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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 97 173 76 it is the complementary color RGB 158 82 179. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 97 173 76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 97 173 76: RGB 102 173 71, RGB 119 191 90, RGB 136 209 109, RGB 153 227 128 and RGB 170 245 147

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 97 173 76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 97 173 76: RGB 97 173 76, RGB 80 155 57, RGB 63 137 38, RGB 46 119 19 and RGB 29 101 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 56 / 32

HEX #61AD4C

RGB 97 173 76

HSL 107.01, 0.39%, 0.49%

LAB 64.12, -42.23, 42.03

 

Complementary color

CMYK 12 / 54 / 0 / 30

HEX #9E52B3

RGB 158 82 179

HSL 287.01, 0.39%, 0.51%

LAB 47.7, 46.88, -38.61

 

CMYK 41 / 0 / 59 / 32

HEX #66AD47

RGB 102 173 71

HSL 101.76, 0.42%, 0.48%

LAB 64.3, -41.17, 44.66

 

CMYK 38 / 0 / 53 / 25

HEX #77BF5A

RGB 119 191 90

HSL 102.77, 0.44%, 0.55%

LAB 70.82, -41.19, 43.52

 

CMYK 35 / 0 / 48 / 18

HEX #88D16D

RGB 136 209 109

HSL 103.8, 0.52%, 0.62%

LAB 77.24, -41.11, 42.33

 

CMYK 33 / 0 / 44 / 11

HEX #99E380

RGB 153 227 128

HSL 104.85, 0.64%, 0.7%

LAB 83.58, -40.98, 41.14

 

CMYK 31 / 0 / 40 / 4

HEX #AAF593

RGB 170 245 147

HSL 105.92, 0.83%, 0.77%

LAB 89.84, -40.82, 39.97

 

CMYK 44 / 0 / 56 / 32

HEX #61AD4C

RGB 97 173 76

HSL 107.01, 0.39%, 0.49%

LAB 64.12, -42.23, 42.03

 

CMYK 48 / 0 / 63 / 39

HEX #509B39

RGB 80 155 57

HSL 105.92, 0.46%, 0.42%

LAB 57.51, -42.1, 43.14

 

CMYK 54 / 0 / 72 / 46

HEX #3F8926

RGB 63 137 38

HSL 104.85, 0.57%, 0.34%

LAB 50.79, -41.7, 43.92

 

CMYK 61 / 0 / 84 / 53

HEX #2E7713

RGB 46 119 19

HSL 103.8, 0.72%, 0.27%

LAB 43.98, -40.85, 43.88

 

CMYK 71 / 0 / 100 / 60

HEX #1D6500

RGB 29 101 0

HSL 102.77, 1%, 0.2%

LAB 37.06, -39.36, 42.75

 

CMYK 44 / 0 / 56 / 32

HEX #61AD4C

RGB 97 173 76

HSL 107.01, 0.39%, 0.49%

LAB 64.12, -42.23, 42.03

 

CMYK 53 / 0 / 56 / 32

HEX #51AD4C

RGB 81 173 76

HSL 116.91, 0.39%, 0.49%

LAB 63.47, -46.95, 41.11

 

CMYK 56 / 0 / 50 / 32

HEX #4CAD57

RGB 76 173 87

HSL 126.8, 0.39%, 0.49%

LAB 63.44, -46.77, 35.58

 

CMYK 56 / 0 / 40 / 32

HEX #4CAD67

RGB 76 173 103

HSL 136.7, 0.39%, 0.49%

LAB 63.67, -44.2, 27.58

 

CMYK 56 / 0 / 31 / 32

HEX #4CAD78

RGB 76 173 120

HSL 147.22, 0.39%, 0.49%

LAB 63.98, -40.98, 18.84

 

CMYK 44 / 0 / 56 / 32

HEX #61AD4C

RGB 97 173 76

HSL 107.01, 0.39%, 0.49%

LAB 64.12, -42.23, 42.03

 

CMYK 44 / 0 / 56 / 12

HEX #7EE062

RGB 126 224 98

HSL 106.67, 0.67%, 0.63%

LAB 81.09, -51.88, 52.03

 

CMYK 45 / 0 / 55 / 92

HEX #0B1409

RGB 11 20 9

HSL 109.09, 0.38%, 0.06%

LAB 5.34, -5.1, 4.21

 

CMYK 44 / 0 / 56 / 72

HEX #28471F

RGB 40 71 31

HSL 106.5, 0.39%, 0.2%

LAB 26.9, -20.54, 20.37

 

CMYK 44 / 0 / 56 / 52

HEX #447A36

RGB 68 122 54

HSL 107.65, 0.39%, 0.35%

LAB 46.2, -31.97, 31.39

 

CMYK 44 / 0 / 56 / 32

HEX #61AD4C

RGB 97 173 76

HSL 107.01, 0.39%, 0.49%

LAB 64.12, -42.23, 42.03

 

CMYK 56 / 0 / 1 / 32

HEX #4CADAC

RGB 76 173 172

HSL 179.38, 0.39%, 0.49%

LAB 65.28, -28.41, -8.1

 

CMYK 0 / 56 / 21 / 32

HEX #AD4C88

RGB 173 76 136

HSL 322.89, 0.39%, 0.49%

LAB 46.75, 46.69, -14.39

 

CMYK 44 / 0 / 56 / 32

HEX #61AD4C

RGB 97 173 76

HSL 107.01, 0.39%, 0.49%

LAB 64.12, -42.23, 42.03

 

CMYK 56 / 44 / 0 / 32

HEX #4C61AD

RGB 76 97 173

HSL 227.01, 0.39%, 0.49%

LAB 42.92, 15.03, -43.17

 

CMYK 0 / 56 / 44 / 32

HEX #AD4C61

RGB 173 76 97

HSL 347.01, 0.39%, 0.49%

LAB 45.52, 41.71, 7.51

 

CMYK 44 / 0 / 56 / 32

HEX #61AD4C

RGB 97 173 76

HSL 107.01, 0.39%, 0.49%

LAB 64.12, -42.23, 42.03

 

CMYK 56 / 0 / 1 / 32

HEX #4CADAC

RGB 76 173 172

HSL 179.38, 0.39%, 0.49%

LAB 65.28, -28.41, -8.1

 

CMYK 12 / 56 / 0 / 32

HEX #984CAD

RGB 152 76 173

HSL 287.01, 0.39%, 0.49%

LAB 45.44, 47.08, -38.71

 

CMYK 0 / 56 / 55 / 32

HEX #AD4C4D

RGB 173 76 77

HSL 359.38, 0.39%, 0.49%

LAB 45.07, 39.81, 19.07

 

CMYK 44 / 0 / 56 / 32

HEX #61AD4C

RGB 97 173 76

HSL 107.01, 0.39%, 0.49%

LAB 64.12, -42.23, 42.03

 

CMYK 56 / 16 / 0 / 32

HEX #4C92AD

RGB 76 146 173

HSL 196.7, 0.39%, 0.49%

LAB 57.18, -14.13, -20.88

 

CMYK 12 / 56 / 0 / 32

HEX #984CAD

RGB 152 76 173

HSL 287.01, 0.39%, 0.49%

LAB 45.44, 47.08, -38.71

 

CMYK 0 / 40 / 56 / 32

HEX #AD674C

RGB 173 103 76

HSL 16.7, 0.39%, 0.49%

LAB 50.81, 25.34, 27.14

 

Description

Color code: RGB 97 173 76 | qconv.com Color code: RGB 97 173 76 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 97 red, 173 green and 76 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
97 173 76 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 56 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 56% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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