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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 20 / 21 / 42 it is the complementary color CMYK 22 / 1 / 0 / 46. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 20 / 21 / 42. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 20 / 21 / 42: CMYK 0 / 23 / 27 / 40, CMYK 0 / 20 / 23 / 33, CMYK 0 / 18 / 20 / 27, CMYK 0 / 16 / 17 / 20 and CMYK 0 / 14 / 15 / 13

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 20 / 21 / 42. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 20 / 21 / 42: CMYK 0 / 20 / 21 / 42, CMYK 0 / 24 / 25 / 49, CMYK 0 / 28 / 31 / 55, CMYK 0 / 34 / 38 / 62 and CMYK 0 / 43 / 49 / 69

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 21 / 42

HEX #947675

RGB 148 118 117

HSL 1.94, 0.13%, 0.52%

LAB 52.44, 11.54, 5

 

Complementary color

CMYK 22 / 1 / 0 / 46

HEX #6B898A

RGB 107 137 138

HSL 181.94, 0.13%, 0.48%

LAB 54.92, -10.31, -4.03

 

CMYK 0 / 23 / 27 / 40

HEX #997670

RGB 153 118 112

HSL 8.78, 0.17%, 0.52%

LAB 52.84, 12.77, 8.57

 

CMYK 0 / 20 / 23 / 33

HEX #AA8883

RGB 170 136 131

HSL 7.69, 0.19%, 0.59%

LAB 59.7, 12.15, 7.59

 

CMYK 0 / 18 / 20 / 27

HEX #BB9A96

RGB 187 154 150

HSL 6.49, 0.21%, 0.66%

LAB 66.43, 11.61, 6.7

 

CMYK 0 / 16 / 17 / 20

HEX #CCACA9

RGB 204 172 169

HSL 5.14, 0.26%, 0.73%

LAB 73.03, 11.13, 5.86

 

CMYK 0 / 14 / 15 / 13

HEX #DDBEBC

RGB 221 190 188

HSL 3.64, 0.33%, 0.8%

LAB 79.52, 10.7, 5.08

 

CMYK 0 / 20 / 21 / 42

HEX #947675

RGB 148 118 117

HSL 1.94, 0.13%, 0.52%

LAB 52.44, 11.54, 5

 

CMYK 0 / 24 / 25 / 49

HEX #836462

RGB 131 100 98

HSL 3.64, 0.14%, 0.45%

LAB 45.39, 12.17, 5.95

 

CMYK 0 / 28 / 31 / 55

HEX #72524F

RGB 114 82 79

HSL 5.14, 0.18%, 0.38%

LAB 38.16, 12.91, 7.03

 

CMYK 0 / 34 / 38 / 62

HEX #61403C

RGB 97 64 60

HSL 6.49, 0.24%, 0.31%

LAB 30.72, 13.82, 8.29

 

CMYK 0 / 43 / 49 / 69

HEX #502E29

RGB 80 46 41

HSL 7.69, 0.32%, 0.24%

LAB 23.07, 14.95, 9.85

 

CMYK 0 / 20 / 21 / 42

HEX #947675

RGB 148 118 117

HSL 1.94, 0.13%, 0.52%

LAB 52.44, 11.54, 5

 

CMYK 0 / 18 / 22 / 42

HEX #947A74

RGB 148 122 116

HSL 11.25, 0.13%, 0.52%

LAB 53.47, 9.07, 7.05

 

CMYK 0 / 14 / 22 / 42

HEX #947F74

RGB 148 127 116

HSL 20.63, 0.13%, 0.52%

LAB 54.8, 6.2, 8.95

 

CMYK 0 / 10 / 22 / 42

HEX #948574

RGB 148 133 116

HSL 31.88, 0.13%, 0.52%

LAB 56.42, 2.79, 11.23

 

CMYK 0 / 7 / 22 / 42

HEX #948A74

RGB 148 138 116

HSL 41.25, 0.13%, 0.52%

LAB 57.78, -0.02, 13.14

 

