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Color name
HEX #DF2ABE

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DF2ABE it is the complementary color #20D541. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DF2ABE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #DF2ABE shade: #E42AB9, #F53CCC, #FF4EDF, #FF60F2 and #FF72FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DF2ABE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #DF2ABE shade: #DF2ABE, #CE18AB, #BD0698, #AC0085 and #9B0072

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #DF2ABE shade: #DF2ABE, #DF2A8D, #DF2A5C, #DF2A2C and #DF2A2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #DF2ABE shade: #DF2ABE, #CF2ADF, #9F2ADF, #6E2ADF and #3D2ADF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #DF2ABE shade matches the following richer shades: #DF2ABE and #F316CB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #DF2ABE shade: #DF2ABE, #CB3EB2, #B852A5, #A46598 and #90798C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #DF2ABE shade: #9D2ADF, #CD2ADF, #DF2AC1, #DF2A91 and #DF2A60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #DF2ABE shade: #9F1886, #C31DA5, #DF2ABE, #E54EC9 and #EA72D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #DF2ABE shade: #DF2ABE, #DF6C2A and #2ADFB5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #DF2ABE shade: #DF2ABE, #C1DF2A and #2AC1DF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #DF2ABE shade: #DF2ABE, #DF6C2A, #2ADF48 and #2A9DDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #DF2ABE shade: #DF2ABE, #DFA32A, #2ADF48 and #2A66DF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 15 / 13

HEX #DF2ABE

RGB 223 42 190

HSL 310.94, 0.74%, 0.52%

LAB 53.02, 78.93, -35.96

 

Complementary color

CMYK 85 / 0 / 69 / 16

HEX #20D541

RGB 32 213 65

HSL 130.94, 0.74%, 0.48%

LAB 75, -70.42, 58.45

 

CMYK 0 / 82 / 19 / 11

HEX #E42AB9

RGB 228 42 185

HSL 313.87, 0.78%, 0.53%

LAB 53.66, 79.32, -32

 

CMYK 0 / 76 / 17 / 4

HEX #F53CCC

RGB 245 60 204

HSL 313.3, 0.9%, 0.6%

LAB 58.98, 80.91, -34.42

 

CMYK 0 / 69 / 13 / 0

HEX #FF4EDF

RGB 255 78 223

HSL 310.85, 1%, 0.65%

LAB 63.37, 80.22, -38.18

 

CMYK 0 / 62 / 5 / 0

HEX #FF60F2

RGB 255 96 242

HSL 304.91, 1%, 0.69%

LAB 66.55, 76.54, -43.78

 

CMYK 0 / 55 / 0 / 0

HEX #FF72FF

RGB 255 114 255

HSL 300, 1%, 0.72%

LAB 69.83, 71.23, -45.76

 

CMYK 0 / 81 / 15 / 13

HEX #DF2ABE

RGB 223 42 190

HSL 310.94, 0.74%, 0.52%

LAB 53.02, 78.93, -35.96

 

CMYK 0 / 88 / 17 / 19

HEX #CE18AB

RGB 206 24 171

HSL 311.54, 0.79%, 0.45%

LAB 47.9, 76.46, -33.08

 

CMYK 0 / 97 / 20 / 26

HEX #BD0698

RGB 189 6 152

HSL 312.13, 0.94%, 0.38%

LAB 43.09, 72.85, -29.48

 

CMYK 0 / 100 / 23 / 33

HEX #AC0085

RGB 172 0 133

HSL 313.6, 1%, 0.34%

LAB 38.66, 67.84, -25.02

 

CMYK 0 / 100 / 26 / 39

HEX #9B0072

RGB 155 0 114

HSL 315.87, 1%, 0.3%

LAB 34.36, 62.15, -20.07

 

CMYK 0 / 81 / 15 / 13

HEX #DF2ABE

RGB 223 42 190

HSL 310.94, 0.74%, 0.52%

LAB 53.02, 78.93, -35.96

 

