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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 0 / 81 / 64 / 31 it is the complementary color CMYK 64 / 0 / 14 / 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 0 / 81 / 64 / 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 0 / 81 / 64 / 31: CMYK 0 / 82 / 68 / 29, CMYK 0 / 74 / 61 / 22, CMYK 0 / 68 / 55 / 16, CMYK 0 / 63 / 50 / 9 and CMYK 0 / 58 / 46 / 2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 0 / 81 / 64 / 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 0 / 81 / 64 / 31: CMYK 0 / 81 / 64 / 31, CMYK 0 / 91 / 72 / 38, CMYK 0 / 100 / 82 / 44, CMYK 0 / 100 / 95 / 51 and CMYK 0 / 100 / 100 / 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 64 / 31

HEX #B0213F

RGB 176 33 63

HSL 347.41, 0.68%, 0.41%

LAB 39.03, 56.91, 19.87

 

Complementary color

CMYK 64 / 0 / 14 / 13

HEX #4FDEC0

RGB 79 222 192

HSL 167.41, 0.68%, 0.59%

LAB 80.58, -45.18, 3.5

 

CMYK 0 / 82 / 68 / 29

HEX #B5213A

RGB 181 33 58

HSL 349.86, 0.69%, 0.42%

LAB 39.94, 58.05, 24.38

 

CMYK 0 / 74 / 61 / 22

HEX #C6334D

RGB 198 51 77

HSL 349.39, 0.59%, 0.49%

LAB 45.51, 58.66, 20.45

 

CMYK 0 / 68 / 55 / 16

HEX #D74560

RGB 215 69 96

HSL 348.9, 0.65%, 0.56%

LAB 51.32, 58.61, 17.24

 

CMYK 0 / 63 / 50 / 9

HEX #E85773

RGB 232 87 115

HSL 348.41, 0.76%, 0.63%

LAB 57.28, 58.15, 14.6

 

CMYK 0 / 58 / 46 / 2

HEX #F96986

RGB 249 105 134

HSL 347.92, 0.92%, 0.69%

LAB 63.31, 57.47, 12.39

 

CMYK 0 / 81 / 64 / 31

HEX #B0213F

RGB 176 33 63

HSL 347.41, 0.68%, 0.41%

LAB 39.03, 56.91, 19.87

 

CMYK 0 / 91 / 72 / 38

HEX #9F0F2C

RGB 159 15 44

HSL 347.92, 0.83%, 0.34%

LAB 33.76, 55.25, 24.59

 

CMYK 0 / 100 / 82 / 44

HEX #8E0019

RGB 142 0 25

HSL 349.44, 1%, 0.28%

LAB 28.96, 52.3, 30.15

 

CMYK 0 / 100 / 95 / 51

HEX #7D0006

RGB 125 0 6

HSL 357.12, 1%, 0.25%

LAB 24.87, 47.35, 34.74

 

CMYK 0 / 100 / 100 / 58

HEX #6C0000

RGB 108 0 0

HSL 0, 1%, 0.21%

LAB 20.78, 42.56, 31.69

 

CMYK 0 / 81 / 64 / 31

HEX #B0213F

RGB 176 33 63

HSL 347.41, 0.68%, 0.41%

LAB 39.03, 56.91, 19.87

 

CMYK 0 / 81 / 77 / 31

HEX #AF2128

RGB 175 33 40

HSL 357.04, 0.68%, 0.41%

LAB 38.47, 55.53, 33.34

 

CMYK 0 / 71 / 81 / 31

HEX #AF3221

RGB 175 50 33

HSL 7.18, 0.68%, 0.41%

LAB 40.42, 49.65, 39.29

 

CMYK 0 / 58 / 81 / 31

HEX #AF4921

RGB 175 73 33

HSL 16.9, 0.68%, 0.41%

LAB 44.22, 39.5, 42.97

 

CMYK 0 / 45 / 81 / 31

HEX #AF6121

RGB 175 97 33

HSL 27.04, 0.68%, 0.41%

LAB 49.22, 26.93, 47.68

 

