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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75DF2C it is the complementary color #8A20D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75DF2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #75DF2C shade: #7ADF27, #8BF13A, #9CFF4D, #ADFF60 and #BEFF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75DF2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #75DF2C shade: #75DF2C, #64CD19, #53BB06, #42A900 and #319700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #75DF2C shade: #74DF2A, #A5DF2A, #D6DF2A, #DFB82A and #DF872A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #75DF2C shade: #74DF2A, #43DF2A, #2ADF42, #2ADF73 and #2ADFA4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #75DF2C shade matches the following richer shades: #74DF2A and #70F316

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #75DF2C shade: #74DF2A, #78CB3E, #7BB852, #7FA465 and #839079

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #75DF2C shade: #D6DF2A, #A6DF2A, #76DF2A, #45DF2A and #2ADF3F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #75DF2C shade: #4F9F18, #61C31D, #74DF2A, #8BE54E and #A3EA72

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #75DF2C shade: #75DF2C, #2ADFB8 and #DF2ABE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #75DF2C shade: #75DF2C, #2A76DF and #DF2A76

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #75DF2C shade: #75DF2C, #2ADFB8, #942ADF and #DF2A51

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #75DF2C shade: #75DF2C, #2AD0DF, #942ADF and #DF392A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 80 / 13

HEX #75DF2C

RGB 117 223 44

HSL 95.53, 0.74%, 0.52%

LAB 80.03, -58.38, 70.94

 

Complementary color

CMYK 35 / 85 / 0 / 17

HEX #8A20D3

RGB 138 32 211

HSL 275.53, 0.74%, 0.48%

LAB 39.81, 69.89, -70.05

 

CMYK 45 / 0 / 83 / 13

HEX #7ADF27

RGB 122 223 39

HSL 92.93, 0.74%, 0.51%

LAB 80.21, -57.08, 72.46

 

CMYK 42 / 0 / 76 / 5

HEX #8BF13A

RGB 139 241 58

HSL 93.44, 0.87%, 0.59%

LAB 86.36, -57.76, 73.17

 

CMYK 39 / 0 / 70 / 0

HEX #9CFF4D

RGB 156 255 77

HSL 93.37, 1%, 0.65%

LAB 91.29, -56.66, 72.03

 

CMYK 32 / 0 / 62 / 0

HEX #ADFF60

RGB 173 255 96

HSL 90.94, 1%, 0.69%

LAB 92.24, -49.64, 66.07

 

CMYK 25 / 0 / 55 / 0

HEX #BEFF73

RGB 190 255 115

HSL 87.86, 1%, 0.73%

LAB 93.32, -42.08, 59.5

 

CMYK 48 / 0 / 80 / 13

HEX #75DF2C

RGB 117 223 44

HSL 95.53, 0.74%, 0.52%

LAB 80.03, -58.38, 70.94

 

CMYK 51 / 0 / 88 / 20

HEX #64CD19

RGB 100 205 25

HSL 95, 0.78%, 0.45%

LAB 73.83, -57.46, 69.58

 

CMYK 56 / 0 / 97 / 27

HEX #53BB06

RGB 83 187 6

HSL 94.48, 0.94%, 0.38%

LAB 67.57, -56.18, 66.88

 

CMYK 61 / 0 / 100 / 34

HEX #42A900

RGB 66 169 0

HSL 96.57, 1%, 0.33%

LAB 61.25, -54.42, 62.37

 

CMYK 68 / 0 / 100 / 41

HEX #319700

RGB 49 151 0

HSL 100.53, 1%, 0.3%

LAB 54.85, -52.26, 57.1

 

CMYK 48 / 0 / 81 / 13

HEX #74DF2A

RGB 116 223 42

HSL 95.47, 0.74%, 0.52%

LAB 79.99, -58.77, 71.41

 

CMYK 26 / 0 / 81 / 13

HEX #A5DF2A

RGB 165 223 42

HSL 79.23, 0.74%, 0.52%

LAB 82.35, -42.1, 74.42

 