CMYK 0 / 81 / 37 / 13

HEX #DF2A8D

RGB 223 42 141

HSL 327.18, 0.74%, 0.52%

LAB 51, 73.2, -10.16

 

CMYK 0 / 81 / 59 / 13

HEX #DF2A5C

RGB 223 42 92

HSL 343.43, 0.74%, 0.52%

LAB 49.64, 69.18, 17.62

 

CMYK 0 / 81 / 80 / 13

HEX #DF2A2C

RGB 223 42 44

HSL 359.34, 0.74%, 0.52%

LAB 48.92, 66.99, 44.92

 

CMYK 0 / 81 / 81 / 13

HEX #DF2A2A

RGB 223 42 42

HSL 0, 0.74%, 0.52%

LAB 48.9, 66.93, 45.96

 

CMYK 0 / 81 / 15 / 13

HEX #DF2ABE

RGB 223 42 190

HSL 310.94, 0.74%, 0.52%

LAB 53.02, 78.93, -35.96

 

CMYK 7 / 81 / 0 / 13

HEX #CF2ADF

RGB 207 42 223

HSL 294.7, 0.74%, 0.52%

LAB 52.12, 80.71, -56.49

 

CMYK 29 / 81 / 0 / 13

HEX #9F2ADF

RGB 159 42 223

HSL 278.78, 0.74%, 0.52%

LAB 44.74, 72.65, -68.78

 

CMYK 51 / 81 / 0 / 13

HEX #6E2ADF

RGB 110 42 223

HSL 262.54, 0.74%, 0.52%

LAB 38.37, 65.86, -79.45

 

CMYK 73 / 81 / 0 / 13

HEX #3D2ADF

RGB 61 42 223

HSL 246.3, 0.74%, 0.52%

LAB 33.93, 61.26, -86.94

 

CMYK 0 / 81 / 15 / 13

HEX #DF2ABE

RGB 223 42 190

HSL 310.94, 0.74%, 0.52%

LAB 53.02, 78.93, -35.96

 

CMYK 0 / 91 / 16 / 5

HEX #F316CB

RGB 243 22 203

HSL 310.86, 0.9%, 0.52%

LAB 56.03, 87.79, -38.49

 

CMYK 0 / 81 / 15 / 13

HEX #DF2ABE

RGB 223 42 190

HSL 310.94, 0.74%, 0.52%

LAB 53.02, 78.93, -35.96

 

CMYK 0 / 69 / 12 / 20

HEX #CB3EB2

RGB 203 62 178

HSL 310.64, 0.58%, 0.52%

LAB 51.1, 67.05, -32.22

 

CMYK 0 / 55 / 10 / 28

HEX #B852A5

RGB 184 82 165

HSL 311.18, 0.42%, 0.52%

LAB 50.62, 51.67, -25.57

 

CMYK 0 / 38 / 7 / 36

HEX #A46598

RGB 164 101 152

HSL 311.43, 0.26%, 0.52%

LAB 51.23, 33.25, -17.22

 

CMYK 0 / 16 / 3 / 44

HEX #90798C

RGB 144 121 140

HSL 310.43, 0.09%, 0.52%

LAB 53.49, 12.38, -6.98

 

CMYK 30 / 81 / 0 / 13

HEX #9D2ADF

RGB 157 42 223

HSL 278.12, 0.74%, 0.52%

LAB 44.45, 72.34, -69.26

 

CMYK 8 / 81 / 0 / 13

HEX #CD2ADF

RGB 205 42 223

HSL 294.03, 0.74%, 0.52%

LAB 51.8, 80.35, -57.03

 

CMYK 0 / 81 / 13 / 13

HEX #DF2AC1

RGB 223 42 193

HSL 309.94, 0.74%, 0.52%

LAB 53.16, 79.33, -37.48

 

CMYK 0 / 81 / 35 / 13

HEX #DF2A91

RGB 223 42 145

HSL 325.86, 0.74%, 0.52%

LAB 51.14, 73.61, -12.35

 

CMYK 0 / 81 / 57 / 13

HEX #DF2A60

RGB 223 42 96

HSL 342.1, 0.74%, 0.52%

LAB 49.72, 69.44, 15.3

 