CMYK 0 / 20 / 21 / 42

HEX #947675

RGB 148 118 117

HSL 1.94, 0.13%, 0.52%

LAB 52.44, 11.54, 5

 

CMYK 0 / 20 / 21 / 22

HEX #C79F9D

RGB 199 159 157

HSL 2.86, 0.27%, 0.7%

LAB 69.02, 14.48, 6.67

 

CMYK 0 / 20 / 21 / 2

HEX #FAC7C6

RGB 250 199 198

HSL 1.15, 0.84%, 0.88%

LAB 84.61, 17.95, 7.41

 

CMYK 0 / 20 / 22 / 82

HEX #2E2524

RGB 46 37 36

HSL 6, 0.12%, 0.16%

LAB 15.65, 4.02, 2.24

 

CMYK 0 / 21 / 21 / 62

HEX #614D4D

RGB 97 77 77

HSL 0, 0.11%, 0.34%

LAB 34.77, 8.4, 3.18

 

CMYK 0 / 20 / 21 / 42

HEX #947675

RGB 148 118 117

HSL 1.94, 0.13%, 0.52%

LAB 52.44, 11.54, 5

 

CMYK 5 / 0 / 22 / 42

HEX #8D9474

RGB 141 148 116

HSL 73.13, 0.13%, 0.52%

LAB 59.98, -8.32, 16.11

 

CMYK 22 / 14 / 0 / 42

HEX #748094

RGB 116 128 148

HSL 217.5, 0.13%, 0.52%

LAB 53.26, 0.16, -12.23

 

CMYK 0 / 20 / 21 / 42

HEX #947675

RGB 148 118 117

HSL 1.94, 0.13%, 0.52%

LAB 52.44, 11.54, 5

 

CMYK 22 / 0 / 21 / 42

HEX #749475

RGB 116 148 117

HSL 121.88, 0.13%, 0.52%

LAB 58.2, -17.56, 12.8

 

CMYK 21 / 22 / 0 / 42

HEX #757494

RGB 117 116 148

HSL 241.88, 0.13%, 0.52%

LAB 49.99, 7.54, -17.19

 

CMYK 0 / 20 / 21 / 42

HEX #947675

RGB 148 118 117

HSL 1.94, 0.13%, 0.52%

LAB 52.44, 11.54, 5

 

CMYK 5 / 0 / 22 / 42

HEX #8D9474

RGB 141 148 116

HSL 73.13, 0.13%, 0.52%

LAB 59.98, -8.32, 16.11

 

CMYK 22 / 1 / 0 / 42

HEX #749394

RGB 116 147 148

HSL 181.88, 0.13%, 0.52%

LAB 58.71, -10.54, -4.11

 

CMYK 17 / 22 / 0 / 42

HEX #7B7494

RGB 123 116 148

HSL 253.13, 0.13%, 0.52%

LAB 50.5, 9.56, -16.37

 

CMYK 0 / 20 / 21 / 42

HEX #947675

RGB 148 118 117

HSL 1.94, 0.13%, 0.52%

LAB 52.44, 11.54, 5

 

CMYK 11 / 0 / 22 / 42

HEX #849474

RGB 132 148 116

HSL 90, 0.13%, 0.52%

LAB 59.29, -11.8, 15.05

 

CMYK 22 / 1 / 0 / 42

HEX #749394

RGB 116 147 148

HSL 181.88, 0.13%, 0.52%

LAB 58.71, -10.54, -4.11

 

CMYK 10 / 22 / 0 / 42

HEX #857494

RGB 133 116 148

HSL 271.88, 0.13%, 0.52%

LAB 51.4, 13.02, -14.92

 

Description

Color code: CMYK 0 / 20 / 21 / 42 | qconv.com Color code: CMYK 0 / 20 / 21 / 42 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 148 red, 118 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
148 118 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 21 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 21% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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