HSL 275.63, 0.13%, 0.52%

LAB 51.98, 13.7, -14.59

 

CMYK 3 / 21 / 0 / 42

HEX #917595

RGB 145 117 149

HSL 292.5, 0.13%, 0.52%

LAB 52.85, 16.87, -13.19

 

CMYK 0 / 21 / 3 / 42

HEX #957590

RGB 149 117 144

HSL 309.38, 0.13%, 0.52%

LAB 53.09, 17.32, -9.87

 

CMYK 0 / 21 / 9 / 42

HEX #957587

RGB 149 117 135

HSL 326.25, 0.13%, 0.52%

LAB 52.8, 15.62, -5.03

 

CMYK 14 / 21 / 0 / 42

HEX #807595

RGB 128 117 149

HSL 260.63, 0.13%, 0.52%

LAB 51.25, 10.91, -15.78

 

CMYK 20 / 21 / 0 / 42

HEX #777595

RGB 119 117 149

HSL 243.75, 0.13%, 0.52%

LAB 50.47, 7.85, -17.03

 

CMYK 21 / 21 / 0 / 42

HEX #757595

RGB 117 117 149

HSL 240, 0.13%, 0.52%

LAB 50.3, 7.19, -17.3

 

CMYK 14 / 21 / 0 / 42

HEX #807595

RGB 128 117 149

HSL 260.63, 0.13%, 0.52%

LAB 51.25, 10.91, -15.78

 

CMYK 28 / 42 / 0 / 34

HEX #7961A8

RGB 121 97 168

HSL 260.28, 0.29%, 0.52%

LAB 46.23, 25.27, -34.75

 

CMYK 39 / 59 / 0 / 26

HEX #734DBC

RGB 115 77 188

HSL 260.54, 0.45%, 0.52%

LAB 42.13, 40.78, -53.06

 

CMYK 48 / 73 / 0 / 18

HEX #6D39D0

RGB 109 57 208

HSL 260.66, 0.62%, 0.52%

LAB 39.12, 55.54, -69.59

 

CMYK 55 / 84 / 0 / 11

HEX #6725E4

RGB 103 37 228

HSL 260.73, 0.78%, 0.52%

LAB 37.5, 68.09, -83.78

 

CMYK 14 / 21 / 0 / 42

HEX #807595

RGB 128 117 149

HSL 260.63, 0.13%, 0.52%

LAB 51.25, 10.91, -15.78

 

CMYK 1 / 0 / 5 / 47

HEX #868881

RGB 134 136 129

HSL 77.14, 0.03%, 0.52%

LAB 56.35, -2.1, 3.49

 

CMYK 10 / 0 / 30 / 39

HEX #8C9C6D

RGB 140 156 109

HSL 80.43, 0.19%, 0.52%

LAB 62.05, -14.08, 22.79

 

CMYK 17 / 0 / 49 / 31

HEX #92B059

RGB 146 176 89

HSL 80.69, 0.36%, 0.52%

LAB 67.93, -24.47, 40.91

 

CMYK 22 / 0 / 65 / 23

HEX #98C445

RGB 152 196 69

HSL 80.79, 0.52%, 0.52%

LAB 73.92, -33.49, 56.96

 

CMYK 21 / 17 / 0 / 42

HEX #757B95

RGB 117 123 149

HSL 228.75, 0.13%, 0.52%

LAB 51.97, 3.64, -14.76

 

CMYK 20 / 21 / 0 / 42

HEX #777595

RGB 119 117 149

HSL 243.75, 0.13%, 0.52%

LAB 50.47, 7.85, -17.03

 

CMYK 15 / 21 / 0 / 42

HEX #7F7595

RGB 127 117 149

HSL 258.75, 0.13%, 0.52%

LAB 51.16, 10.57, -15.92

 

CMYK 9 / 21 / 0 / 42

HEX #887595

RGB 136 117 149

HSL 275.63, 0.13%, 0.52%

LAB 51.98, 13.7, -14.59

 