CMYK 0 / 85 / 16 / 38

HEX #9F1886

RGB 159 24 134

HSL 311.11, 0.74%, 0.36%

LAB 37.38, 61.89, -27.82

 

CMYK 0 / 85 / 15 / 24

HEX #C31DA5

RGB 195 29 165

HSL 310.84, 0.74%, 0.44%

LAB 45.9, 72.61, -32.79

 

CMYK 0 / 81 / 15 / 13

HEX #DF2ABE

RGB 223 42 190

HSL 310.94, 0.74%, 0.52%

LAB 53.02, 78.93, -35.96

 

CMYK 0 / 66 / 12 / 10

HEX #E54EC9

RGB 229 78 201

HSL 311.13, 0.74%, 0.6%

LAB 58.34, 70.92, -33.89

 

CMYK 0 / 51 / 9 / 8

HEX #EA72D4

RGB 234 114 212

HSL 311, 0.74%, 0.68%

LAB 65.18, 58.57, -29.44

 

CMYK 0 / 81 / 15 / 13

HEX #DF2ABE

RGB 223 42 190

HSL 310.94, 0.74%, 0.52%

LAB 53.02, 78.93, -35.96

 

CMYK 0 / 52 / 81 / 13

HEX #DF6C2A

RGB 223 108 42

HSL 21.88, 0.74%, 0.52%

LAB 58.58, 40.99, 55.06

 

CMYK 81 / 0 / 19 / 13

HEX #2ADFB5

RGB 42 223 181

HSL 166.08, 0.74%, 0.52%

LAB 79.96, -52.91, 8.35

 

CMYK 0 / 81 / 15 / 13

HEX #DF2ABE

RGB 223 42 190

HSL 310.94, 0.74%, 0.52%

LAB 53.02, 78.93, -35.96

 

CMYK 13 / 0 / 81 / 13

HEX #C1DF2A

RGB 193 223 42

HSL 69.94, 0.74%, 0.52%

LAB 84.11, -31.15, 76.65

 

CMYK 81 / 13 / 0 / 13

HEX #2AC1DF

RGB 42 193 223

HSL 189.94, 0.74%, 0.52%

LAB 72.2, -27.54, -25.76

 

CMYK 0 / 81 / 15 / 13

HEX #DF2ABE

RGB 223 42 190

HSL 310.94, 0.74%, 0.52%

LAB 53.02, 78.93, -35.96

 

CMYK 0 / 52 / 81 / 13

HEX #DF6C2A

RGB 223 108 42

HSL 21.88, 0.74%, 0.52%

LAB 58.58, 40.99, 55.06

 

CMYK 81 / 0 / 68 / 13

HEX #2ADF48

RGB 42 223 72

HSL 129.94, 0.74%, 0.52%

LAB 78.31, -71.79, 59.3

 

CMYK 81 / 30 / 0 / 13

HEX #2A9DDF

RGB 42 157 223

HSL 201.88, 0.74%, 0.52%

LAB 61.6, -8.52, -42.21

 

CMYK 0 / 81 / 15 / 13

HEX #DF2ABE

RGB 223 42 190

HSL 310.94, 0.74%, 0.52%

LAB 53.02, 78.93, -35.96

 

CMYK 0 / 27 / 81 / 13

HEX #DFA32A

RGB 223 163 42

HSL 40.11, 0.74%, 0.52%

LAB 70.91, 12.04, 66.1

 

CMYK 81 / 0 / 68 / 13

HEX #2ADF48

RGB 42 223 72

HSL 129.94, 0.74%, 0.52%

LAB 78.31, -71.79, 59.3

 

CMYK 81 / 54 / 0 / 13

HEX #2A66DF

RGB 42 102 223

HSL 220.11, 0.74%, 0.52%

LAB 46.07, 24.93, -67.03

 

Description

Color code: HEX #DF2ABE | qconv.com Color code: HEX #DF2ABE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 42 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 42 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 15 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 15% 13% C M Y K

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