CMYK 4 / 0 / 81 / 13

HEX #D6DF2A

RGB 214 223 42

HSL 62.98, 0.74%, 0.52%

LAB 85.62, -22.55, 78.55

 

CMYK 0 / 17 / 81 / 13

HEX #DFB82A

RGB 223 184 42

HSL 47.07, 0.74%, 0.52%

LAB 76.15, 0.93, 70.68

 

CMYK 0 / 39 / 81 / 13

HEX #DF872A

RGB 223 135 42

HSL 30.83, 0.74%, 0.52%

LAB 64.31, 27.01, 60.25

 

CMYK 48 / 0 / 81 / 13

HEX #74DF2A

RGB 116 223 42

HSL 95.47, 0.74%, 0.52%

LAB 79.99, -58.77, 71.41

 

CMYK 70 / 0 / 81 / 13

HEX #43DF2A

RGB 67 223 42

HSL 111.71, 0.74%, 0.52%

LAB 78.54, -70.43, 69.56

 

CMYK 81 / 0 / 70 / 13

HEX #2ADF42

RGB 42 223 66

HSL 127.96, 0.74%, 0.52%

LAB 78.26, -72.33, 61.53

 

CMYK 81 / 0 / 48 / 13

HEX #2ADF73

RGB 42 223 115

HSL 144.2, 0.74%, 0.52%

LAB 78.76, -66.35, 40.68

 

CMYK 81 / 0 / 26 / 13

HEX #2ADFA4

RGB 42 223 164

HSL 160.44, 0.74%, 0.52%

LAB 79.58, -56.91, 16.8

 

CMYK 48 / 0 / 81 / 13

HEX #74DF2A

RGB 116 223 42

HSL 95.47, 0.74%, 0.52%

LAB 79.99, -58.77, 71.41

 

CMYK 54 / 0 / 91 / 5

HEX #70F316

RGB 112 243 22

HSL 95.57, 0.9%, 0.52%

LAB 85.81, -67.67, 80.29

 

CMYK 48 / 0 / 81 / 13

HEX #74DF2A

RGB 116 223 42

HSL 95.47, 0.74%, 0.52%

LAB 79.99, -58.77, 71.41

 

CMYK 41 / 0 / 69 / 20

HEX #78CB3E

RGB 120 203 62

HSL 95.32, 0.58%, 0.52%

LAB 74.22, -48.57, 59.51

 

CMYK 33 / 0 / 55 / 28

HEX #7BB852

RGB 123 184 82

HSL 95.88, 0.42%, 0.52%

LAB 68.82, -37.62, 45.03

 

CMYK 23 / 0 / 38 / 36

HEX #7FA465

RGB 127 164 101

HSL 95.24, 0.26%, 0.52%

LAB 63.34, -24.33, 28.68

 

CMYK 9 / 0 / 16 / 44

HEX #839079

RGB 131 144 121

HSL 93.91, 0.09%, 0.52%

LAB 58.18, -9.15, 10.65

 

CMYK 4 / 0 / 81 / 13

HEX #D6DF2A

RGB 214 223 42

HSL 62.98, 0.74%, 0.52%

LAB 85.62, -22.55, 78.55

 

CMYK 26 / 0 / 81 / 13

HEX #A6DF2A

RGB 166 223 42

HSL 78.9, 0.74%, 0.52%

LAB 82.41, -41.72, 74.49

 

CMYK 47 / 0 / 81 / 13

HEX #76DF2A

RGB 118 223 42

HSL 94.81, 0.74%, 0.52%

LAB 80.06, -58.17, 71.51

 

CMYK 69 / 0 / 81 / 13

HEX #45DF2A

RGB 69 223 42

HSL 111.05, 0.74%, 0.52%

LAB 78.58, -70.07, 69.61

 

CMYK 81 / 0 / 72 / 13

HEX #2ADF3F

RGB 42 223 63

HSL 126.96, 0.74%, 0.52%

LAB 78.24, -72.58, 62.6

 

