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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #7421AE it is the complementary color #8BDE51. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #7421AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #7421AE shade: #7921A9, #8A33BC, #9B45CF, #AC57E2 and #BD69F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #7421AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #7421AE shade: #7421AE, #630F9B, #520088, #410075 and #300062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #7421AE shade: #7521B0, #9C21B0, #B0219D, #B02177 and #B02151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #7421AE shade: #7521B0, #4F21B0, #2821B0 and #2121B0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #7421AE shade matches the following richer shades: #7521B0 and #7811C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #7421AE shade: #7521B0, #72329F, #6F438E, #6C547D and #69656C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #7421AE shade: #2921B0, #4E21B0, #7421B0, #9A21B0 and #B0219F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #7421AE shade: #47146A, #5E1B8D, #7521B0, #8C28D2 and #9F48DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #7421AE shade: #7421AE, #B02140 and #21B03C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #7421AE shade: #7421AE, #B07421 and #21B074

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #7421AE shade: #7421AE, #B02140, #5DB021 and #21B091

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #7421AE shade: #7421AE, #B02D21, #5DB021 and #21A4B0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 81 / 0 / 32

HEX #7421AE

RGB 116 33 174

HSL 275.32, 0.68%, 0.41%

LAB 33.68, 58.35, -58.47

 

Complementary color

CMYK 37 / 0 / 64 / 13

HEX #8BDE51

RGB 139 222 81

HSL 95.32, 0.68%, 0.59%

LAB 80.92, -48.6, 59.35

 

CMYK 28 / 80 / 0 / 34

HEX #7921A9

RGB 121 33 169

HSL 278.82, 0.67%, 0.4%

LAB 34.02, 58.1, -54.89

 

CMYK 27 / 73 / 0 / 26

HEX #8A33BC

RGB 138 51 188

HSL 278.1, 0.57%, 0.47%

LAB 40.25, 58.58, -55.95

 

CMYK 25 / 67 / 0 / 19

HEX #9B45CF

RGB 155 69 207

HSL 277.39, 0.59%, 0.54%

LAB 46.62, 58.41, -56.6

 

CMYK 24 / 62 / 0 / 11

HEX #AC57E2

RGB 172 87 226

HSL 276.69, 0.71%, 0.61%

LAB 53.03, 57.89, -56.99

 

CMYK 23 / 57 / 0 / 4

HEX #BD69F5

RGB 189 105 245

HSL 276, 0.88%, 0.69%

LAB 59.45, 57.2, -57.24

 

CMYK 33 / 81 / 0 / 32

HEX #7421AE

RGB 116 33 174

HSL 275.32, 0.68%, 0.41%

LAB 33.68, 58.35, -58.47

 

CMYK 36 / 90 / 0 / 39

HEX #630F9B

RGB 99 15 155

HSL 276, 0.82%, 0.33%

LAB 27.74, 56.84, -56.8

 

CMYK 40 / 100 / 0 / 47

HEX #520088

RGB 82 0 136

HSL 276.18, 1%, 0.27%

LAB 22.2, 53.76, -54.21

 

CMYK 44 / 100 / 0 / 54

HEX #410075

RGB 65 0 117

HSL 273.33, 1%, 0.23%

LAB 17.5, 47.72, -49.96

 

CMYK 51 / 100 / 0 / 62

HEX #300062

RGB 48 0 98

HSL 269.39, 1%, 0.19%

LAB 12.67, 41.54, -45.56

 

CMYK 34 / 81 / 0 / 31

HEX #7521B0

RGB 117 33 176

HSL 275.24, 0.68%, 0.41%

LAB 33.99, 58.96, -59.15

 

CMYK 11 / 81 / 0 / 31

HEX #9C21B0

RGB 156 33 176

HSL 291.61, 0.68%, 0.41%

LAB 40.07, 65.76, -49.03

 

CMYK 0 / 81 / 11 / 31

HEX #B0219D

RGB 176 33 157

HSL 307.97, 0.68%, 0.41%

LAB 42.39, 66.69, -33.77

 

CMYK 0 / 81 / 32 / 31

HEX #B02177

RGB 176 33 119

HSL 323.92, 0.68%, 0.41%

LAB 40.65, 61.76, -13.2

 

CMYK 0 / 81 / 54 / 31

HEX #B02151

RGB 176 33 81

HSL 339.86, 0.68%, 0.41%

LAB 39.43, 58.14, 8.97

 

CMYK 34 / 81 / 0 / 31

HEX #7521B0

RGB 117 33 176

HSL 275.24, 0.68%, 0.41%

LAB 33.99, 58.96, -59.15

 

CMYK 55 / 81 / 0 / 31

HEX #4F21B0

RGB 79 33 176

HSL 259.3, 0.68%, 0.41%

LAB 29.12, 53.57, -67.33

 

CMYK 77 / 81 / 0 / 31

HEX #2821B0

RGB 40 33 176

HSL 242.94, 0.68%, 0.41%

LAB 25.78, 49.93, -72.95

 

CMYK 81 / 81 / 0 / 31

HEX #2121B0

RGB 33 33 176

HSL 240, 0.68%, 0.41%

LAB 25.4, 49.52, -73.6

 

CMYK 34 / 81 / 0 / 31

HEX #7521B0

RGB 117 33 176

HSL 275.24, 0.68%, 0.41%

LAB 33.99, 58.96, -59.15

 

CMYK 38 / 91 / 0 / 24

HEX #7811C1

RGB 120 17 193

HSL 275.11, 0.84%, 0.41%

LAB 34.49, 67.22, -68.4

 

CMYK 34 / 81 / 0 / 31

HEX #7521B0

RGB 117 33 176

HSL 275.24, 0.68%, 0.41%

LAB 33.99, 58.96, -59.15

 

