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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 47 / 0 / 16 / 53 it is the complementary color CMYK 0 / 29 / 19 / 25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 47 / 0 / 16 / 53. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 47 / 0 / 16 / 53: CMYK 43 / 0 / 20 / 53, CMYK 38 / 0 / 17 / 46, CMYK 34 / 0 / 14 / 39, CMYK 31 / 0 / 12 / 32 and CMYK 29 / 0 / 10 / 25

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 47 / 0 / 16 / 53. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 47 / 0 / 16 / 53: CMYK 47 / 0 / 16 / 53, CMYK 54 / 0 / 20 / 60, CMYK 64 / 0 / 25 / 67, CMYK 80 / 0 / 33 / 74 and CMYK 100 / 0 / 48 / 81

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 0 / 16 / 53

HEX #407865

RGB 64 120 101

HSL 159.64, 0.3%, 0.36%

LAB 46.26, -23.39, 4.73

 

Complementary color

CMYK 0 / 29 / 19 / 25

HEX #BF879A

RGB 191 135 154

HSL 339.64, 0.3%, 0.64%

LAB 62.29, 24.27, -1.52

 

CMYK 43 / 0 / 20 / 53

HEX #457860

RGB 69 120 96

HSL 151.76, 0.27%, 0.37%

LAB 46.37, -23.1, 7.87

 

CMYK 38 / 0 / 17 / 46

HEX #568A73

RGB 86 138 115

HSL 153.46, 0.23%, 0.44%

LAB 53.38, -22.84, 6.87

 

CMYK 34 / 0 / 14 / 39

HEX #679C86

RGB 103 156 134

HSL 155.09, 0.21%, 0.51%

LAB 60.23, -22.59, 5.96

 

CMYK 31 / 0 / 12 / 32

HEX #78AE99

RGB 120 174 153

HSL 156.67, 0.25%, 0.58%

LAB 66.95, -22.37, 5.12

 

CMYK 29 / 0 / 10 / 25

HEX #89C0AC

RGB 137 192 172

HSL 158.18, 0.3%, 0.65%

LAB 73.54, -22.16, 4.34

 

CMYK 47 / 0 / 16 / 53

HEX #407865

RGB 64 120 101

HSL 159.64, 0.3%, 0.36%

LAB 46.26, -23.39, 4.73

 

CMYK 54 / 0 / 20 / 60

HEX #2F6652

RGB 47 102 82

HSL 158.18, 0.37%, 0.29%

LAB 39.1, -23.54, 5.8

 

CMYK 64 / 0 / 25 / 67

HEX #1E543F

RGB 30 84 63

HSL 156.67, 0.47%, 0.22%

LAB 31.75, -23.57, 7.05

 

CMYK 80 / 0 / 33 / 74

HEX #0D422C

RGB 13 66 44

HSL 155.09, 0.67%, 0.15%

LAB 24.21, -23.25, 8.57

 

CMYK 100 / 0 / 48 / 81

HEX #003019

RGB 0 48 25

HSL 151.25, 1%, 0.09%

LAB 16.43, -22.3, 10.47

 

CMYK 47 / 0 / 16 / 53

HEX #407865

RGB 64 120 101

HSL 159.64, 0.3%, 0.36%

LAB 46.26, -23.39, 4.73

 

CMYK 46 / 0 / 8 / 53

HEX #40776D

RGB 64 119 109

HSL 169.09, 0.3%, 0.36%

LAB 46.16, -20.84, -0.17

 

CMYK 46 / 0 / 1 / 53

HEX #407776

RGB 64 119 118

HSL 178.91, 0.3%, 0.36%

LAB 46.43, -18.41, -5.12

 

CMYK 46 / 7 / 0 / 53

HEX #406F77

RGB 64 111 119

HSL 188.73, 0.3%, 0.36%

LAB 43.93, -13.72, -9.46

 

CMYK 46 / 15 / 0 / 53

HEX #406577

RGB 64 101 119

HSL 199.64, 0.3%, 0.36%

LAB 40.78, -7.94, -14.22

 