CMYK 50 / 0 / 85 / 38

HEX #4F9F18

RGB 79 159 24

HSL 95.56, 0.74%, 0.36%

LAB 58.53, -46.41, 56.17

 

CMYK 50 / 0 / 85 / 24

HEX #61C31D

RGB 97 195 29

HSL 95.42, 0.74%, 0.44%

LAB 70.64, -54.5, 65.94

 

CMYK 48 / 0 / 81 / 13

HEX #74DF2A

RGB 116 223 42

HSL 95.47, 0.74%, 0.52%

LAB 79.99, -58.77, 71.41

 

CMYK 39 / 0 / 66 / 10

HEX #8BE54E

RGB 139 229 78

HSL 95.76, 0.74%, 0.6%

LAB 82.95, -51.7, 62.75

 

CMYK 30 / 0 / 51 / 8

HEX #A3EA72

RGB 163 234 114

HSL 95.5, 0.74%, 0.68%

LAB 85.93, -42.39, 50.86

 

CMYK 48 / 0 / 80 / 13

HEX #75DF2C

RGB 117 223 44

HSL 95.53, 0.74%, 0.52%

LAB 80.03, -58.38, 70.94

 

CMYK 81 / 0 / 17 / 13

HEX #2ADFB8

RGB 42 223 184

HSL 167.07, 0.74%, 0.52%

LAB 80.03, -52.16, 6.86

 

CMYK 0 / 81 / 15 / 13

HEX #DF2ABE

RGB 223 42 190

HSL 310.94, 0.74%, 0.52%

LAB 53.02, 78.93, -35.96

 

CMYK 48 / 0 / 80 / 13

HEX #75DF2C

RGB 117 223 44

HSL 95.53, 0.74%, 0.52%

LAB 80.03, -58.38, 70.94

 

CMYK 81 / 47 / 0 / 13

HEX #2A76DF

RGB 42 118 223

HSL 214.81, 0.74%, 0.52%

LAB 50.43, 14.76, -59.99

 

CMYK 0 / 81 / 47 / 13

HEX #DF2A76

RGB 223 42 118

HSL 334.81, 0.74%, 0.52%

LAB 50.28, 71.09, 2.67

 

CMYK 48 / 0 / 80 / 13

HEX #75DF2C

RGB 117 223 44

HSL 95.53, 0.74%, 0.52%

LAB 80.03, -58.38, 70.94

 

CMYK 81 / 0 / 17 / 13

HEX #2ADFB8

RGB 42 223 184

HSL 167.07, 0.74%, 0.52%

LAB 80.03, -52.16, 6.86

 

CMYK 34 / 81 / 0 / 13

HEX #942ADF

RGB 148 42 223

HSL 275.14, 0.74%, 0.52%

LAB 43.18, 70.97, -71.38

 

CMYK 0 / 81 / 64 / 13

HEX #DF2A51

RGB 223 42 81

HSL 347.07, 0.74%, 0.52%

LAB 49.42, 68.53, 24.02

 

CMYK 48 / 0 / 80 / 13

HEX #75DF2C

RGB 117 223 44

HSL 95.53, 0.74%, 0.52%

LAB 80.03, -58.38, 70.94

 

CMYK 81 / 7 / 0 / 13

HEX #2AD0DF

RGB 42 208 223

HSL 184.97, 0.74%, 0.52%

LAB 76.64, -34.78, -19.01

 

CMYK 34 / 81 / 0 / 13

HEX #942ADF

RGB 148 42 223

HSL 275.14, 0.74%, 0.52%

LAB 43.18, 70.97, -71.38

 

CMYK 0 / 74 / 81 / 13

HEX #DF392A

RGB 223 57 42

HSL 4.97, 0.74%, 0.52%

LAB 50.43, 62.63, 47.43

 

Description

Color code: HEX #75DF2C | qconv.com Color code: HEX #75DF2C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 223 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 223 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 80 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 80% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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