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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9A21B0 it is the complementary color #65DE4F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9A21B0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #9A21B0: #9F21AB, #B033BE, #C145D1, #D257E4 and #E369F7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9A21B0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #9A21B0: #9A21B0, #890F9D, #78008A, #670077 and #560064

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 81 / 0 / 31

HEX #9A21B0

RGB 154 33 176

HSL 290.77, 0.68%, 0.41%

LAB 39.74, 65.39, -49.57

 

Complementary color

CMYK 55 / 0 / 64 / 13

HEX #65DE4F

RGB 101 222 79

HSL 110.77, 0.68%, 0.59%

LAB 79.37, -60.02, 58.04

 

CMYK 7 / 81 / 0 / 33

HEX #9F21AB

RGB 159 33 171

HSL 294.78, 0.68%, 0.4%

LAB 40.24, 65.46, -45.74

 

CMYK 7 / 73 / 0 / 25

HEX #B033BE

RGB 176 51 190

HSL 293.96, 0.58%, 0.47%

LAB 46.06, 66.69, -47.47

 

CMYK 8 / 67 / 0 / 18

HEX #C145D1

RGB 193 69 209

HSL 293.14, 0.6%, 0.55%

LAB 52.06, 67.16, -48.73

 

CMYK 8 / 62 / 0 / 11

HEX #D257E4

RGB 210 87 228

HSL 292.34, 0.72%, 0.62%

LAB 58.15, 67.15, -49.66

 

CMYK 8 / 57 / 0 / 3

HEX #E369F7

RGB 227 105 247

HSL 291.55, 0.9%, 0.69%

LAB 64.28, 66.84, -50.37

 

CMYK 13 / 81 / 0 / 31

HEX #9A21B0

RGB 154 33 176

HSL 290.77, 0.68%, 0.41%

LAB 39.74, 65.39, -49.57

 

CMYK 13 / 90 / 0 / 38

HEX #890F9D

RGB 137 15 157

HSL 291.55, 0.83%, 0.34%

LAB 34.18, 63.05, -47.27

 

CMYK 13 / 100 / 0 / 46

HEX #78008A

RGB 120 0 138

HSL 292.17, 1%, 0.27%

LAB 28.97, 59.28, -44.14

 

CMYK 13 / 100 / 0 / 53

HEX #670077

RGB 103 0 119

HSL 291.93, 1%, 0.23%

LAB 24.37, 53.23, -39.74

 

CMYK 14 / 100 / 0 / 61

HEX #560064

RGB 86 0 100

HSL 291.6, 1%, 0.2%

LAB 19.63, 47.01, -35.23

 

CMYK 13 / 81 / 0 / 31

HEX #9A21B0

RGB 154 33 176

HSL 290.77, 0.68%, 0.41%

LAB 39.74, 65.39, -49.57

 

CMYK 0 / 81 / 0 / 31

HEX #AF21AF

RGB 175 33 175

HSL 300, 0.68%, 0.41%

LAB 43.21, 69.21, -43.22

 

CMYK 0 / 81 / 14 / 31

HEX #AF2197

RGB 175 33 151

HSL 310.14, 0.68%, 0.41%

LAB 41.9, 65.62, -30.92

 

CMYK 0 / 81 / 27 / 31

HEX #AF2180

RGB 175 33 128

HSL 319.86, 0.68%, 0.41%

LAB 40.83, 62.58, -18.52

 

CMYK 0 / 81 / 41 / 31

HEX #AF2168

RGB 175 33 104

HSL 330, 0.68%, 0.41%

LAB 39.92, 59.91, -4.94

 

CMYK 13 / 81 / 0 / 31

HEX #9A21B0

RGB 154 33 176

HSL 290.77, 0.68%, 0.41%

LAB 39.74, 65.39, -49.57

 

CMYK 12 / 81 / 0 / 11

HEX #C72BE3

RGB 199 43 227

HSL 290.87, 0.77%, 0.53%

LAB 51.17, 79.72, -60.35

 

CMYK 13 / 83 / 0 / 91

HEX #140417

RGB 20 4 23

HSL 290.53, 0.7%, 0.05%

LAB 2.69, 8.35, -7.42

 

CMYK 12 / 81 / 0 / 71

HEX #410E4A

RGB 65 14 74

HSL 291, 0.68%, 0.17%

LAB 15.13, 33.32, -25.15

 

CMYK 13 / 82 / 0 / 51

HEX #6D177D

RGB 109 23 125

HSL 290.59, 0.69%, 0.29%

LAB 27.69, 50.15, -38.14

 

CMYK 13 / 81 / 0 / 31

HEX #9A21B0

RGB 154 33 176

HSL 290.77, 0.68%, 0.41%

LAB 39.74, 65.39, -49.57

 

CMYK 0 / 78 / 81 / 31

HEX #AF2621

RGB 175 38 33

HSL 2.11, 0.68%, 0.41%

LAB 38.92, 53.83, 37.81

 

CMYK 81 / 0 / 46 / 31

HEX #21AF5F

RGB 33 175 95

HSL 146.2, 0.68%, 0.41%

LAB 63.19, -54.06, 30.95

 

CMYK 13 / 81 / 0 / 31

HEX #9A21B0

RGB 154 33 176

HSL 290.77, 0.68%, 0.41%

LAB 39.74, 65.39, -49.57

 

CMYK 0 / 14 / 81 / 31

HEX #AF9721

RGB 175 151 33

HSL 49.86, 0.68%, 0.41%

LAB 62.81, -3, 59.93

 

CMYK 81 / 0 / 14 / 31

HEX #21AF97

RGB 33 175 151

HSL 169.86, 0.68%, 0.41%

LAB 64.34, -41.42, 2.09

 

CMYK 13 / 81 / 0 / 31

HEX #9A21B0

RGB 154 33 176

HSL 290.77, 0.68%, 0.41%

LAB 39.74, 65.39, -49.57

 

CMYK 0 / 78 / 81 / 31

HEX #AF2621

RGB 175 38 33

HSL 2.11, 0.68%, 0.41%

LAB 38.92, 53.83, 37.81

 

CMYK 67 / 0 / 81 / 31

HEX #39AF21

RGB 57 175 33

HSL 109.86, 0.68%, 0.41%

LAB 63.04, -57.39, 57.58

 

CMYK 81 / 3 / 0 / 31

HEX #21AAAF

RGB 33 170 175

HSL 182.11, 0.68%, 0.41%

LAB 63.48, -32.19, -12.56

 

CMYK 13 / 81 / 0 / 31

HEX #9A21B0

RGB 154 33 176

HSL 290.77, 0.68%, 0.41%

LAB 39.74, 65.39, -49.57

 

CMYK 0 / 54 / 81 / 31

HEX #AF5021

RGB 175 80 33

HSL 19.86, 0.68%, 0.41%

LAB 45.58, 35.98, 44.27

 

CMYK 67 / 0 / 81 / 31

HEX #39AF21

RGB 57 175 33

HSL 109.86, 0.68%, 0.41%

LAB 63.04, -57.39, 57.58

 

CMYK 81 / 27 / 0 / 31

HEX #2180AF

RGB 33 128 175

HSL 199.86, 0.68%, 0.41%

LAB 50.52, -10.16, -32.44

 

Description

Color code: HEX #9A21B0 | qconv.com Color code: HEX #9A21B0 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 154 red, 33 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
154 33 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 81 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 81% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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