CMYK 0 / 81 / 64 / 31

HEX #B0213F

RGB 176 33 63

HSL 347.41, 0.68%, 0.41%

LAB 39.03, 56.91, 19.87

 

CMYK 0 / 81 / 64 / 11

HEX #E32B51

RGB 227 43 81

HSL 347.61, 0.77%, 0.53%

LAB 50.28, 69.35, 25.28

 

CMYK 0 / 83 / 65 / 91

HEX #170408

RGB 23 4 8

HSL 347.37, 0.7%, 0.05%

LAB 2.59, 6.89, 0.72

 

CMYK 0 / 81 / 65 / 71

HEX #4A0E1A

RGB 74 14 26

HSL 348, 0.68%, 0.17%

LAB 14.65, 28.79, 8.76

 

CMYK 0 / 82 / 64 / 51

HEX #7D172D

RGB 125 23 45

HSL 347.06, 0.69%, 0.29%

LAB 27.19, 43.71, 14.12

 

CMYK 0 / 81 / 64 / 31

HEX #B0213F

RGB 176 33 63

HSL 347.41, 0.68%, 0.41%

LAB 39.03, 56.91, 19.87

 

CMYK 0 / 1 / 81 / 31

HEX #AFAD21

RGB 175 173 33

HSL 59.15, 0.68%, 0.41%

LAB 68.83, -14.6, 65.18

 

CMYK 81 / 31 / 0 / 31

HEX #2179AF

RGB 33 121 175

HSL 202.82, 0.68%, 0.41%

LAB 48.38, -6.08, -35.8

 

CMYK 0 / 81 / 64 / 31

HEX #B0213F

RGB 176 33 63

HSL 347.41, 0.68%, 0.41%

LAB 39.03, 56.91, 19.87

 

CMYK 63 / 0 / 81 / 31

HEX #40AF21

RGB 64 175 33

HSL 106.9, 0.68%, 0.41%

LAB 63.23, -55.87, 57.82

 

CMYK 81 / 63 / 0 / 31

HEX #2140AF

RGB 33 64 175

HSL 226.9, 0.68%, 0.41%

LAB 32, 30.7, -62.12

 

CMYK 0 / 81 / 64 / 31

HEX #B0213F

RGB 176 33 63

HSL 347.41, 0.68%, 0.41%

LAB 39.03, 56.91, 19.87

 

CMYK 0 / 1 / 81 / 31

HEX #AFAD21

RGB 175 173 33

HSL 59.15, 0.68%, 0.41%

LAB 68.83, -14.6, 65.18

 

CMYK 81 / 0 / 18 / 31

HEX #21AF90

RGB 33 175 144

HSL 166.9, 0.68%, 0.41%

LAB 64.16, -43.28, 5.72

 

CMYK 81 / 80 / 0 / 31

HEX #2123AF

RGB 33 35 175

HSL 239.15, 0.68%, 0.41%

LAB 25.63, 48.19, -72.63

 

CMYK 0 / 81 / 64 / 31

HEX #B0213F

RGB 176 33 63

HSL 347.41, 0.68%, 0.41%

LAB 39.03, 56.91, 19.87

 

CMYK 23 / 0 / 81 / 31

HEX #87AF21

RGB 135 175 33

HSL 76.9, 0.68%, 0.41%

LAB 66.46, -32.54, 61.96

 

CMYK 81 / 0 / 18 / 31

HEX #21AF90

RGB 33 175 144

HSL 166.9, 0.68%, 0.41%

LAB 64.16, -43.28, 5.72

 

CMYK 58 / 81 / 0 / 31

HEX #4921AF

RGB 73 33 175

HSL 256.9, 0.68%, 0.41%

LAB 28.38, 52.59, -67.98

 

Description

Color code: CMYK 0 / 81 / 64 / 31 | qconv.com Color code: CMYK 0 / 81 / 64 / 31 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 176 red, 33 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
176 33 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 64 yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 64% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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