CMYK 28 / 69 / 0 / 38

HEX #72329F

RGB 114 50 159

HSL 275.23, 0.52%, 0.41%

LAB 34.73, 47.52, -47.77

 

CMYK 22 / 53 / 0 / 44

HEX #6F438E

RGB 111 67 142

HSL 275.2, 0.36%, 0.41%

LAB 36.64, 33.61, -34.4

 

CMYK 14 / 33 / 0 / 51

HEX #6C547D

RGB 108 84 125

HSL 275.12, 0.2%, 0.41%

LAB 39.6, 18.35, -19.4

 

CMYK 3 / 6 / 0 / 58

HEX #69656C

RGB 105 101 108

HSL 274.29, 0.03%, 0.41%

LAB 43.35, 3.02, -3.38

 

CMYK 77 / 81 / 0 / 31

HEX #2921B0

RGB 41 33 176

HSL 243.36, 0.68%, 0.41%

LAB 25.84, 50, -72.85

 

CMYK 56 / 81 / 0 / 31

HEX #4E21B0

RGB 78 33 176

HSL 258.88, 0.68%, 0.41%

LAB 29.01, 53.45, -67.51

 

CMYK 34 / 81 / 0 / 31

HEX #7421B0

RGB 116 33 176

HSL 274.83, 0.68%, 0.41%

LAB 33.85, 58.8, -59.39

 

CMYK 13 / 81 / 0 / 31

HEX #9A21B0

RGB 154 33 176

HSL 290.77, 0.68%, 0.41%

LAB 39.74, 65.39, -49.57

 

CMYK 0 / 81 / 10 / 31

HEX #B0219F

RGB 176 33 159

HSL 307.13, 0.68%, 0.41%

LAB 42.49, 66.98, -34.8

 

CMYK 33 / 81 / 0 / 58

HEX #47146A

RGB 71 20 106

HSL 275.58, 0.68%, 0.25%

LAB 19.56, 39.54, -39.41

 

CMYK 33 / 81 / 0 / 45

HEX #5E1B8D

RGB 94 27 141

HSL 275.26, 0.68%, 0.33%

LAB 26.98, 49.32, -49.44

 

CMYK 34 / 81 / 0 / 31

HEX #7521B0

RGB 117 33 176

HSL 275.24, 0.68%, 0.41%

LAB 33.99, 58.96, -59.15

 

CMYK 33 / 81 / 0 / 18

HEX #8C28D2

RGB 140 40 210

HSL 275.29, 0.68%, 0.49%

LAB 40.81, 67.64, -67.84

 

CMYK 28 / 67 / 0 / 14

HEX #9F48DC

RGB 159 72 220

HSL 275.27, 0.68%, 0.57%

LAB 48.48, 60.74, -61.01

 

CMYK 33 / 81 / 0 / 32

HEX #7421AE

RGB 116 33 174

HSL 275.32, 0.68%, 0.41%

LAB 33.68, 58.35, -58.47

 

CMYK 0 / 81 / 64 / 31

HEX #B02140

RGB 176 33 64

HSL 346.99, 0.68%, 0.41%

LAB 39.05, 56.97, 19.26

 

CMYK 81 / 0 / 66 / 31

HEX #21B03C

RGB 33 176 60

HSL 131.33, 0.68%, 0.41%

LAB 63.09, -59.39, 47.67

 

CMYK 33 / 81 / 0 / 32

HEX #7421AE

RGB 116 33 174

HSL 275.32, 0.68%, 0.41%

LAB 33.68, 58.35, -58.47

 

CMYK 0 / 34 / 81 / 31

HEX #B07421

RGB 176 116 33

HSL 34.83, 0.68%, 0.41%

LAB 53.85, 16.82, 51.97

 

CMYK 81 / 0 / 34 / 31

HEX #21B074

RGB 33 176 116

HSL 154.83, 0.68%, 0.41%

LAB 63.86, -50.33, 20.69

 

CMYK 33 / 81 / 0 / 32

HEX #7421AE

RGB 116 33 174

HSL 275.32, 0.68%, 0.41%

LAB 33.68, 58.35, -58.47

 

CMYK 0 / 81 / 64 / 31

HEX #B02140

RGB 176 33 64

HSL 346.99, 0.68%, 0.41%

LAB 39.05, 56.97, 19.26

 

CMYK 47 / 0 / 81 / 31

HEX #5DB021

RGB 93 176 33

HSL 94.83, 0.68%, 0.41%

LAB 64.55, -48.27, 59.41

 

CMYK 81 / 0 / 18 / 31

HEX #21B091

RGB 33 176 145

HSL 166.99, 0.68%, 0.41%

LAB 64.5, -43.45, 5.66

 

CMYK 33 / 81 / 0 / 32

HEX #7421AE

RGB 116 33 174

HSL 275.32, 0.68%, 0.41%

LAB 33.68, 58.35, -58.47

 

CMYK 0 / 74 / 81 / 31

HEX #B02D21

RGB 176 45 33

HSL 5.03, 0.68%, 0.41%

LAB 39.94, 51.82, 38.89

 

CMYK 47 / 0 / 81 / 31

HEX #5DB021

RGB 93 176 33

HSL 94.83, 0.68%, 0.41%

LAB 64.55, -48.27, 59.41

 

CMYK 81 / 7 / 0 / 31

HEX #21A4B0

RGB 33 164 176

HSL 185.03, 0.68%, 0.41%

LAB 61.66, -28.97, -15.87

 

Description

Color code: HEX #7421AE | qconv.com Color code: HEX #7421AE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 33 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 33 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 81 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 81% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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