CMYK 3 / 21 / 0 / 42

HEX #907595

RGB 144 117 149

HSL 290.63, 0.13%, 0.52%

LAB 52.75, 16.52, -13.35

 

CMYK 15 / 23 / 0 / 60

HEX #584F67

RGB 88 79 103

HSL 262.5, 0.13%, 0.36%

LAB 35.29, 9.05, -12.54

 

CMYK 16 / 24 / 0 / 50

HEX #6B617F

RGB 107 97 127

HSL 260, 0.13%, 0.44%

LAB 43.07, 10.49, -15.3

 

CMYK 14 / 21 / 0 / 42

HEX #807595

RGB 128 117 149

HSL 260.63, 0.13%, 0.52%

LAB 51.25, 10.91, -15.78

 

CMYK 10 / 16 / 0 / 35

HEX #958CA6

RGB 149 140 166

HSL 260.77, 0.13%, 0.6%

LAB 59.8, 8.56, -12.5

 

CMYK 7 / 11 / 0 / 28

HEX #ABA3B8

RGB 171 163 184

HSL 262.86, 0.13%, 0.68%

LAB 68.25, 6.94, -9.77

 

CMYK 14 / 21 / 0 / 42

HEX #807595

RGB 128 117 149

HSL 260.63, 0.13%, 0.52%

LAB 51.25, 10.91, -15.78

 

CMYK 0 / 21 / 11 / 42

HEX #957584

RGB 149 117 132

HSL 331.88, 0.13%, 0.52%

LAB 52.71, 15.07, -3.41

 

CMYK 20 / 0 / 21 / 42

HEX #779575

RGB 119 149 117

HSL 116.25, 0.13%, 0.52%

LAB 58.7, -17.01, 13.52

 

CMYK 14 / 21 / 0 / 42

HEX #807595

RGB 128 117 149

HSL 260.63, 0.13%, 0.52%

LAB 51.25, 10.91, -15.78

 

CMYK 0 / 15 / 21 / 42

HEX #957F75

RGB 149 127 117

HSL 18.75, 0.13%, 0.52%

LAB 54.92, 6.76, 8.55

 

CMYK 21 / 0 / 15 / 42

HEX #75957F

RGB 117 149 127

HSL 138.75, 0.13%, 0.52%

LAB 58.8, -15.81, 7.98

 

CMYK 14 / 21 / 0 / 42

HEX #807595

RGB 128 117 149

HSL 260.63, 0.13%, 0.52%

LAB 51.25, 10.91, -15.78

 

CMYK 0 / 21 / 11 / 42

HEX #957584

RGB 149 117 132

HSL 331.88, 0.13%, 0.52%

LAB 52.71, 15.07, -3.41

 

CMYK 7 / 0 / 21 / 42

HEX #8A9575

RGB 138 149 117

HSL 80.63, 0.13%, 0.52%

LAB 60.05, -9.87, 15.61

 

CMYK 21 / 0 / 10 / 42

HEX #759586

RGB 117 149 134

HSL 151.88, 0.13%, 0.52%

LAB 58.97, -14.37, 4.26

 

CMYK 14 / 21 / 0 / 42

HEX #807595

RGB 128 117 149

HSL 260.63, 0.13%, 0.52%

LAB 51.25, 10.91, -15.78

 

CMYK 0 / 21 / 18 / 42

HEX #95757A

RGB 149 117 122

HSL 350.63, 0.13%, 0.52%

LAB 52.42, 13.34, 2.04

 

CMYK 7 / 0 / 21 / 42

HEX #8A9575

RGB 138 149 117

HSL 80.63, 0.13%, 0.52%

LAB 60.05, -9.87, 15.61

 

CMYK 21 / 0 / 4 / 42

HEX #75958F

RGB 117 149 143

HSL 168.75, 0.13%, 0.52%

LAB 59.21, -12.43, -0.51

 

Description

Color code: HEX #807595 | qconv.com Color code: HEX #807595 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 128 red, 117 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
128 117 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 21 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 21% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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