CMYK 47 / 0 / 16 / 53

HEX #407865

RGB 64 120 101

HSL 159.64, 0.3%, 0.36%

LAB 46.26, -23.39, 4.73

 

CMYK 47 / 0 / 16 / 33

HEX #5BAB90

RGB 91 171 144

HSL 159.75, 0.32%, 0.51%

LAB 64.45, -31.15, 6.35

 

CMYK 47 / 0 / 16 / 13

HEX #76DEBB

RGB 118 222 187

HSL 159.81, 0.61%, 0.67%

LAB 81.67, -38.44, 7.87

 

CMYK 44 / 0 / 17 / 93

HEX #0A120F

RGB 10 18 15

HSL 157.5, 0.29%, 0.05%

LAB 4.8, -3.18, 0.67

 

CMYK 46 / 0 / 16 / 73

HEX #25453A

RGB 37 69 58

HSL 159.38, 0.3%, 0.21%

LAB 26.61, -14.88, 2.97

 

CMYK 47 / 0 / 16 / 53

HEX #407865

RGB 64 120 101

HSL 159.64, 0.3%, 0.36%

LAB 46.26, -23.39, 4.73

 

CMYK 46 / 39 / 0 / 53

HEX #404877

RGB 64 72 119

HSL 231.27, 0.3%, 0.36%

LAB 31.94, 10.3, -27.94

 

CMYK 0 / 34 / 46 / 53

HEX #774E40

RGB 119 78 64

HSL 15.27, 0.3%, 0.36%

LAB 37.37, 15.49, 15.34

 

CMYK 47 / 0 / 16 / 53

HEX #407865

RGB 64 120 101

HSL 159.64, 0.3%, 0.36%

LAB 46.26, -23.39, 4.73

 

CMYK 16 / 46 / 0 / 53

HEX #644077

RGB 100 64 119

HSL 279.27, 0.3%, 0.36%

LAB 33.37, 26.5, -25.44

 

CMYK 0 / 16 / 46 / 53

HEX #776440

RGB 119 100 64

HSL 39.27, 0.3%, 0.36%

LAB 43.37, 2.31, 23.21

 

CMYK 47 / 0 / 16 / 53

HEX #407865

RGB 64 120 101

HSL 159.64, 0.3%, 0.36%

LAB 46.26, -23.39, 4.73

 

CMYK 46 / 39 / 0 / 53

HEX #404877

RGB 64 72 119

HSL 231.27, 0.3%, 0.36%

LAB 31.94, 10.3, -27.94

 

CMYK 0 / 46 / 30 / 53

HEX #774053

RGB 119 64 83

HSL 339.27, 0.3%, 0.36%

LAB 34.42, 26.34, -0.79

 

CMYK 0 / 7 / 46 / 53

HEX #776F40

RGB 119 111 64

HSL 51.27, 0.3%, 0.36%

LAB 46.53, -4.09, 27.21

 

CMYK 47 / 0 / 16 / 53

HEX #407865

RGB 64 120 101

HSL 159.64, 0.3%, 0.36%

LAB 46.26, -23.39, 4.73

 

CMYK 39 / 46 / 0 / 53

HEX #484077

RGB 72 64 119

HSL 248.73, 0.3%, 0.36%

LAB 30.34, 17.86, -30.41

 

CMYK 0 / 46 / 30 / 53

HEX #774053

RGB 119 64 83

HSL 339.27, 0.3%, 0.36%

LAB 34.42, 26.34, -0.79

 

CMYK 7 / 0 / 46 / 53

HEX #6F7740

RGB 111 119 64

HSL 68.73, 0.3%, 0.36%

LAB 48.19, -12.13, 29.13

 

Description

Color code: CMYK 47 / 0 / 16 / 53 | qconv.com Color code: CMYK 47 / 0 / 16 / 53 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 64 red, 120 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
64 120 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, none magenta, 16 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 0% 16% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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