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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #75DDBA it is the complementary color #8A2245. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #75DDBA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #75DDBA: #7ADDB5, #8BEFC8, #9CFFDB, #ADFFEE and #BEFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #75DDBA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #75DDBA: #75DDBA, #64CBA7, #53B994, #42A781 and #31956E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 16 / 13

HEX #75DDBA

RGB 117 221 186

HSL 159.81, 0.6%, 0.66%

LAB 81.31, -38.45, 7.89

 

Complementary color

CMYK 0 / 75 / 50 / 46

HEX #8A2245

RGB 138 34 69

HSL 339.81, 0.6%, 0.34%

LAB 31.75, 45.88, 4.83

 

CMYK 45 / 0 / 18 / 13

HEX #7ADDB5

RGB 122 221 181

HSL 155.76, 0.59%, 0.67%

LAB 81.39, -38.29, 10.68

 

CMYK 42 / 0 / 16 / 6

HEX #8BEFC8

RGB 139 239 200

HSL 156.6, 0.76%, 0.74%

LAB 87.68, -38.1, 9.76

 

CMYK 39 / 0 / 14 / 0

HEX #9CFFDB

RGB 156 255 219

HSL 158.18, 1%, 0.81%

LAB 93.32, -36.98, 8.09

 

CMYK 32 / 0 / 7 / 0

HEX #ADFFEE

RGB 173 255 238

HSL 167.56, 1%, 0.84%

LAB 94.56, -28.42, 0.19

 

CMYK 25 / 0 / 0 / 0

HEX #BEFFFF

RGB 190 255 255

HSL 180, 1%, 0.87%

LAB 95.87, -20.05, -6.56

 

CMYK 47 / 0 / 16 / 13

HEX #75DDBA

RGB 117 221 186

HSL 159.81, 0.6%, 0.66%

LAB 81.31, -38.45, 7.89

 

CMYK 51 / 0 / 18 / 20

HEX #64CBA7

RGB 100 203 167

HSL 159.03, 0.5%, 0.59%

LAB 74.96, -38.57, 8.85

 

CMYK 55 / 0 / 20 / 27

HEX #53B994

RGB 83 185 148

HSL 158.24, 0.42%, 0.53%

LAB 68.52, -38.63, 9.9

 

CMYK 60 / 0 / 23 / 35

HEX #42A781

RGB 66 167 129

HSL 157.43, 0.43%, 0.46%

LAB 61.98, -38.59, 11.05

 

CMYK 67 / 0 / 26 / 42

HEX #31956E

RGB 49 149 110

HSL 156.6, 0.51%, 0.39%

LAB 55.35, -38.39, 12.32

 

CMYK 47 / 0 / 16 / 13

HEX #75DDBA

RGB 117 221 186

HSL 159.81, 0.6%, 0.66%

LAB 81.31, -38.45, 7.89

 

CMYK 47 / 0 / 9 / 14

HEX #74DCC9

RGB 116 220 201

HSL 169.04, 0.6%, 0.66%

LAB 81.36, -34.8, -0.01

 

CMYK 47 / 0 / 1 / 14

HEX #74DCDA

RGB 116 220 218

HSL 178.85, 0.6%, 0.66%

LAB 81.82, -30.63, -8.38

 

CMYK 47 / 7 / 0 / 14

HEX #74CCDC

RGB 116 204 220

HSL 189.23, 0.6%, 0.66%

LAB 77.32, -22.27, -16.17

 

CMYK 47 / 15 / 0 / 14

HEX #74BBDC

RGB 116 187 220

HSL 199.04, 0.6%, 0.66%

LAB 72.51, -13.51, -23.47

 

CMYK 47 / 0 / 16 / 13

HEX #75DDBA

RGB 117 221 186

HSL 159.81, 0.6%, 0.66%

LAB 81.31, -38.45, 7.89

 

CMYK 47 / 0 / 18 / 93

HEX #09110E

RGB 9 17 14

HSL 157.5, 0.31%, 0.05%

LAB 4.43, -3.03, 0.64

 

CMYK 47 / 0 / 16 / 73

HEX #244439

RGB 36 68 57

HSL 159.38, 0.31%, 0.2%

LAB 26.17, -14.9, 2.99

 

CMYK 47 / 0 / 16 / 53

HEX #3F7764

RGB 63 119 100

HSL 159.64, 0.31%, 0.36%

LAB 45.87, -23.4, 4.75

 

CMYK 47 / 0 / 16 / 33

HEX #5AAA8F

RGB 90 170 143

HSL 159.75, 0.32%, 0.51%

LAB 64.08, -31.16, 6.37

 

CMYK 47 / 0 / 16 / 13

HEX #75DDBA

RGB 117 221 186

HSL 159.81, 0.6%, 0.66%

LAB 81.31, -38.45, 7.89

 

CMYK 47 / 40 / 0 / 14

HEX #7483DC

RGB 116 131 220

HSL 231.35, 0.6%, 0.66%

LAB 57.19, 18.18, -47.31

 

CMYK 0 / 35 / 47 / 14

HEX #DC8E74

RGB 220 142 116

HSL 15, 0.6%, 0.66%

LAB 66.38, 26.76, 26.11

 

CMYK 47 / 0 / 16 / 13

HEX #75DDBA

RGB 117 221 186

HSL 159.81, 0.6%, 0.66%

LAB 81.31, -38.45, 7.89

 

CMYK 17 / 47 / 0 / 14

HEX #B774DC

RGB 183 116 220

HSL 278.65, 0.6%, 0.66%

LAB 59.64, 44.53, -43.04

 

CMYK 0 / 17 / 47 / 14

HEX #DCB774

RGB 220 183 116

HSL 38.65, 0.6%, 0.66%

LAB 76.28, 4.79, 38.92

 

CMYK 47 / 0 / 16 / 13

HEX #75DDBA

RGB 117 221 186

HSL 159.81, 0.6%, 0.66%

LAB 81.31, -38.45, 7.89

 

CMYK 47 / 40 / 0 / 14

HEX #7483DC

RGB 116 131 220

HSL 231.35, 0.6%, 0.66%

LAB 57.19, 18.18, -47.31

 

CMYK 0 / 47 / 31 / 14

HEX #DC7498

RGB 220 116 152

HSL 339.23, 0.6%, 0.66%

LAB 61.63, 44.48, -0.91

 

CMYK 0 / 7 / 47 / 14

HEX #DCCC74

RGB 220 204 116

HSL 50.77, 0.6%, 0.66%

LAB 81.65, -6.14, 45.61

 

CMYK 47 / 0 / 16 / 13

HEX #75DDBA

RGB 117 221 186

HSL 159.81, 0.6%, 0.66%

LAB 81.31, -38.45, 7.89

 

CMYK 40 / 47 / 0 / 14

HEX #8374DC

RGB 131 116 220

HSL 248.65, 0.6%, 0.66%

LAB 54.54, 30.72, -51.45

 

CMYK 0 / 47 / 31 / 14

HEX #DC7498

RGB 220 116 152

HSL 339.23, 0.6%, 0.66%

LAB 61.63, 44.48, -0.91

 

CMYK 7 / 0 / 47 / 14

HEX #CCDC74

RGB 204 220 116

HSL 69.23, 0.6%, 0.66%

LAB 84.63, -20.54, 48.95

 

Description

Color code: HEX #75DDBA | qconv.com Color code: HEX #75DDBA | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 221 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 221 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 16 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 16% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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