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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #70AD4C it is the complementary color #8F52B3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #70AD4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #70AD4C: #75AD47, #86BF5A, #97D16D, #A8E380 and #B9F593

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #70AD4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #70AD4C: #70AD4C, #5F9B39, #4E8926, #3D7713 and #2C6500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 56 / 32

HEX #70AD4C

RGB 112 173 76

HSL 97.73, 0.39%, 0.49%

LAB 64.85, -37.21, 43.07

 

Complementary color

CMYK 20 / 54 / 0 / 30

HEX #8F52B3

RGB 143 82 179

HSL 277.73, 0.39%, 0.51%

LAB 45.81, 42.8, -41.72

 

CMYK 32 / 0 / 59 / 32

HEX #75AD47

RGB 117 173 71

HSL 92.94, 0.42%, 0.48%

LAB 65.06, -35.95, 45.74

 

CMYK 30 / 0 / 53 / 25

HEX #86BF5A

RGB 134 191 90

HSL 93.86, 0.44%, 0.55%

LAB 71.6, -36, 44.65

 

CMYK 28 / 0 / 48 / 18

HEX #97D16D

RGB 151 209 109

HSL 94.8, 0.52%, 0.62%

LAB 78.04, -35.97, 43.49

 

CMYK 26 / 0 / 44 / 11

HEX #A8E380

RGB 168 227 128

HSL 95.76, 0.64%, 0.7%

LAB 84.39, -35.9, 42.33

 

CMYK 24 / 0 / 40 / 4

HEX #B9F593

RGB 185 245 147

HSL 96.73, 0.83%, 0.77%

LAB 90.65, -35.8, 41.18

 

CMYK 35 / 0 / 56 / 32

HEX #70AD4C

RGB 112 173 76

HSL 97.73, 0.39%, 0.49%

LAB 64.85, -37.21, 43.07

 

CMYK 39 / 0 / 63 / 39

HEX #5F9B39

RGB 95 155 57

HSL 96.73, 0.46%, 0.42%

LAB 58.2, -37.12, 44.1

 

CMYK 43 / 0 / 72 / 46

HEX #4E8926

RGB 78 137 38

HSL 95.76, 0.57%, 0.34%

LAB 51.44, -36.85, 44.79

 

CMYK 49 / 0 / 84 / 53

HEX #3D7713

RGB 61 119 19

HSL 94.8, 0.72%, 0.27%

LAB 44.56, -36.25, 44.64

 

CMYK 56 / 0 / 100 / 60

HEX #2C6500

RGB 44 101 0

HSL 93.86, 1%, 0.2%

LAB 37.56, -35.23, 43.36

 

CMYK 35 / 0 / 56 / 32

HEX #70AD4C

RGB 112 173 76

HSL 97.73, 0.39%, 0.49%

LAB 64.85, -37.21, 43.07

 

CMYK 44 / 0 / 56 / 32

HEX #61AD4C

RGB 97 173 76

HSL 107.01, 0.39%, 0.49%

LAB 64.12, -42.23, 42.03

 

CMYK 53 / 0 / 56 / 32

HEX #51AD4C

RGB 81 173 76

HSL 116.91, 0.39%, 0.49%

LAB 63.47, -46.95, 41.11

 

CMYK 56 / 0 / 50 / 32

HEX #4CAD57

RGB 76 173 87

HSL 126.8, 0.39%, 0.49%

LAB 63.44, -46.77, 35.58

 

CMYK 56 / 0 / 40 / 32

HEX #4CAD67

RGB 76 173 103

HSL 136.7, 0.39%, 0.49%

LAB 63.67, -44.2, 27.58

 

CMYK 35 / 0 / 56 / 32

HEX #70AD4C

RGB 112 173 76

HSL 97.73, 0.39%, 0.49%

LAB 64.85, -37.21, 43.07

 

CMYK 35 / 0 / 56 / 12

HEX #91E062

RGB 145 224 98

HSL 97.62, 0.67%, 0.63%

LAB 81.95, -45.85, 53.26

 

CMYK 35 / 0 / 55 / 92

HEX #0D1409

RGB 13 20 9

HSL 98.18, 0.38%, 0.06%

LAB 5.47, -4.51, 4.41

 

CMYK 35 / 0 / 56 / 72

HEX #2E471F

RGB 46 71 31

HSL 97.5, 0.39%, 0.2%

LAB 27.26, -18.12, 20.9

 

CMYK 35 / 0 / 56 / 52

HEX #4F7A36

RGB 79 122 54

HSL 97.94, 0.39%, 0.35%

LAB 46.77, -28.03, 32.22

 

CMYK 35 / 0 / 56 / 32

HEX #70AD4C

RGB 112 173 76

HSL 97.73, 0.39%, 0.49%

LAB 64.85, -37.21, 43.07

 

CMYK 56 / 0 / 10 / 32

HEX #4CAD9B

RGB 76 173 155

HSL 168.87, 0.39%, 0.49%

LAB 64.8, -32.93, 0.65

 

CMYK 0 / 56 / 12 / 32

HEX #AD4C98

RGB 173 76 152

HSL 312.99, 0.39%, 0.49%

LAB 47.39, 49.18, -23

 

CMYK 35 / 0 / 56 / 32

HEX #70AD4C

RGB 112 173 76

HSL 97.73, 0.39%, 0.49%

LAB 64.85, -37.21, 43.07

 

CMYK 56 / 35 / 0 / 32

HEX #4C71AD

RGB 76 113 173

HSL 217.11, 0.39%, 0.49%

LAB 47.45, 5.04, -36

 

CMYK 0 / 56 / 35 / 32

HEX #AD4C71

RGB 173 76 113

HSL 337.11, 0.39%, 0.49%

LAB 45.97, 43.56, -1.62

 

CMYK 35 / 0 / 56 / 32

HEX #70AD4C

RGB 112 173 76

HSL 97.73, 0.39%, 0.49%

LAB 64.85, -37.21, 43.07

 

CMYK 56 / 0 / 10 / 32

HEX #4CAD9B

RGB 76 173 155

HSL 168.87, 0.39%, 0.49%

LAB 64.8, -32.93, 0.65

 

CMYK 21 / 56 / 0 / 32

HEX #884CAD

RGB 136 76 173

HSL 277.11, 0.39%, 0.49%

LAB 43.39, 42.79, -42.09

 

CMYK 0 / 56 / 46 / 32

HEX #AD4C5E

RGB 173 76 94

HSL 348.87, 0.39%, 0.49%

LAB 45.44, 41.4, 9.24

 

CMYK 35 / 0 / 56 / 32

HEX #70AD4C

RGB 112 173 76

HSL 97.73, 0.39%, 0.49%

LAB 64.85, -37.21, 43.07

 

CMYK 56 / 6 / 0 / 32

HEX #4CA2AD

RGB 76 162 173

HSL 186.8, 0.39%, 0.49%

LAB 61.99, -22.61, -13.58

 

CMYK 21 / 56 / 0 / 32

HEX #884CAD

RGB 136 76 173

HSL 277.11, 0.39%, 0.49%

LAB 43.39, 42.79, -42.09

 

CMYK 0 / 50 / 56 / 32

HEX #AD574C

RGB 173 87 76

HSL 6.8, 0.39%, 0.49%

LAB 47.26, 34.05, 22.57

 

Description

Color code: HEX #70AD4C | qconv.com Color code: HEX #70AD4C | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 173 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 173 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 56 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 56% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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